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Greed, Stupidity and Censorship September 27, 2015

Posted by The Typist in literature, Odd Words, Toulouse Street.
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To: The Facebook Ads Team:
I am about to post this week’s column Odd Words promoting literary events. I don’t believe a listing of over a dozen literary events must be limited to people to people over 21 because one of them takes place in a bar. I am dropping the targeting on my listings back to age 16, where it was for the longest time.
Having had many ads rejected, I fully understand your policies. However, many literary events take place where alcohol is served, or served as a refreshment. And because of your algorithms, the only way to actually reach the close to 1,000 people who have Liked my page is via advertising. Unless I refuse to divulge the location of certain events, it is effectively impossible for me to share them.
If you wish spend Banned Books Week in a very public debate on your platform and every other one on the Internet regarding your policy, and the inability of the people who screen your ads to discern the difference between promoting alcohol and promoting literature, then by all means go ahead and reject it.

Mark Folse
Odd Words

Odd Words September 18, 2014

Posted by The Typist in Book Stores, books, bookstores, Indie Book Shops, literature, New Orleans, Odd Words, Poetry, Toulouse Street.
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This week in literary New Orleans:

& Thursday at 6 pm check out the weekly Spoken Word event #WordConnections at the Juju Bag Cafe.

& At 7 pm The Fiction Writers’ Group meets at the East Jefferson Public Library is a support group for serious writers of fiction. The group does not focus on poetry, essays or nonfiction. Events consist of critique sessions from group members, author talks and writing exercises. Free of charge and open to the public. Registration is not required.

& Every Thursday evening the New Orleans Poetry Brothel hosts a Poetry Hotline. Call 504-264-1336) from 8-12 pm CST and we’ll to hear an original poem.

& Every Friday The Rhyme Syndicate presents a spoken word open mic at Dish on Haynes Boulevard hosted by Hollywood. Doors at 8. Admission $7, $5 will college ID. Music by DJ XXL.

& Saturdays at 11:30 am its Story Time with Miss Maureen at Maple Street Book Shop. Wear your best hat! We’ll be reading Happy Birthday Madame Chapeau by Andrea Beaty, pictures by David Roberts. From the bestselling team behind Iggy Peck, Architect and Rosie Revere, Engineer comes this delightful and very stylish story about love, community, and friendship, with some fancy hats thrown in for good measure. Full color.

& Trisha Rezende, MFA, leads a dynamic writing workshop where students will produce, share, and critique texts while learning how to develop character, voice, and style Saturday 10:30 am – noon at the Nix Branch of the New Orleans Public Library.

& Saturday at 3:30 come meet author Lawrence Goldstone when he stops by Octavia Books to sign copies of his latest book, BIRDMEN: The Wright Brothers, Glenn Curtis, and the Battle to Control the Skies. From award-winning writer Lawrence Goldstone comes a gripping narrative of the to-the-death rivalry between the Wright Brothers and Glenn Hammond Curtiss, and a fresh look at a formative era: the astounding and dangerous early days of flight.

& Every Sunday at 3 p.m. The Maple Leaf Reading Series, the oldest continuous reading series in the south, founded by Everette Maddox, features guest poets and an open mic. This Sunday features a long awaited event– a new book from Ralph Adamo. Come by and hear Ralph read, pick up your copy, and enjoy some refreshments on us. Ever is a collection of poems begun at the turn of the 21st century, composed and revised through the beginning of the year 2014. In this, his 7th collection and his first following Waterblind: New & Selected Poems (2002), Ralph writes through wars, hurricanes and endurance of every sort. He writes about becoming a father after age 50 and raising two children in a time of transition and conflict, in forms ranging from tight couplets through prose poetry and various experimental turns. At times painfully lucid, at times opaque, simultaneously personal and universal, Ralph’s poems seek that most elusive goal: truth as far as language can pursue it.

Monday kicks off Banned Books Week with two events:

& At the main branch of the New Orleans Public Library, 219 Loyola Avenue, co-sponsored by the New Orleans Public Library, the Jefferson Parish Public Library, the ACLU of Louisiana, and the New Orleans Gulf South Booksellers Association, the evening promises to inform and entertain attendees with a stellar roster of participating authors and local luminaries.

