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Death Will Tremble to Take Us December 5, 2012

Posted by Mark Folse in cryptic envelopment, New Orleans, Odd Words, Poetry, Toulouse Street.
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Death Will Tremble to Take Us

Isolation Is The Gift November 16, 2011

Posted by Mark Folse in cryptic envelopment, The Narrative, The Odd, Toulouse Street, Writing.
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First posted here 3/27/10. Some things bear repeating, like an incantation, until new things you perhaps never intended but you were meant for, were sent here for, materialize at your command; things monstrous and wonderful, the favor of the gods paid for in horrible scars.

“If you’re going to try, go all the way. Otherwise, don’t even start. This could mean losing girlfriends, wives, relatives and maybe even your mind. It could mean not eating for three or four days. It could mean freezing on a park bench. It could mean jail. It could mean derision. It could mean mockery–isolation. Isolation is the gift. All the others are a test of your endurance, of how much you really want to do it. And, you’ll do it, despite rejection and the worst odds. And it will be better than anything else you can imagine. If you’re going to try, go all the way. There is no other feeling like that. You will be alone with the gods, and the nights will flame with fire. You will ride life straight to perfect laughter. It’s the only good fight there is.”

— Charles Bukowski (Factotum)

Happy Birthday Bukowski August 17, 2010

Posted by Mark Folse in 504, books, cryptic envelopment, New Orleans, NOLA, Poetry.
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Today is Charles Bukowski’s birthday. Born Aug. 16, 1920 he was one of the most prolific poets of his generation. Some will quible with his work, and I offer this quote from an unpublished forward to William Wantling’s 7 on Style as the best answer I can manage in the middle of a busy day at work (Hat tip to TheRumpus.net for this).

Bukowski said of Wantling’s work, as anyone might of his own: “His writing didn’t contain the trickery and the sheen that the larger American poetry audience demands—and things never became easy for him, that’s why he continued to write very well…

At the end Bill was concentrating on Style. He knew about style, he was style, he had style. He once asked me in a letter, “What is style?” I didn’t answer the question. I had written a poem called “Style” but I guess he felt that the poem didn’t answer it entirely, but I still ignored the question. I know what style is now that I met Bill.

Style means no shield at all.
Style means no front at all.
Style means ultimate naturalness.
Style means one men alone with billions of men about.

I’ll say goodbye now, Bill.”

Happy Birthday, Buk.

Bluebird

there’s a bluebird in my heart that
wants to get out
but I’m too tough for him,
I say, stay in there, I’m not going
to let anybody see
you.
there’s a bluebird in my heart that
wants to get out
but I pour whiskey on him and inhale
cigarette smoke
and the whores and the bartenders
and the grocery clerks
never know that
he’s
in there.

there’s a bluebird in my heart that
wants to get out
but I’m too tough for him,
I say,
stay down, do you want to mess
me up?
you want to screw up the
works?
you want to blow my book sales in
Europe?
there’s a bluebird in my heart that
wants to get out
but I’m too clever, I only let him out
at night sometimes
when everybody’s asleep.
I say, I know that you’re there,
so don’t be
sad.
then I put him back,
but he’s singing a little
in there, I haven’t quite let him
die
and we sleep together like
that
with our
secret pact
and it’s nice enough to
make a man
weep, but I don’t
weep, do
you?

P.S.–If there is a god of firewalls, let me know what libation I need to pour out tonight for letting me get this posted from work.

P.P.S.–The books should arrive today. I couldn’t be more pleased with the timing. Sam was more worried about Mecury Retrograde and I probably should be too but I’m too busy enjoying this syncronicity.

I’m Not Bukowski November 6, 2009

Posted by Mark Folse in Dancing Bear, New Orleans, NOLA, The Narrative, Toulouse Street, Writing.
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“I’m not Bukowski,” Ray said the other day and, no, he’s not. He’s sober, for one thing, and certainly a better writer for it. We are both about as unlike Bukowski as possible: worrying about raising the kids, shuffling the litter of bills on the counter, lumbering into work when we’d rather be reading or writing. Bukowski is an idol but not for his life. Perhaps he had to live the way he did–the booze, the whores in cheap rooms–to get to those poems and stories but what is important is not if he was fond of slutty redheads or the brand of cheap drug store cigar he smoked but the words.

