Crisp November 3, 2013Posted by Mark Folse in Fortin Street, geo-memoir, lyric essay, New Orleans, NOLA, The Narrative, The Typist, Toulouse Street.
Tags: Fall Autumn
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To say the insubstantial air is crisp is to notice the absence of summer floral profusion, the sweet olive blossoms fallen and the jasamine gone to pods. Deprived of garden aromas and the spice smell of crawfish and shrimp boiling, the hearing becomes more astutue; the sounds of football and concerts carry through the evening air with the alacrity of flocks of starlings. As the flowers dwindle to funereal marigolds, the evergreen oaks’ deep green is familiar and comforting as a favorite sweater, the cypress and odd fellow’s oaks that dot the landscape like Jazz Fest banners echo the marigolds reds and oranges and yellows, hearth colors announcing the imminent birth of the cool.
Remember August 29, 2013Posted by Mark Folse in cryptic envelopment, Debrisville, Federal Flood, geo-memoir, ghosts, home, Hurricane Katrina, je me souviens, levee, New Orleans, NOLA, Sinn Fein, the dead, Toulouse Street, We Are Not OK.
I am not sure when I made this graphic. Friends in the core group of NOLA Bloggers who came together after the storm were talking about draping the blogs in black back in ’06 or ’07. I thought this was just simpler. And strangely, it never occurred to me to post it today until this morning until someone I just met a few months ago made it their avatar on Facebook.
I supposed I knew at some deep level the anniversary was coming. I still get email from the Rising Tide conference that core group of bloggers spawned years ago, which continues even without a lot of its founders who have moved on, and that is always on the weekend before or after. Still, Katrina–what we came to call the Federal Flood–was not in my mind. I have other worries: a son struggling in his first days of college, an ill mother, a play I want to mount, troubled friends and lovers, a complicated life.
The story goes on: the new levee authority sues the oil companies, the levees such as they are, are as fixed as they’re going to get, the giant gap along Marconi Drive at the Orleans Canal pumping station included. The blighted houses remain, some with their fading residue of rescue marks. The new pumps as the canals will or will not work when the time comes, and the evidence of tests is mixed at best.
As busy as I am I can’t help but feel that I dishonor the ghosts I made a commitment to years ago. I think of the folder of bloated bodies I collected via news photographer friends, lost with my last computer. I think of the abandoned homes I still see in Gentilly, “[t]hese empty shells of former lives that line so many streets … the windows staring lifelessly at broken sidewalks, the facades washed pale and colorless.”
I spent my crisis day this week, the day I made a cocktail at 3:15 p.m.to steady myself for all of the news of that day, going out with a friend to eat sushi and see Jon Cleary and drink a little too much for a weeknight. Lest you think me irresponsible I did all I could to board and shore up the catastrophes of that day, and then went out to escape it for a few hours in pleasant company. It’s how we do. Before I went out I had to go sell some things from the house we bought when I uprooted my family and brought them here to the heart of a disaster zone. I sold some pots and trellises to the Michelle Kimble, a pre-eminent preservationist both before and after the storm, and we talked about a lot of things. The storm never came up. After she left I looked at some tile art my ex-wife had bought laying on the floor for this weekend’s sale, including one of St. Francis Cabrini church. I left it there for the sale.
With all my current problems and work perhaps I have reached the point I wrote about long ago before I abandoned the Katrina-blog Wet Bank Guide. ” If history and the city consumes us all one-by-one but the city lives on, that perhaps what was always intended, why we were all lured home. In the end, perhaps [Thomas] Pynchon has given us the model to surviving It’s After the End of the World. If history has gone too wrong for any one of us to stop what is happening around us, maybe it is better to amble down a shady street in New Orleans without a particular thought in my head except the distant sound of what might be [Tyrone] Slothrop’s harmonica, to disappear into the random noise in the signal.”
Railroad Tales October 8, 2012Posted by Mark Folse in Fortin Street, geo-memoir, Memory, New Orleans, The Narrative, The Typist, Toulouse Street.
