Trees April 11, 2016Posted by The Typist in Once Upon A Bayou, quotes, Shield of Beauty, The Mystery, The Narrative, The Sacred Grove, The Typist, The Vision, Toulouse Street.
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Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.
A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.
A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.
So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.
~ Hermann Hesse, Bäume. Betrachtungen und Gedichte
Pedestrian I: The Old Man in the Oaks February 29, 2016Posted by The Typist in cryptical envelopment, Pedestrian I, The Journey, The Mystery, The Narrative, The Typist, The Vision, Toulouse Street.
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Walking with intent, without the distraction of an iThing and ear buds and with attention to my environment, I find the most interesting things in the grove of oaks and other trees along the south side of Bayou Metairie. Among yesterday’s discoveries was The Old Man in the Oak. No, I’m not going to tell you where to find him. You will have to join me in walking with intent through what I have come to think of as the Sacred Grove.
Of course, when intent and attentive, one also notices certain vistas of great beauty. I make a habit of leaving the sidewalk and going cross-country as it were through the grove of live oaks, stepping over and through what I think of as gates made by the pendulant branches that come down and touch the ground only to ascend again. Below is a view I found particularly striking on Sunday. I call it the Lady in the Grove.
Finally, while wending my way through the gates (think walking straight ahead above toward the fountain, although the particular path I thread usually involves a much smaller passage), I found a rose stuck in the ground, framed by (and appearing to glare at) a green bottle cap with a bit of gold twist tie you can’t easily make out laying nearby.
Walking with Intent. It’s the only way to travel.
Yo soy yo y mi circumstancia February 27, 2016Posted by The Typist in cryptical envelopment, The Mystery, The Narrative, The Typist, The Vision, Toulouse Street.
“Yo soy yo y mi circumstancia” (“I am I and my circumstance”) (Meditaciones del Quijote, 1914).”
For [Jose’] Ortega y Gasset, as for Husserl, the Cartesian ‘cogito ergo sum’ is insufficient to explain reality. Therefore, the Spanish philosopher proposes a system wherein the basic or “radical” reality is “my life” (the first yo), which consists of “I” (the second yo) and “my circumstance” (mi circunstancia). This circunstancia is oppressive; therefore, there is a continual dialectical interaction between the person and his or her circumstances and, as a result, life is a drama that exists between necessity and freedom.
Wyrd Synchronicity February 5, 2016Posted by The Typist in cryptical envelopment, Imbolc, New Orleans, The Journey, The Mystery, The Narrative, The Typist, The Vision, Toulouse Street.
It is Imbolc, typically thought of as Brigid’s feast day. Somehow, I found myself at Yule falling into the myth of Frau Holle. Instead of simple decorations, I used the shelf that hosts the Shrine of Jazz and Heritage to erect a small altar to her. At Carnival, I stumbled through a link that took me past the usual matter on the pagan roots of Carnival and into the realm of the goddess Nerthus, one of the Vanir of Germanic (Heathen, if you will and as most prefer) goddesses. It seem as if at a point in my life when it is most necessary, my Germanic ancestors are calling me to a path of responsibility and righteousness. In spite of my acquired, indolent Carribean ways (perhaps because of them, the need to overcome them at this moment, to tend to what is necessary, to my kith and kin), the pull is in fact a specifically Wyrd synchronicity.
As I last posted, the parallels between Nerthus drawn on a cart by white oxen and our own, modern Carnival traditions struck a chord with me. So instead of twisting up a Brigid’s Cross as my friend Bart did today, over the last several days I have assemble on my public altar (born one long Jazz Fest ago as The Shrine of Jazz and Heritage) to Nerthus, who is like Brigid a goddess of fertility honored at this eighth-point of the earth’s orbital compass, the winter cross corner.
If it seems strange to honor a goddess of fertility when in much of North America the ground is frozen hard as a rock, consider the lighting of bonfires (a tradition still well honored here) at the dark of Yule and New Year’s, calling back the light. it is not so strange to call upon a goddess of the earth and fertility to return. Am I ignoring the old Biblical injunction about praying in public by putting this on the Shrine of Jazz and Heritage shelf? I don’t think so. I’m not a biblical person, anyway, and why not start a discussion with someone about alternate ways to honor our ruling and guiding spirits? My new neighbor up the street from Germany was much impressed by my small altar to Frau Holle this past holiday season.
Ay any account, that strange January of blooming tulip trees is behind us and we are back into our New Orleans winter just as we reach the winter cross corner. The pot of daffodils I found at the home center store seem to like this current weather just fine, and I hope to walk out of my girlfriend’s front door one day soon greeted by my favorite flower, long before the snow drops burst through in the higher latitudes. I love daffodils (and tulips, and all the bulb-borne flowers) because there is something so damned right about them in spring, the perennial bulb sleeping through the long winter in the earth, and then as the earth itself is awakening the daffodil emerges as Her messenger of the brightly painted tulip days to come.
Nerthus and Carnival February 2, 2016Posted by The Typist in Carnival, cryptical envelopment, The Mystery, The Narrative, The Typist, The Vision, Toulouse Street.
Ever wonder why there is a white bullock at the front of Rex? Below is an image of Nerthus, a Germanic deity whose worship involved a sacred cart pulled by white bullocks. Nerthus, close cousin to Freya, is attested by Tacitus, the first century AD Roman historian, in his ethnographic work Germania.
The word ‘Carnival’ is of uncertain origin … Usener drives “carnival” from currus navalis, the ship car, and finds its origin in some ship procession similar to that which figures in the cult of the goddess Isis. Certainly in the Middle Ages ship processions were held as spring celebrations in England, Germany and the South of Europe [and] the procession may take place either at Christmas or at the beginning of Lent; for the resemblance between the Kalends and the Saturnalia is paralleled by the resemblance between the Twelve Days and the Carnival.
The Court Masque
– By Enid Welsford
Hello, Cruel World January 27, 2016Posted by The Typist in cryptical envelopment, The Narrative, The Typist, The Vision, Toulouse Street.
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What Rough Beast? January 23, 2016Posted by The Typist in cryptical envelopment, New Orleans, The Journey, The Narrative, The Typist, The Vision, Toulouse Street, Whiskey Tango Foxtrot.
Tags: Bob Dylan, William Butler Yeats
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Say OK, I’ve had enough. What else can you show me?
I do not wish, Doc, to be healed
lose everything that is revealed
to those who turned away and kneeled
their backs turned to where bells are pealed
& chose to keep their eyes wide-peeled
to witness the world burning.