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Daydream Believer April 8, 2013

Posted by Mark Folse in A Fiction, Shield of Beauty, The Narrative, The Typist, Toulouse Street.
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The tragic, formulaic sitcom of my life, as viewed with excessive empathy which renders too much of comedy painful. [I watched Synechdoche, N.Y. several times before someone pointed out it was a dark comedy.] Swallowing the draft of poison every day until I become invincible. Possible side effects include madness and sharing too much in writing.

“You give me a reason to live
You give me a reason to live
You give me a reason to live…”
– “You Can Keep Your Hat On”
    Randy Newman

Jumping the Groove October 22, 2012

Posted by Mark Folse in cryptic envelopment, Fortin Street, Jazz, New Orleans, Shield of Beauty, Toulouse Street.
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like a skittering stylus, a warp in the musical continuum when even the moderately sophisticated listener who is not a player loses connection to the time, the drummer Ali Jackson’s soft foot on the bass drum and his mad, scattering drum licks like the branches of lightning in a duo with Victor Goines’ tenor, playing inside the time that lifts the listener outside of the time, outside of Time entirely, into a void bright as stage light with only two voices, reed and drum, murmurs of appreciation and cocktail clink muted to zero, everything not born of breath and stick muted to zero, the players trading off one to the other, trafficking in time on a wavelength undefined by sine and cosine, mind to mind, instrument to instrument. When great players recalibrate time your body, unnoticed, still dies cell by cell but your mind is briefly illumined by the infinite, your life not longer but broader, your personal event horizon expanding in a perfect sphere to encompass everything which, in that moment, is not, the Big Bang and Gabriel’s horn reconciled.

The Blooming New January 1, 2012

Posted by Mark Folse in cryptic envelopment, New Orleans, Shield of Beauty, The Narrative, Toulouse Street.
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The highest of the downtown fireworks were just barely visible through the trees, but that hardly mattered. Lakeview resounded with something like the sounds of battle, a steady crackling like rifle fire and the wump and burst of artillery and the sky was alive with rockets and star shells, the bang whoosh snap pop hiss of burning metallic blossoms in the dark, dissolving into columns of smoke hanging hesitant in the sky then rushing past like a crowd of ghosts fleeing the ecstatic mayhem.

Lakeview announces to the mob that they have no need to crush themselves into Jackson Square but can drive to Gretna and peel off the hundreds to load their car with all the fireworks they need. I suspect they do not know the history of fireworks but as I stand in the street and watch the ancient Chinese art of lifting fiery flowers into heavens, inadvertently hoisting Sun Ra’s shield of beauty, and with these exuberant explosions of Li Tian’s gung pow simultaneously driving away the smoky ghosts and lingering demons of the old year, clearing the air for the new just as last night’s rain washed the new day clean of the last remnants of the old. I sit on the stoop of the backyard smoking and listen to the bells of Holy Rosary and they seem to ring with a clarity not explained by simple tricks of atmospherics. After last night’s purgative pyrotechnics the bells sound not to drive away but to draw together their faithful for the celebration of the old magic, the rite of transubstantiation.

Two crows fly over at a diagonal of the line between the church and their crossing severs ties to the past. The spell is reversed: flesh into bread, blood into wine, the labor and reward of a life moving forward, outdistancing the past. I feel like Scrooge reformed, want to rush into the streets wishing everyone a Happy New Year.

Thank you Lakeview and to everyone, without reservation or exemptions, a Happy New Year.

This Day a Child Is Born December 25, 2011

Posted by Mark Folse in cryptic envelopment, New Orleans, Shield of Beauty, Toulouse Street, Xmas, Yule.
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For, Lo! today a child is born in the East and her name is Rebecca and her name is Azra. His name is Mohamed and his name is David. His name is Kripalu and her name is Yasmin. His name is Kibwe and her name is Ngozi. Her name is Lian and his name is Chao.

And farther East, across the Pacific which means peace, where East meets West and the circle is closed, her name is Maria and his name is Jesús .

Wise men honor them all.

May the peace of the gods of their names be upon them.

