Let It May 11, 2013
Posted by Mark Folse in cryptic envelopment, Dancing Bear, New Orleans, The Narrative, The Typist, Toulouse Street.Tags: Beatles, rain
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Having established a stable orbit and allowing for the radio delay from Saturn, we resume our old habit of Radio Free Toulouse Street.
Sin. Repent. Repeat. February 7, 2013
Posted by Mark Folse in Carnival, cryptic envelopment, Dancing Bear, Mardi Gras, New Orleans, Toulouse Street.add a comment
Cartoon moonjam madam meet Sir Sluralot on Chartres by noon or you’re on your own with the feather men & rum demon lizard stampede squeezing through Bourbon Street toward some bar-hell bathroom line where someone wearing that very feather (you’re sure of it) you lost at MoMs offers you to cut in line with a smile and a slip of his tipsy cup. This is just when Sir Sluralot and his calypso courtiers appear singing Indian and you turn around and the feather’s gone and so are you leaving that crew to call you tomorrow wondering where you went but your phone is dead beside the feather bed you found on Frenchman following the drums.
Thorsday January 10, 2013
Posted by Mark Folse in cryptic envelopment, Dancing Bear, New Orleans, Toulouse Street.Tags: Thor
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Thursday. Thor’s Day. The hammer wielding guy wasn’t so bad. To steal baldy from Wikipedia: “In Norse mythology, Thor (from Old Norse Þórr) is a hammer-wielding god associated with thunder, lightning, storms, oak trees, strength, the protection of mankind, and also hallowing, healing, and fertility. The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar (runic þonar ), stemming from a Common Germanic *Þunraz (meaning “thunder”).”
Here is a symbol typical of his hammer Mjolnir with interesting Celtic aspects to the scroll work that appear on almost every example I looked at.
Storms and oak trees, hallowing and fertility: I think if he was looking for a winter getaway he’d feel right at home in New Orleans.
Cryptic Envelopment December 21, 2012
Posted by Mark Folse in cryptic envelopment, Dancing Bear, New Orleans, The Typist, Toulouse Street.Tags: Jerry Garcia, New Yea, solstice, The wheel.
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The faster we go, the rounder we get.
Happy New Year.
It’s After the End of the World December 21, 2012
Posted by Mark Folse in cryptic envelopment, Dancing Bear, New Orleans, Toulouse Street, We Are Not OK.Tags: apocalypse, calendar, Macha, Maya, Mayan, Pacha
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“It’s after the end of the world. Don’t you know that yet?”
– Sun Ra
I did not see the end of the world up close and personal, but I lived it with a vicarious survivor’s guilt seven years ago that was–for me–world shattering.
Shall we rehearse those memories, if only to put to rest the nonsense of millennial crazies? It is an exercise more appropriate to Good Friday than Christmas so let it pass. I will not mar your holiday with that old crown of thorns.
And yet it is fitting to remember as the great Mayan wheel turns from Macha to the Pacha that the elders of that race promise a transformation not of the universe but of the hearts of men. In New Orleans we live with peril the way the rest of America lives with Starbucks, ubiquitous and just around the corner. Men have gashed canals into the earth and sucked the black blood of the ancestors, collapsing geological into historical time and dooming the lands and cultures of the Creoles and Acadians to eradication. It is not possible to forget that the great cities of the Maya lasted centuries longer than New Orleans can survive. One can only hope that instead of the false apocalypse people remember the words of the Mayan elders, who tell us that the the new cycle, the Pacha, will be the end of man’s dominion, the lifting of Yahweh’s curse, and the beginning of a time of humanity’s cohabitation with the earth and with each other. A thousand years from now, let the broken towers of downtown rise up from the water to remind everyone of the foolishness of the past.
Here on Fortin Street, a dozen miles as the crow counts from The End of the World Marina, it is Solstice not Apocalypse. Here it is already after the end of the world. Tonight I will kindle a fire in the cold clear night and roast meat and drink strong ale as my German ancestors would have done. If tonight there are parties in New Orleans we do not mock anyone’s gods. We thank our own, the tangled saints of Africa and Spain and the gods of our ancestors, for another day and a year to come on this fragile land.
October 1, 2012
Posted by Mark Folse in cryptic envelopment, Dancing Bear, New Orleans, Toulouse Street.add a comment
“. . . I am going to put a shield of beauty
over the face of the earth to protect us.”– Sun Rha
Off to Room 107 on Broad to resolve my son’s unpaid moving violation (not my fault, but somehow I made the online payment and get to go and settle it). I am harboring a Wanted Man for the time being.
Then off to the downtown tower, hair freshly cut and braid tight and hidden behind my collar, to spend the next couple of days with the bossmens.
I will come home with my Shield of Beauty or on it.
It’s after the end of the world. August 2, 2012
Posted by Mark Folse in cryptic envelopment, Dancing Bear, New Orleans, Toulouse Street.1 comment so far
Don’t you know that yet?