We envy those words and I think we envy his freedom if not his choices, the freedom to do what he damn well pleased and to chose above all to write. The rest of his life is just background and material, no more important than the polite coughing and murmurs on an old recording just before the conductor strikes his baton. I know I envy that freedom, a willingness to ignore the landlord pounding at the door demanding his greenbacks and focus on what matters, the sheet of paper in front of you. Perhaps more importantly I envy his decision at age 49 to walk away from his job and just write: “I have one of two choices — stay in the post office and go crazy … or stay out here and play at writer and starve. I have decided to starve.”

I’ve been reading a wonderful book of stories by a woman I found on the Internet who happens to live just a dozen blocks away. She’s a graduate of the local university’s writing program and I wonder how to structure my life so I could mostly write, how I could get into a writing program with only most of a degree in Eng. Lit. but there’s kids on the cusp of college, a newly refinanced mortgage, a job that pays for it all but demands monkish devotion. Reading and seeing Stephen Elliot got me thinking about Stegner Fellowships and then I picked up a book of stories the other day by a former lawyer from Baton Rouge, himself a midlife Stegner Fellow. But I don’t see how to do that. Ray and Sam and I were having a merry time in a string of emails the other day, discussing applying together for the local school’s summer fellowship: one of us each in fiction, creative non-fiction and poetry, and escaping to Italy for the summer to write but it won’t happen. Ray and I at least have obligations to our families and to the mortgage bank that keep us planted.

We’re not in the M.F.A. program but in our own class. In our forties and fifties, with a few things published, struggling to get to the next level of writing and recognition. We are at the point a lot of writers are in their twenties in terms of trajectory but we’re not twenty-two anymore. We’re on our own with day jobs and busy lives trying to swim upstream against the flood of writing program graduates. If you try to mine your own life there are things that would come out easily as thinly veiled roman à clef at twenty that we have to hide inside carefully constructed fictions, or simply scribble on manuscripts that never see the light of day. I think we’re more critical of ourselves because we’re older, and because we know we don’t have the M.F.A. staff and colleagues hovering over us to help us along. And somewhere in the background is a noisy dime store windup clock furiously ticking, shiny pot metal bells poised to ring. Ask not and all that rot; keep typing.

Rereading Ray’s recently revived blog, and the old post’s he is pulling out of storage, I consider that someday, some kid writer will look at the book jacket photo of this guy astride a motorcycle covered with tats and say, “Damn, I’m not Shea.” It’s not impossible; merely difficult, but we’re driven to do it and so it’s possible. I spent last night trying to pick some things off the blog to supplement my book reading Saturday and there’s some decent stuff here, better I think than some of what’s in the book. People occasionally tell me this, and so even though I haven’t earned enough off of Google referrals from these sites to buy a used paperback copy of Post Office and the book over there on your right should break even about the time I die, I keep going.

People who write, even cockroach bloggers like me lurking under the kick boards of literature, mostly don’t do it for the money. My wife asks when I’m going to write her a best seller we can retire on and I have to remind her the kids shooting hoops at the school up the street have a better chance at the NBA than I have at that, and that’s not what I want to do anyway. I just have a story I have to tell, something banging on my skull demanding to come out, something that arrives most easily in small autobiographical bits and not at novel length. And so I write it down here on the blog or on manuscripts with no clear path forward, at least none that takes me past this paragraph, but it beats the hell out of sitting alone in bars telling it to people who are only as attentive as they are drunk.