Schedule to read are the following: Thomas Beller, author of J.D. Salinger: The Escape Artist; Nancy Dixon, author of N.O. Lit: 200 Years of New Orleans Literature; Bill Lavender, author of Q; Constance Adler, author of My Bayou: New Orleans through the Eyes of a Lover; Bill Loehfelm, author of The Devil In Her Way; Rebecca Snedeker, co-author of Unfathomable City: A New Orleans Atlas; Kim Vaz-Deville, author of The ‘Baby Dolls’: Breaking the Race and Gender Barriers of the New Orleans Mardi Gras Tradition; Stephanie Grace, New Orleans Advocate columnist; Charles Brown, Library CEO & City Librarian, New Orleans; Nevada Barr, author of Destroyer Angel; Amanda Boyden, author of Babylon Rolling; Maurice Ruffin, attorney and author with the MelaNated Writers Collective.

& Mid-City’s new bookstore Tubby and Coo’s on Monday features: 5:30-6:00 p.m. Open mic – customers read from their favorite banned books and 6:00-6:30 p.m.: Local romance author Farrah Rochon reads from her favorite banned book. On Tuesday 5:30-6:00 p.m.: Open mic – customers read from their favorite banned books and 6:00-7:00 p.m.: Local mystery authors Greg Herren & J.M. Redmann read from their favorite banned books.

& Susan Larson, the former book editor of the former Times-Picayune newspaper and member of the National Book Critics Circle hosts The Reading Life on WWNO (89.9 FM) on Tuesdays at 1:30 p.m. She features interviews with authors of local and national interest. Watch Odd Words on Facebook and Google+ on Tuesdays for a complete list of her guests and features.

& Michael Rubin, author of THE COTTONCREST CURSE, visits Octavia Books on Tuesday at 6 pm. The bodies of an elderly colonel and his comely young wife are discovered on the staircase of their stately plantation home, their blood still dripping down the wooden balustrades. Within the sheltered walls of Cottoncrest, Augustine and Rebecca Chastaine have met their deaths under the same shroud of mystery that befell the former owner, who had committed suicide at the end of the Civil War. Locals whisper about the curse of Cottoncrest Plantation, an otherworldly force that has now taken three lives. But Sheriff Raifer Jackson knows that even a specter needs a mortal accomplice, and after investigating the crime scene, he concludes that the apparent murder/suicide is a double homicide, with local peddler Jake Gold as the prime suspect. Michael H. Rubin’s The Cottoncrest Curse takes readers on the bold journey of Jake’s flight within an epic sweep of treachery and family rivalry ranging from the Civil War to the civil rights era, as the impact of the 1893 murders ripples through the twentieth century and violence besets the owners of Cottoncrest into the 1960s.

& At 6 pm Tuesday Peter Abadie presents Green in Judgement Cold in Blood at the Garden District Book Shop. Assassination is the template that binds this work together. Whether it’s the murder of the modern world through a political miscalculation during the Cuban missile crisis or through mistakes made in Indochina, the result would be the same. The individual assassinations of John F. Kennedy, Lee Harvey Oswald, innocent Russian peasants, Ngo Diem of Vietnam, his brother, Nhu, and even the Empress of Hungary, is a replete theme that hovers throughout the novel. The self-immolation by a Buddhist monk and the attempted assassinations of Fidel Castro, his brother Raul, and Che Guevara, adds considerable spice to the murderous stew. Couched behind most scenes are the actions of the four sets of brothers. Whether it’s the Kennedy, the Bundy, the Castro, or the Ngo Dinh brothers, their insatiable desire to rule was paramount in most of their decisions and in two of the four sets, it led to their demise.

& Tuesday at 7 pm the Jefferson Parish Library features Three New Authors at the East Jefferson Regional Library:

