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Mr. Bubble October 23, 2013

Posted by The Typist in cryptical envelopment, New Orleans, The Narrative, The Odd, The Typist, Toulouse Street.
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Studying the behavior of soap bubbles in a pan filling with water is not writing or working the day job but neither is it an excuse. When you live in the middle of the hurricane coast anything that creates a visible vortex immediately captures your eye. It is a lopsided storm, with bubble formation off to one side but you can see the soap and grease swirling around the falling water and watch the spawned mass moved toward the center and grow and you think of Solaris, watching the bubble island form in the middle, its center rising up as if volcanic but really a complex of bubble structures to transient to really study.

What is sentience? Why do the crew in Solaris think the planet a living thing? Perhaps they have gone mad from obsession and isolation, a possibility you must maintain until the very last moments of the film. We look in wonder at mystery and some will try to disassemble it like a clock, give names to quarks and postulate an unknowable constant to solve the equation and name the mystery. Others look at the mystery and see the working of an invisible hand, an indecipherable mind, and give it a name; bow down before it lighting josh sticks. The mystery of our own sentience lies somewhere in the middle, the ability to recognize mystery and bow our heads before it if only for a moment in unqualified wonder. Where you go from there is up to you.

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Oh Lord…Prove That You Love Me May 17, 2008

Posted by The Typist in cryptical envelopment, Dancing Bear, New Orleans, NOLA, Toulouse Street.
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And Buy the Next Round…

Lest we ever be accused of being too damned serious around here: Toulouse Street is not That Kind of Place, and that is why we chose to live here.

The dew upon their feet shall manifest. December 24, 2007

Posted by The Typist in cryptical envelopment, Dancing Bear, New Orelans, New Orleans, NOLA, Xmas.
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Not everyone in this nation is a Christian, and so many struggle with this season. For those who’s own world view does not tend toward the religious, I offer this gift of a favorite poem that has carried me through many a churchly holiday and more than one family funeral.

If this seems too solemn, then let all of the gods and spirits and sons of men join together and dance. The faster we go, the rounder we get.

Sunday Morning

1

Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.

2

Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measure destined for her soul.

3

Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind.
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.

4

She says, ‘I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?’
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote on heaven’s hill, that has endured
As April’s green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow’s wings.

5

She says, ‘But in contentment I still feel
The need of some imperishable bliss.’
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.

6

Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?
Why set pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.

7

Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feel shall manifest.

8

She hears, upon that water without sound,
A voice that cries, ‘The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay.’
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsored, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink,
Downward to darkness, on extended wings.

Two Landscapes December 8, 2007

Posted by The Typist in cryptical envelopment, Dancing Bear, Fargo, New Orelans, New Orleans, NOLA, poem, Poetry, Toulouse Street.
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I have known both these places, have walked in emptiness and felt that which fills the emptiness like water rushing into a bowl. In some places we call this god, and in others we call this ghosts. At the dark of the year, I struggle to see the difference.

1) I have heard the inevitable noise in the signal called silence, the crisp, static rustle of snow falling upon itself in perfect stillness far below zero.

2) I have seen what some call ghosts, the emptiness that outlines the shapes that make a place in a landscape, the space without which there is no form. I have felt the haunting when there is nothing in the landscape but the shape of a place and its essential emptiness.