So you want to be a writer? March 7, 2009

Posted by Mark Folse in 504, New Orleans, NOLA, poem, Poetry.
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5 comments

As part of our continuing effort here on Toulouse Street to keep something up on the blog while I lay on the couch conducting an extended study of Brownian Motion in dust motes, here’s another lazy cut-and-post: this one featuring Charles Bukowski on writing and inspiration (or the lack thereof).

so you want to be a writer?
by Charles Bukowski

if it doesn’t come bursting out of you
in spite of everything,
don’t do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don’t do it.
if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words,
don’t do it.
if you’re doing it for money or
fame,
don’t do it.
if you’re doing it because you want
women in your bed,
don’t do it.
if you have to sit there and
rewrite it again and again,
don’t do it.
if it’s hard work just thinking about doing it,
don’t do it.
if you’re trying to write like somebody
else,
forget about it.

if you have to wait for it to roar out of
you,
then wait patiently.
if it never does roar out of you,
do something else.

if you first have to read it to your wife
or your girlfriend or your boyfriend
or your parents or to anybody at all,
you’re not ready.

don’t be like so many writers,
don’t be like so many thousands of
people who call themselves writers,
don’t be dull and boring and
pretentious, don’t be consumed with self-
love.
the libraries of the world have
yawned themselves to
sleep
over your kind.
don’t add to that.
don’t do it.
unless it comes out of
your soul like a rocket,
unless being still would
drive you to madness or
suicide or murder,
don’t do it.
unless the sun inside you is
burning your gut,
don’t do it.

when it is truly time,
and if you have been chosen,
it will do it by
itself and it will keep on doing it
until you die or it dies in you.

there is no other way.

and there never was.

This Is The Way The World Bends November 18, 2008

Posted by Mark Folse in The Narrative, Toulouse Street.
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“I was born to hustle roses down the avenues of the dead.”
–“Consummation of Grief”
Charles Bukowski

One of those bleak days when someone in an email thread starts quoting T.S. Eliot, and you look out of your office window to make sure the person spouting Old Possum is not standing out on a ledge staring off into space. Outside it is a beautiful Fall day in New Orleans: cool, sunny, no hint of humidity, the kind of day when you wished the fireplaces worked. Somewhere out there in the apple-crisp golden afternoon they are tearing down someone’s perfectly sound house. You can almost see the dust rising in the distance without knowing which way to look, because you know with some certainly that somewhere, out there it is happening.

It would be enough to drive one to drink, living in our wildly dysfunctional city, if drinking were an exceptional occasion down here. But we drink because it’s five o’clock somewhere and who says a Sazerac wouldn’t go with an Oyster Salad at the Palace Cafe at lunch? I think it would be just fucking lovely, much preferable to standing out on a windy precipice spouting Oxonian doom. In fact it’s probably the perfect way to cap a morning spent driving around admiring the homes and community buildings that will soon be a patina of stucco dust on an empty lot. Another sazerac? Absolutely.

The kind of day when you wished the fireplaces worked–that’s what I said, wasn’t it? That is what started this slow slide from a pumpkin-perfect November afternoon that became two drinks at lunch and the next thing you know you’re standing someplace you ought not be reciting The Hollow Men to the fire department. And all because someone suggested today that it was OK that New Orleans didn’t work, that this was part of the charm.

I have lived places where things work. And I have lived in places that are charming. While I can’t say I’ve lived in any place that was both at the same time, I know such places exist. New York is not charming, exactly, but it is a place that Orleanians are drawn to, and one of the few places from which they never return. Cajun Boys, too. And in comparison to New Orleans, it works. Hell, they just decided to let their mayor run for a third term, while we would be hard pressed to give ours a five minute running start before we loosed the dogs.

San Francisco is charming and the last time I checked it mostly worked. They weren’t randomly demolishing houses on Telegraph Hill or painting over the murals in the Castro with gray paint. The average Xcel customer pays $75 a month for electricity. Even if they have our ruinous fuel adjustment charges, that would still be a fraction of what we pay here. With the possible exception of Lombard Street the roads will not destroy a car in three years of use. Oh, and they have street cars. Not just two kinds, but three or four different models, plus cable cars.

Here the city demolishes houses in a way not quite random but almost like a puzzle in a mystery novel, a seemingly stochastic pattern like the rain of rockets on Pynchon’s London. You come away convinced their is some method to the madness, but you struggle to find one that will not drive you insane in the knowing of it.