  • When the Lights Went Out in the City is the first children’s book for New Orleans native Christi Johnston Rice. With the help of Megan Kay Nolan’s illustrations, the book follows Flambeaux, a power truck, as he drives throughout the Greater New Orleans area during a hurricane power outage. It is an interactive “hide and seek” book with familiar sights, such as City Park, Audubon Zoo, and other local spots both parents and kids will enjoy. Christi Rice is a “born and raised” New Orleanian. She is a graduate of Mount Carmel Academy and she attended Louisiana State University and University of New Orleans. She is the marketing director for the professional organizer Clutter Clearer, LLC. This is her first adventure in writing a children’s book.
  • Hurricane Boy, by Laura Dragon. In this coming-of-age story, Hollis Williams matures in the traumatic events of Hurricane Katrina. Living with his siblings and his grandmother, Hollis’s greatest wish has always been to reconnect with his absent father. Through the turmoil of the storm and the ensuing tests of his determination, Hollis keeps this dream alive. Their home destroyed, Hollis and his younger siblings are taken to a shelter in West Virginia, where he discovers what family means and finds his own inner strength. Laura Dragon is a clinical social worker and a writer on the side. She has been writing for 20 years and Hurricane Boy is her first published novel. She says writing is harder work than she ever realized, but it’s been worth it.
  • This Day, by Kristen Hedgepeth. At 16 pages, This Day is a compact, illustrated volume that shows children why this day can be a better day than the one before. Hedgepeth believes there are many children who need something positive to help them face another day, especially if they have been abused, lost a loved one, are being bullied or having a rough time in todays’ challenging world. The book is dedicated to children affected by domestic abuse. A portion of the proceeds from the book will be donated to this cause. As a reminder, October is fast approaching and is recognized nationally as domestic violence awareness month.

& Every Tuesday night get on the list to spit at the longest running spoken word venue in New Orleans at Sweet Lorraine’s Jazz Club hosted by African-American Shakespear. Doors open at 7pm and the Mic pops at 8pm. It is $5 to get in.

& Wednesday at the Latter Memorial Library A Book Club Named Desire meets. Adults meet to discuss a local classic every fourth Wednesday of the month at 6 pm. For more information, contact Toni at tlmccourt@hotmail.com.

& At 8 pm Wednesday WHO be reading at the Poetry & Music at BJs’ Blood Jet Series at BJ’s at 8 pm. This week features Laura Theobold & Danielle Buchanan.

& Also on Wednesday come see some of your favorite poets break out of the traditional slam format and perform 1 and 2 minute poems in a multi-round competition 1t the Love Lost Lounge.. We’ll open the show with a brief open mic. Open mic sign up will begin at 7 on the day of the show. Due to high demand and a limited amount of spots, the slam is currently full.

& Every Wednesday at 8 pm at the Neutral Ground Coffeehouse there is an hour-long open mic poetry night (or fiction night; whatever you want to read really!).

Whoops, nailed the wrong guy–Kurt Vonnegut, Jr. for Banned Books Week September 26, 2013

Posted by The Typist in books, literature, New Orleans, Odd Words, Toulouse Street.
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I have been picking examples from the famous obscenity cases, but here is one from the ongoing battle against the banning of books by school boards and others, Ray Bradbury’s Fahrenheit 451.

But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn’t well connected . . . The
flaw in the Christ stories, said the visitor from outer space, was that Christ who didn’t look like much, was actually the son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought . . .
Oh boy — they sure picked the wrong guy to lynch this time! And that thought had a brother: There are right people to lynch.
People not well connected . . . . The visitor from outer space made a gift to Earth of a new Gospel. In it, Jesus really WAS a
nobody, and a pain in the neck to a lot of people with better connections then he had . . . . So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought . . . since the new Gospel hammered home again and again what a nobody Jesus was. And then just before the nobody died . . . . The voice of God came crashing down. He told the people that he was adopting the bum as his son . . . God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections.’

Voices indecent by me clarified and transfigur’d: Leaves of Grass 24 for Banned Books Week September 26, 2013

Posted by The Typist in books, New Orleans, Odd Words, Poetry, Toulouse Street.
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Walt Whitman, a kosmos, of Manhattan the son,
Turbulent, fleshy, sensual, eating, drinking and breeding,
No sentimentalist, no stander above men and women or apart from them,
No more modest than immodest.

Unscrew the locks from the doors!
Unscrew the doors themselves from their jambs!

Whoever degrades another degrades me,
And whatever is done or said returns at last to me.

Through me the afflatus surging and surging, through me the current
and index.

I speak the pass-word primeval, I give the sign of democracy,
By God! I will accept nothing which all cannot have their
counterpart of on the same terms.