Tags: Alabama, Amtrak, Birmingham, Lincoln Beach, Shelby County, Southern Crescent
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12:06 p.m. Train 19 is waiting for a freight. Ballast, ties and razor wire, the statue of Vulcan in the distance gazing distractedly at a idle rail car salvage yard, capsized tankers and broken rust-brown boxcars like some hobo graveyard. The New South is just visible over the brickwork lofts where cotton factors and coke brokers once counted prosperity in locomotives: So long, Birmingham.
12:52 p.m. Where the line crosses the highway it’s crew-cut America, not a brick out-of-place, Golden Arches by Walgreen’s by Winn-Dixie, Advance Auto Parts and Pawn America, not a button missing but down a drive beside the tracks and just out of sight of Hardee’s there’s Harold’s Auto, dirty white stucco on the railroad side, a customer in front.
1:07 p.m.–We stop to let the northbound Crescent pass just up from the Tuscaloosa depot. Na-hah, no time for a smoke, the conductor says and by the time I’m back in my seat I’ve missed the chance at a snapshot of the station sign. When I pick up the phone again the little weather man says I’m in Green Pond. I look up and there it is outside, more blue than green except where the cypress are flooded just below my window.
1:54 The plastic compartment at the end of the car is not the gentlemen’s smoking compartment of the Southern Crescent I rode 35 years ago. I wash my hands and find the Formica “club car”. A fiftyish couple sit alone sipping Miller Lights. He’s in his Saints jersey. She is, I will later learn, bat-shit crazy drunk and hungry for company. He is just back from three months in rural Alabama. “A whole lotta nothing and cows. And they’ll steal anything right out your yard while you’re asleep: tractors, 18-wheelers.” No one on the platform wants to hear your story. It washes over them like a puff of smoke. They all want to talk, to tell you their’s.
2:05 p.m. You no longer slide past the blast furnace kitchen with its smoking stove to a table served by Black men in white jackets juggling the travel bottle liquor before they pour your drink. Refrigerated sandwiches, mostly gone. I’ve had too much good pulled pork to risk the cellphane version. I buy a water bottle at a stadium-seat price to carry back to my airline first-class coach seat. I need to study biology I remind myself, but look up at every flashing box car siding and am captured by the landscape as it rolls by in its monotony searching for that glimpse of variety. Every now and then a tar paper and trailer family compound is a creek and some trees away from a big brick ranch with horses in the back. Biology is hopeless.
2:15 p.m. We cross a river lined with chalk bluffs Google does not bother to name, somewhere just north of Livingston and west of Demopolis.
Active transport across the phospholipid bilayer is via locomotives and requires the expenditure of energy in the form of diesel.
2:35 p.m. I am ready for a cigarette. Every time we slow down for curve or a bit of bad track I touch the Zippo in my pocket as if it were a saint’s medallion but so far no luck. I am entirely at the mercy of a conductor who does not wear a pocket watch and manages his passengers via iPhone. I finish my Crystal Geyser and wish I’d packed a sandwich.
2:50 p.m. Gravel loading to a row of short hopper Southern cars, rusted lines of iron pipe, stacks of lumber, the utility co-op, pulling into Meridian. I will kill for a cigarette and a vending machine with a grander ambience than the club car.
3:07 Time for a smoke and a half, as the train stops to take on fresh water. There’s a boil order in New Orleans. Meridian has a pretty little station, all brand new that puts Birmingham’s dingy under-the-tracks kiosk to shame but there’s not enough time to step inside to look for anything to eat before they “board!” us back inside. We move 20 feet and stop. Look’s like it’s the club car microwave fare or nothing. I had hoped for a wrapped egg salad sandwich as I learned a long time ago that’s the safest bet under such circumstances. If it gives no indication of color, smell or taste it’s usually safe to eat. “Smell up the cars, it would,” the British-inflected attendant says.