The strange campaign to demolish wide swaths of the city is just one well-documented example of our spiraling dysfunction. Our mayor lashes out at a council member for racial slurs she never uttered, taking the word of a fabulously incompetent department head who spends her days visiting Whitney Houston web sites looking for fashion tips when she is not presiding over both the random home demolitions and a set of garbage contracts awarded to campaign contributors that would make Dick Cheney blush). Embarrassing? I guess you could say that, but it’s more maddening. If I start to tell you about the Sewerage & Water Board hiring a rabbit with a pocket watch to inspect the lines, stop me. It may not be true, but I would believe it in a second.

New Orleans is one of the great places in the world to live. It is also one of the most difficult, largely because of the sort of nonsense that passes for governance. When we talk about “what’s to eat” we mean which restaurant and not a strategy for survival. Then you read a story about a man three years after the Federal Flood speaking wistfully of what it would be like to have a refrigerator. And he’s not even Karen Gadbois, who has dedicated much of her life over the last three plus years to documenting and combating the slow destruction of the city not by wind or water but by a malicious incompetence. You would start quoting Eliot too, if you had taken up the burden she has carried all this time.

My own advice to her: don’t stop. We would trade the mayor, his extended family and everyone else on his floor of city hall just to keep you at it. The he charm of New Orleans isn’t just our food or our music or just our eccentric ways (bog bless ‘em), and it certainly is not the inmates who have taken over the asylum the way they have at City Hall. The charm is in the neighborhoods, not in a single abandoned property that could not be saved but in the whole swath of houses around it where everyone remembers St. Timothy who taught first grade, which tree came down in Betsy and took out everyone’s power, and what the Tuesday lunch special is up at the corner. It’s not just about savings houses or a corner church or store. It’s about saving a way of life

And if you want despair stay away from the hyper-intellectual overkill of Eliot. Nothing better fits a distracted and melancholic have-another-drink funk than Bukowski: pure despair for the savor of it, like a cheap cigar. But I would recommend instead that next time you drive the ‘hoods don’t just see the house with No Gas spray painted on it. Look at the ones all around, at the people on the stoop and the corner store that just re-opened. As crazy as it all seems at some level we’re winning because as whacked as daily life here can be we keep coming home.

Bukowski’s Bluebird July 3, 2008

Posted by Mark Folse in Toulouse Street.
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This is my answer to the poetry challenge posted by Be Not Inhospitable to Strangers to write something in response to Charles Bukowski’s Bluebird. (Cross posted from Poems Before Breakfast)

The poem removed pending publication in The Deal Mule School of Southern Literature.

Young in New Orleans March 3, 2008

Posted by Mark Folse in 504, cryptic envelopment, Dancing Bear, New Orleans, NOLA, poem, Poetry, quotes.
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By Charles Bukowski

starving there, sitting around the bars,
and at night walking the streets for
hours,
the moonlight always seemed fake
to me, maybe it was,
and in the French Quarter I watched
the horses and buggies going by,
everybody sitting high in the open
carriages, the black driver, and in
back the man and the woman,
usually young and always white.
and I was always white.
and hardly charmed by the
world.
New Orleans was a place to
hide.
I could piss away my life,
unmolested.
except for the rats.
the rats in my dark small room
very much resented sharing it
with me.
they were large and fearless
and stared at me with eyes
that spoke
an unblinking
death.

women were beyond me.
they saw something
depraved.
there was one waitress
a little older than
I, she rather smiled,
lingered when she
brought my
coffee.

that was plenty for
me, that was
enough.

there was something about
that city, though
it didn’t let me feel guilty
that I had no feeling for the
things so many others
needed.
it let me alone.

sitting up in my bed
the llights out,
hearing the outside
sounds,
lifting my cheap
bottle of wine,
letting the warmth of
the grape
enter
me
as I heard the rats
moving about the
room,
I preferred them
to
humans.

being lost,
being crazy maybe
is not so bad
if you can be
that way
undisturbed.

New Orleans gave me
that.
nobody ever called
my name.

no telephone,
no car,
no job,
no
anything.

me and the
rats
and my youth,
one time,
that time
I knew
even through the
nothingness,
it was a
celebration
of something not to
do
but only
know.

from: Last Night on Earth Poems, 1992
Copyright by Charles Bukowski.
It’s pretty widely distributed on the inter-tubes
but remains the properly of C Bukowski. I’m
just borrowing it.

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