Through me many long dumb voices,
Voices of the interminable generations of prisoners and slaves,
Voices of the diseas’d and despairing and of thieves and dwarfs,
Voices of cycles of preparation and accretion,
And of the threads that connect the stars, and of wombs and of the
And of the rights of them the others are down upon,
Of the deform’d, trivial, flat, foolish, despised,
Fog in the air, beetles rolling balls of dung.

Through me forbidden voices,
Voices of sexes and lusts, voices veil’d and I remove the veil,
Voices indecent by me clarified and transfigur’d.

I do not press my fingers across my mouth,
I keep as delicate around the bowels as around the head and heart,
Copulation is no more rank to me than death is.

I believe in the flesh and the appetites,
Seeing, hearing, feeling, are miracles, and each part and tag of me
is a miracle.

Divine am I inside and out, and I make holy whatever I touch or am
touch’d from,
The scent of these arm-pits aroma finer than prayer,
This head more than churches, bibles, and all the creeds.

If I worship one thing more than another it shall be the spread of
my own body, or any part of it,
Translucent mould of me it shall be you!
Shaded ledges and rests it shall be you!
Firm masculine colter it shall be you!
Whatever goes to the tilth of me it shall be you!
You my rich blood! your milky stream pale strippings of my life!
Breast that presses against other breasts it shall be you!
My brain it shall be your occult convolutions!
Root of wash’d sweet-flag! timorous pond-snipe! nest of guarded
duplicate eggs! it shall be you!
Mix’d tussled hay of head, beard, brawn, it shall be you!
Trickling sap of maple, fibre of manly wheat, it shall be you!
Sun so generous it shall be you!
Vapors lighting and shading my face it shall be you!
You sweaty brooks and dews it shall be you!
Winds whose soft-tickling genitals rub against me it shall be you!
Broad muscular fields, branches of live oak, loving lounger in my
winding paths, it shall be you!
Hands I have taken, face I have kiss’d, mortal I have ever touch’d,
it shall be you.

I dote on myself, there is that lot of me and all so luscious,
Each moment and whatever happens thrills me with joy,
I cannot tell how my ankles bend, nor whence the cause of my faintest wish,
Nor the cause of the friendship I emit, nor the cause of the
friendship I take again.

That I walk up my stoop, I pause to consider if it really be,
A morning-glory at my window satisfies me more than the metaphysics
of books.

To behold the day-break!
The little light fades the immense and diaphanous shadows,
The air tastes good to my palate.

Hefts of the moving world at innocent gambols silently rising
freshly exuding,
Scooting obliquely high and low.

Something I cannot see puts upward libidinous prongs,
Seas of bright juice suffuse heaven.

The earth by the sky staid with, the daily close of their junction,
The heav’d challenge from the east that moment over my head,
The mocking taunt, See then whether you shall be master!

OMG did he just say “vagina”? excerpts from Joyce’s Penelope episode from Ulysses for Banned Books Week September 25, 2013

Posted by The Typist in books, New Orleans, NOLA, Odd Words, Toulouse Street.
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Floey made me go to that dry old stick Dr Collins for womens diseases on Pembroke road your vagina he called it I suppose thats how he got all the gilt mirrors and carpets getting round those rich ones off Stephens green running up to him for every little fiddlefaddle her vagina and her cochinchina theyve money of course so theyre all right I wouldnt marry him not if he was the last man in the world besides theres something queer about their children always smelling around those filthy bitches all sides asking me if what I did had an offensive odour what did he want me to do but the one thing gold maybe what a question if I smathered it all over his wrinkly old face for him with all my compriments I suppose hed know then and could you pass it easily pass what I thought he was talking about the rock of Gibraltar the way he put it thats a very nice invention too by the way only I like letting myself down after in the hole as far as I can squeeze and pull the chain then to flush it nice cool pins and needles still theres something in it I suppose I always used to know by Millys when she was a child whether she had worms or not still all the same paying him for that how much is that doctor one guinea please and asking me had I frequent omissions where do those old fellows get all the words they have omissions with his shortsighted eyes on me cocked sideways I wouldnt trust him too far to give me chloroform or God knows what else still I liked him when he sat down to write the thing out frowning so severe his nose intelligent like that you be damned you lying strap O anything no matter who except an idiot he was clever enough to spot that of course that was all thinking of him and his mad crazy letters my Precious one everything connected with your glorious Body everything underlined that comes from it is a thing of beauty and of joy for ever something he got out of some nonsensical book that he had me always at myself 4 and 5 times a day sometimes and I said I hadnt are you sure O yes I said I am quite sure in a way that shut him up

