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Twenty Five: Haiku Zero February 10, 2014

Posted by The Typist in 365, cryptical envelopment, New Orleans, The Narrative, The Typist, Toulouse Street.
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When the observations come from an exponential family and mild conditions are satisfied, least-squares estimates and maximum-likelihood estimates are identical. The method of least squares can also be derived as a method of moments estimator.

The sparrow dancing in the leaf-stained, oil-leak rainbow puddle outside the Splish Splash is not an ironic haiku. There is too much dread in the atmosphere masquerading as overcast and low clouds, that phone call you are afraid will come, counting out the quarters one-by-one to zero. Reset. The leak-stained, leaf-oil rainbow puddle sparrow-dancing outside the Splish Splash is an iconic haiku. There is too much dread in that phone call you are waiting to come, counting out the clouds one-by-one until overcast, zero masquerading as quarters. Reset. The leaf-stained overcast is haiku zero, low clouds masquerading as a sparrow. The quarters will come, one-by-one, only if the phone dances. The puddle outside the Splish Splash is isotonic rainbow, counting out the oil-leaks one-by-one. Reset. Haiku is isotropic. The sparrow dances Splish Splash rainbows in th epuddle outside. Leaf-stained oily clouds one-by-one masquerading as low overcast. Count the dread phone call that doesn’t come as zero quarters.

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