Jumping the Groove October 22, 2012Posted by Mark Folse in cryptic envelopment, Fortin Street, Jazz, New Orleans, Shield of Beauty, Toulouse Street.
Tags: Ali Jackson, Snug Harbor, Victor Goines
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like a skittering stylus, a warp in the musical continuum when even the moderately sophisticated listener who is not a player loses connection to the time, the drummer Ali Jackson’s soft foot on the bass drum and his mad, scattering drum licks like the branches of lightning in a duo with Victor Goines’ tenor, playing inside the time that lifts the listener outside of the time, outside of Time entirely, into a void bright as stage light with only two voices, reed and drum, murmurs of appreciation and cocktail clink muted to zero, everything not born of breath and stick muted to zero, the players trading off one to the other, trafficking in time on a wavelength undefined by sine and cosine, mind to mind, instrument to instrument. When great players recalibrate time your body, unnoticed, still dies cell by cell but your mind is briefly illumined by the infinite, your life not longer but broader, your personal event horizon expanding in a perfect sphere to encompass everything which, in that moment, is not, the Big Bang and Gabriel’s horn reconciled.