A Long Winter’s Nap December 24, 2011

Posted by Mark Folse in 504ever, A Fiction, Dancing Bear, NOLA, peace, Shield of Beauty, Toulouse Street, Xmas, Yule.
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Toulouse Street is now on holiday autopilot until the eggnog is gone. I’ve posted a few of these before but we all have our own old chestnuts to roast and the one original story is rewritten and I think improved.

The sun has closed it’s circle and is born again. As we gather around the fire with our circle of family and friends to tell the old stories may it’s waxing light warm the hearts of believers and nonbelievers alike.

Village Ghetto Land December 8, 2010

Posted by Mark Folse in Dancing Bear, music, New Orleans, NOLA, Rebirth, Shield of Beauty, Toulouse Street, We Are Not OK.
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It has probably been 20 years since I last heard this song. I think I still have my vinyl but it’s somewhere I’m not, as is the turntable, or I might have played that record to death last night instead of climbing into bed at six to sleep off a burgeoning cold. It puts me in mind of Sun Ra’s words about lifting the Shield of Beauty against all the ugly of the world. I think of Stevie Wonder and Rahsaan Roland Kirk but the image of the blind seer has been with us since humanity first learned to tell stories. Just ask Tiresias should you be (un)lucky enough to find yourself in a position to ask.

I have very eclectic taste in music, but when I offered my son a copy of spoken word artist Katalyst’s CD he told me he’d been listening to gansta rap, something I have no use for. I was a professional propagandist too long to not take seriously the impact of glorifying violence, misogyny and death, and the evidence can be found all to often on the streets of New Orleans,sometimes lying cold in a pool of blood. This song is taken from the same mean streets, changed only since the 1970s by the drugs of choice and the efficiency of the weapons and the demolition of everyone’s momma’s house in favor of Urban Renewal (remember how well that worked in the Sixties and Seventies).

So somewhere here at the midpoint between Thanksgiving and Xmas, when most people are too busy at the orgy of shopping and parties to consider what these holidays are about, too deeply enmeshed in their traditional Xian faith to see the turning of the solar year as a time to stop and think about what those holidays tell them about the world, about the cyclical rebirth of the world and what opportunities that presents (think New Year’s resolutions), to sated by celebration to think back on all the parables of the Carpenter they’ve snoozed through the rest of the year, along comes this song and perhaps if they hear it, it will hopefully stop them in their tracks for a minute and give them pause.

I think I may buy a stack of those mini-CDs and give everyone I know this Christmas a single (with an A and B side of course) of this song and The Rebel Jesus (which I’m bound to post up here before too long).

I Am Upright April 13, 2010

Posted by Mark Folse in 504, New Orleans, NOLA, Poetry, Shield of Beauty.
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Somewhere at the confluence of Treme, wage slavery and poetry this popped into my head as I struggle through my typically dysfuntional morning. I can’t get a link on here because the Counting House fails to understand the business necessity of dialing out to MySpace for quick dip in the pool of sanity, prefering I go get more coffee. I made green tea instead, and popped Sanctuary: Music from a Zen Garden into the laptop, and turned it on over the speakers (workspace etiquette rules? in a knife fight?) to try to drown out the movers wrapping two dozen computers and monitors in brown paper and strapping tape in the walkway right outside my cube while I try to stuff 10 hours of work into an eight hour day without violating Generally Accepted Accounting Rules.

I used this quote to open my panel on the State of New Orleans Culture at last year’s Rising Tide, and it seems to belong in the cloud diagram of thoughts Treme is drawing on the inside of my skull. I need to get them out of my copy of Visio, as I need it for work.

I am not all right but I am upright. I am here, a warm body, clinking glasses with the dead.”
–O’Neil’s Lament, by NOLA Performance Poet Moose Jackson

P.S. Yes I managed to figure out how to get a link in here. Now back to work before someone comes down to supervise the packers and notices what I’m typing.

P.P.S. Must turn up the Japanese flute music a little louder to get the words Must Stop Thinking About Tomorrow to the Fleetwood Mac tune out of my head. Yes, I know those aren’t the right words.

When there is no sun February 4, 2009

Posted by Mark Folse in Jazz, music, New Orleans, NOLA, Shield of Beauty, Toulouse Street.
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As we crawl over the finish line of what I lately think of as “slump day” rather than “hump day”, here’s a soothing sea of darkness for travelers to the outer planets and other Odd folks, courtesy of the one and only man from Saturn.

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