Prescient v. Prurient: Reconsidering Henry Miller for Banned Books Week September 24, 2013

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I had a particularly juicy bit of the Tropic of Cancer, which I am reading for Banned Books Week, ready to post up when I came across this passage:

Nobody, so far as I can see, is making use of those elements in the air which give direction and motivation to our lives. Only the killers seem to be extracting from life some satisfactory measure of what they are putting into it. The age demands violence, but we are getting only abortive explosions. Revolutions are nipped in the bud, or else succeed too quickly. Passion is quickly exhausted. Men fall back on ideas, comme d’habitude. Nothing is proposed that can last more than twenty-four hours. We are living a million lives in the space of a generation.

Miller is remembered for his free-wheeling obscenity and obsession with sex, freely catalogued in a genre of his own creation, a transparent not-quite-roam a clef (in the sense that it did not fit the conventions of the novel of his time), works with Henry Miller as an indispensable central character. Tropic of Cancer, in this fashion, prefigures what would become the New Journalism in the 1960s. The passage above, written in the early 1930s, sounds like a something written last week, not last century.

I read The Air Conditioned Nightmare last year and was again shocked at how well Miller dissected the American character, how clearly he observed in the early 1940s the traps our transparent vision of individualism and exceptionalism would lead to, the ones we struggle to gnaw off our own legs today. While Miller is remembered by most, if at all, for his obsession with sex he ought to be remembered among figures like H.L. Menken and Hunter S. Thompson as fiercely perceptive critics of the inherent flaws in the American Dream.

If you want the prurient, you’ll just have to stop by Esoterotica tomorrow night where I’m seriously considering reading some of Tropic of Cancer instead of something original.

Howling for Banned Books Week September 23, 2013

Posted by The Typist in New Orleans, Odd Words, Poetry, Toulouse Street.
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Here is the approximately seven minute excerpt of Allen Ginsberg’s “Howl” I will be reading at the Banned Books event on the 29th.