A parade of graffiti
One chalk mark flower
Love in the railroad ruins
3:55 Somewhere in the deep south of Shelby County, Alabama a Scots-Irish mechanic with a misspelled French name utters an ancient German expletive while lowering a Japanese transmission.
Somewhere between Meridian and Picayune the landscape’s blur looses its relation to the speed of the train. Invasive vines strangle the stunted native pines, farmstead follows no ‘count town, all in endless repetition regular as freckles, an embryonic recapitulation of the South.
The tale falls off. Coffee. Biology. Pine trees.
5:18 p.m. Two hours out of New Orleans and they’ve put the coffee cups away so I get a crew cup free and must not tip. “I know. That’s the rules. I’ve got too many years to break them.” I take my little coffee and peanut M&Ms back to my car.
Past Hattiesburg the trees get twiggy, the bottom lands more often flooded. What once were rippling little rivers take on the somnambulant character of bayous. I am getting close to home.
6:22 Across the Pearl and Bogue Chitto, briefly leaving the spindly pines behind for cypress swamps and houseboats, then passing beneath I-10 and into Slidell. My Louisiana begins south of I-10, but we won’t be truly south of South, deeper south than any bit of Dixie in our own peculiar territory, until we cross the Lake and it becomes a cardinal direction unto itself.
6:39 What’s left of sunset over Lake Pontchartrain. Highway 11 has cut across and left us for the first time since we started. After the bridge the high embankment of New Orleans East, rip rap replacing ballast, and I watch for the sad skeletal pilings of the camps that once ran from Little Woods into town. I spot an intact gazebo and I’m suddenly surprised to find a half-dozen reconstructed camps. A little spit of scrub covered land behind a low chain link fence is all I guess remains of the ruins of Mayor Maestri’s “gently” segregationist Lincoln Beach, reminding me of where I’ve just come from. Across the Seabrook Bridge, bits of weather-worn wooden platforms are all that are left of the old, single-car lane with its wait-your-turn stop lights once tacked to its side like the old Huey P. Long and we are in the city.
I’m hungry. After that gazebo against the dying sky, the remains of the old Seabrook crossing to Haynes and it’s almost forgotten, gone-to-Kenner promise of fried oyster “boats”, it must be freshly caught and fried. Nothing else will do.
Monsoon Afternoon September 2, 2012Posted by Mark Folse in Fortin Street, geo-memoir, New Orleans, NOLA, The Narrative, The Typist, Toulouse Street.
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Taken in part from an old post to Wet Bank Guide on July 7, 2006.
The power is out again. As the storm pours down around me and the fan sulks quietly in the corner, I think: gin-and-tonic, no ice (best not to open the fridge, old boy). Time to take up the white man’s cocktail and succumb to the climate here on my comfortable mini-veranda. No, I correct myself. Just because I’m sitting on a porch in New Orleans in shorts and sandals in the cool of the downpour, I am not on vacation. This is my home. Inside is my office. The power will come back, and I will have to take up the burden again, to make the world a better place through the automation of banking.
I pad into the house, leaving the front door open to let in the storm cooled air, and make my way back for more iced tea. Taking the advice of my inner nabob, I gab an umbrella and head to the back shed to take some ice from the outside fridge. Nothing out there but ice trays, nothing to spoil should the power stay out. As I open the back door to the house, the rain-chilled air rushes in, reminding me that the shotgun floorplan was not built for easy target practice. The design allows, among other things, for the circulation of air through the house, front to back. It is an accommodation to the climate from the days when light came from lamps and ice was a rare treat this far South.
Europeans and their African slaves lived here for centuries before the widespread introduction of air conditioning, or even the simple relief of an electric fan or an ice-cooled drink. They built lives and houses and customs that made it livable. I had learned to live in this antique climate before I left, to make the same accommodations. My partner of some years was allergic to the nasty critters that make their homes in the damp of air conditioner condensers, and are blown out with the frigid air in search of sinuses to aggravate, and so I lived for several years here mostly without air conditioning, choosing old houses built before even electric fans were common place, running up the water bill instead of the light bill with more frequent showers. I chose my clothes in the same, sensible way. When left back in 1986, I arrived in Washington, D.C. with a suitcase full of Haspel suits and short-sleeved Oxford cloth dress shirts, a straw hat perched on my head.
