Endless Vacation’s Last Parade October 14, 2012Posted by Mark Folse in cryptic envelopment, Gentilly, New Orleans, The Narrative, The Odd, Toulouse Street.
Tags: Endless Vacation, parade
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They came by twos and threes and fives by bicycle up Esplanade as I sat doing my laundry, everyone smiling like it’s a church picnic, the women all wearing something pink and gauzy in their hair, everyone dressed not quite in costume but like a circus on holiday. One guy had a horn case on his back. Something happening in the park, I tell myself as I crush my cigarette and go back into fold underwear.
I get home and toss the surplus dufflebag on the bed where it still lies. My son shows no enthusiasm for going to Blues Fest and frankly I have no stomach for crowds, beer and boogie today, a busy week behind me and another in front of me. I’m dead out on the couch when the sound wakes me coming up Fortin Street, a small band playing a slow, gay, vaguely European march, Nina Rota’s idea of a village band. I missed the banners in front, and call out to find they are Endless Vacation. “It’s their last parade,” I swear she said but in my half-awake, stuporous joy I might have heard them wrong. Most of them just walk wearing broad grins like masks, a few few high step and swing their arms high in time and others prace like parts of a carousel. They turn into the empty lot next door because it is there. The band stops in the middle and continues the same song, the same eight bars over and over again, and more of them break into a broad, skipping dance, a few by twos or threes join hands and do the same skip-dance in a circle.
I look for a camera, a microphone boom, a plump-faced man from off the wall of an Italian restaurant, hair pomaded high and back, to stand with a megaphone to shout directions but this is not Fellini, this is vérité, just another typically Odd bit of life in New Orleans, a reminder of why I am here. After perhaps five minutes, the banners move through the lot toward Maurepas and turn left against the one-way street. The parade slowly reforms, the solo dancers and circles aligning like filings to a magnet, and careens on toward downtown, the circus air fading in the distance, leaving the raucously quarrelsome feral parrots silent in the trees.
I stand on my stoop smoking, trying to reconcile Endless Vacation with a last parade and decide every parade must be the last until someone suggests the next, an inside joke informing their bright-eyed, psilocybin smiles. Perhaps they never mean to stop, the invincible certainly of youth, to march until they pass into that unrecorded ward where every day is sunny, Sunday and Carnival, leaving a puzzled city all humming the same song on Mondays as regular as red beans, with no idea where they heard it and unable to resist its lilting insistence.