I saw the best minds of my generation destroyed by madness, starving
hysterical naked,
dragging themselves through the negro streets at dawn looking for an angry
angelheaded hipsters burning for the ancient heavenly connection to the
starry dynamo in the machinery of night,
who poverty and tatters and hollow-eyed and high sat up smoking in the
supernatural darkness of cold-water flats floating across the tops of
cities contemplating jazz,
who bared their brains to Heaven under the El and saw Mohammedan angels
staggering on tenement roofs illuminated,
who passed through universities with radiant cool eyes hallucinating Arkan
– sas and Blake-light tragedy among the scholars of war,
who were expelled from the academies for crazy & publishing obscene odes
on the windows of the skull,
who cowered in unshaven rooms in underwear, burning their money in
wastebaskets and listening to the Terror through the wall,
who got busted in their pubic beards returning through Laredo with a belt
of marijuana for New York,
who ate fire in paint hotels or drank turpentine in Paradise Alley, death
or purgatoried their torsos night after night
with dreams, with drugs, with waking nightmares, alcohol and cock
and endless balls,
incomparable blind streets of shuddering cloud and lightning in the mind
leaping toward poles of Canada & Paterson, illuminating all the mo
– tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery dawns, wine drunk-
enness over the rooftops, storefront boroughs of teahead joyride neon
blinking traffic light, sun and moon and tree vibrations in the roaring
winter dusks of Brooklyn, ashcan rantings and kind king ligh
t of mind,
who chained themselves to subways for the endless ride from Battery to holy
Bronx on benzedrine until the noise of wheels and children brought
them down shuddering mouth-wracked and battered bleak of brain
all drained of brilliance in the drear light of Zoo,
who sank all night in submarine light of Bickford’s floated out and sat
through the stale beer afternoon in desolate Fugazzi’s, listening to the
crack of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to pad to bar to Bellevue
to museum to the Brooklyn Bridge,
a lost battalion of platonic conversationalists jumping down the stoops off fire
escapes off windowsills of Empire State out of the moon,
yacketayakking screaming vomiting whispering facts and memories and
anecdotes and eyeball kicks and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days and nights with
brilliant eyes, meat for the Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a trail of ambiguou
s picture postcards of Atlantic City Hall,
suffering Eastern sweats and Tangerian bone-grindings and migraines of
China under junk-withdrawal in Newark’s bleak furnished room,
who wandered around and around at midnight in the railroad yard wonder-
ing where to go, and went, leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing through snow toward
lonesome farms in grandfather night,
who studied Plotinus Poe St. John of the Cross telepathy and bop kabbala
because the cosmos instinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking visionary indian angels
who were visionary indian angels,
who thought they were only mad when Baltimore gleamed in supernatural
who jumped in limousines with the Chinaman of Oklahoma on the impulse of winter midnigh
t streetlight smalltown rain,
who lounged hungry and lonesome through Houston seeking jazz or sex o
r soup, and followed the brilliant Spaniard to converse about America
and Eternity, a hopeless task, and so took ship to Africa,
who disappeared into the volcanoes of Mexico leaving behind nothing but
the shadow of dungarees and the lava and ash of poetry scattered in
fireplace Chicago,
who reappeared on the West Coast investigating the FBI in beards and short
s with big pacifist eyes sexy in their dark skin passing out incompre-
hensible leaflets,
who burned cigarette holes in their arms protesting the narcotic tobacco haze
of Capitalism,
who distributed Supercommunist pamphlets in Union Square weeping
and undressing while the sirens of Los Alamos wailed them down, and
wailed down Wall, and the Staten Island ferry also wailed,
who broke down crying in white gymnasiums naked and trembling before
the machinery of other skeletons,
who bit detectives in the neck and shrieked with delight in policecars for
committing no crime but their own wild cooking pederasty and
who howled on their knees in the subway and were dragged off the roof
waving genitals and manuscripts,
who let themselves be fucked in the ass by saintly motorcyclists, and
screamed with joy,
who blew and were blown by those human seraphim, the sailors, caresses of
Atlantic and Caribbean love,
who balled in the morning in the evenings in rosegardens and the grass of
public parks and cemeteries scattering their semen freely to whom
– ever come who may,
who hiccuped endlessly trying to giggle but wound up with a sob behind
a partition in a Turkish Bath when the blond & naked angel came to
pierce them with a sword,
who lost their loveboys to the three old shrews of fate the one eyed shrew
of the heterosexual dollar the one eyed shrew that winks out of
the womb and the one eyed shrew that does nothing but sit on her ass
and snip the intellectual golden threads of the craftsman’s loom.
who copulated ecstatic and insatiate with a bottle of beer a sweetheart a
package of cigarettes a candle and fell off the bed, and continued
along the floor and down the hall and ended fainting on the wall with
a vision of ultimate cunt and come eluding the last gyzym of con-
who sweetened the snatches of a million girls trembling in the sunset, and
were red eyed in the morning but prepared to sweeten the snatch of
the sunrise, flashing buttocks under barns and naked in the lake,
who went out whoring through Colorado in myriad stolen night-cars, N.C.,
secret hero of these poems, cocksman and Adonis of Denver–joy to
the memory of his innumerable lays of girls in empty lots & diner
backyards, moviehouses’ rickety rows, on mountaintops in caves o
r with gaunt waitresses in familiar roadside lonely petticoat uplifting
s & especially secret gas-station solipsisms of johns, & hometown alleys
who faded out in vast sordid movies, were shifted in dreams, woke on
a sudden Manhattan, and picked themselves up out of basements hung
over with heartless Tokay and horrors of Third Avenue iron dreams
& stumbled to unemployment offices,
who walked all night with their shoes full of blood on the snowbank docks
waiting for a door in the East River to open to a room full of steam-
heat and opium,
who created great suicidal dramas on the apartment cliff-banks of the Hud
son under the wartime blue floodlight of the moon & their heads shall be
crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested the crab at the muddy
bottom of the rivers of Bowery,
who wept at the romance of the streets with their pushcarts full of onions
and bad music,
who sat in boxes breathing in the darkness under the bridge, and rose up to
build harpsichords in their lofts…

– See more at: http://www.poets.org/viewmedia.php/prmMID/15308#sthash.H271YdYW.dpuf