I was quickly corrected against such a quirky if practical wardrobe. Here in America, with ubiquitous air conditioning and in-the-door chilled water and ice dispensers, where Ready Kilowatt had spit atom and electricity would someday be too cheap to meter, my wash-and-wear suits and short-sleeved shirts were a silly anachronism, an affectation inappropriate to the serious halls of Congress. Never mind that the climate of Washington is the same as New Orleans, simply a few less weeks of it. I succumbed and bought a new wardrobe.
When I came home to New Orleans and became a full-time telecommuter, I had promised myself I would dress every day in collared shirt (perhaps a polo, I allowed myself), with chinos, shoes and socks. I would dress as if I were headed in to the casual-every-day Midwestern office I had left behind, the company logo pin we are all encouraged to wear clipped just beneath my collar. It would be, I told myself, an important psychological aspect of becoming a full-time home worker.
Yesterday I wore socks for the second time since I abandoned this resolution. The last time I dug through my sock drawer was for dinner at Galatoire’s, and that seemed a worthwhile reason to clap myself from neck to ankle in tropical wool (dreaming of my long lost seersuckers), and pull on a pair of the lightest socks I could find. Today even the business casual polos are gone: sleeveless shirts, shorts and sandals are my daily work dress. This way, I reason, I can keep the air turned up and the fan turning and likely manage to both eat and pay the utility bill. It’s not slovenliness or affectation to dress this way. It’s just how to live in a country where the air is as thick as rain even on a sunny day, where thunderstorms are as routine as the passage of the mailman every afternoon, and the storms can sometimes steal away your modern lifestyle, and leave you sitting on the porch with a glass of tea, debating whether to open the freezer to steal some more ice.
The mailman (who unknowingly prompted this entire train of thought) makes his way through the curtain of rain under a blue poncho, the top held off his face by the bill of his ball cap. I wonder when the local mail carriers stopped wearing pith helmets, something you rarely see anymore. People increasingly retreat into their energy-efficient homes and forget how to live here. It’s not just simple matters of dress or habits. For most the marsh is something that occasionally smolders in the East, a place as remote as the farm that supplies the meat in the case next to the seafood counter. The back of town swamps are now simply the places we avoid driving through when the rain is measured in inches an hour. Slab houses flood because of the corruption of politicians, not as a fact of forgotten geography.
When the storm passes and the convection from the thunderhead is gone, the heat will come back like the wave of a tsunami. I’ll get up and close the doors to the house, and trap the storm cooled air inside. I won’t save the arctic ice pack, or even that much on my light bill, but I will have reclaimed some of what we have all lost over the last generation. I will recapture another small piece of how to live in a place called New Orleans.
Place Not Space August 20, 2012Posted by Mark Folse in books, geo-memoir, literature, New Orleans, Odd Words, Toulouse Street.
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Crap, another book I have to read. Actually two–Triburbia and Life, A User’s Manual–plus maybe re-read Dubliners. If Odd Words is a Geo-Memoir, as I have styled it, then I guess I need to keep up with the literature of place. And because sleep is such a goddamn waste of time:
Karl Taro Greenfeld, reviewers have been quick to do two things: compare Triburbia to Joyce’s Dubliners and pound on you about how dislikeable your characters are. Whereas I can see the comparison to Dubliners—that is, geography is story, geography becomes narrative—I don’t think that’s the most apt comparison. You two aim at very different things, with very different points of both departure and arrival. If anything, I think Triburbia is a lot like Georges Perec’s Life, A User’s Manual—this is no small compliment—only more modest in scope. The irony being your book is geographically situated in an entire neighborhood, whereas Perec’s is a mere apartment building. Much like both you and Joyce, Perec’s building becomes its own character.
— From HTMLGiant