– Sun Ra
Going Home July 16, 2012
Posted by Mark Folse in Dancing Bear, New Orleans, Toulouse Street.Tags: Frenchman Street, Lionel Batiste, Marigny, second line, Uncle Lionel
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When I pitched face down on the floor of The Barrel with no assistance from the tricky step up to the bar, I knew it was time to go look for the second line. Sam and I split a sandwich from the grocery across the street earlier, I think, but clearly I needed movement, fresh air in my face. “Purpose,” I shouted as people helped me up from the floor. “I’m going to scout for the second line.” I glanced at half a Jockamo on the table but decided I was fully prepared to reconnoiter over the broken sidewalks leading to St. Claude and Elysian Fields. “Are you su..?” “YES. I’ll text you when I see them.”
Outside the overcast broke for a moment, a good omen for Uncle Lionel’s sendoff I thought. The glimpse of blue, the air on my face as I moved up Frenchman, focused on Royal Street just ahead, my artificial horizon, a dancing bear balanced on the balls of my feet, I moved through a lucid dream, wide awake and walking through an invisible gelatinous substance. Right at Frenchman, a glance at the old folks’ apartments where Uncle Lionel spent his last days at which the second line would stop soon, then a left at Elysian Fields, St. Claude just ahead. Purpose, I thought, walk with purpose, my internal gyroscope, leaning forward at the precise angle that converts the lifting of feet into momentum, a swagger stagger as straight as a swizzle stick.
At St. Claude there were hot sausage and cheese po-boys $7, two women waiting for the bus and no sight or sound of a second line. When I came to a stop purpose got all wobbly and I leaned against the newspaper machine, shielding my eyes. Someone switched on the sun the moment I stepped out onto St. Claude. Nothing. I sent a text back to The Barrel: “638 no sifn od daocid/or/Wnd/lon @ Stclaude/and/ukusian.” The newspaper machine did not seem particularly steady so I crossed the street into Walgreens and bought an energy drink, and took out some more cash. I was on the route and I knew the second line was somewhere down St. Claude so I crossed to the neutral ground and headed in their direction. Purpose, gyroscope, horizon, movement.
The worthless sun-sensitive lenses in my glasses finally adjusted and I could hear but still not see a band in the distance. I stopped and sent another text: “Indinana hwew ehwy comw.” I managed the two blocks down to Touro and saw the second line, police in front. “Police comin 2ns line c”5 +3 %!e+32&8”#,” I wired back to The Barrel. “Drums comin’,” I managed two minutes later. The second line had come to a halt at Touro Street, the scheduled end of the route. “Srtopped at tojro,” I sent back at precisely 7 p.m.. The parade was to come up to Frenchman Street, past the bars where Uncle Lionel spent the last evenings of his long life, dressed in smooth, perfect suits, diamond stick pin and cane, a sharp hat. Everyone was waiting on Frenchman Street not realizing the parade permit had expired at seven and the police forced a stop, that the second line had managed six blocks in two hours and was over. I noticed a group of tubas above the crowd turning down Touro. A piece of the crowd peeled off and followed and so did I. It didn’t matter that the official second line had shutdown at Sweet Lorraine’s and the police didn’t seem to notice the impromptu parade escaping on a side street.
I lost my artificial horizon but was caught up in the flow and the music, just another fish in the school, swinging and swaying in time with the crowd, and no thought of how or where to go. No point to counting blocks or moments. What thought does the fish give to the river except to drink deep and follow the current? I took a few camera phone pictures and three seconds of video. Later I liked the ones of blurry feet dancing in second line in particular, and the two that are upright and in focus. I had abandoned the thought of another text message. We would be there soon enough, the high, bright tubas trumpeting the herd toward Frenchman.
No one expected a parade to come up Kerlerec and hook down Chartres. We were coming from the wrong direction and found no one on the street but the usual crowd you might watch from the Barrel’s bench. The now silent tubas moved as a group toward d.b.a, the crowd scattered and dissolved into the bars. I lurched toward the Apple Barrel where, according to the one reply text message I stopped to read, there was whiskey and Herbie and the umbrella I’d left behind. I arrived just in time to save tee totaling Herbie from the devil whiskey and recover my umbrella, apparently not as attractive as the vanishing Zippo I’d once left on that bar for a minute. I managed my way to the table without another fall and someone slapped a Jockamo in front of me. The Marigny had their parade for Uncle Lionel and no one noticed, except the lucky hundred-and-some who followed the tubas home.
Can’t find my way home June 17, 2012
Posted by Mark Folse in cryptic envelopment, Dancing Bear, New Orleans, The Narrative, The Typist, Toulouse Street, Uncategorized.add a comment
The true light awaits.
Come out of your hermit’s cave
Detached from the past
If you cannot fathom the relationship between the poem and the song it is not the true light that you see. Return to your cave and consider that the next time I climb this mountain my aging form may become as the fallen leaves. The trees will grow taller, stronger and more beautiful. Meditate on this until you hear and smell and taste the light.
Apollo 13, this is Houston s s s s s s s s s June 14, 2012
Posted by Mark Folse in cryptic envelopment, Dancing Bear, Fortin Street, The Typist, Toulouse Street.add a comment
Mystic Order of Memories February 19, 2012
Posted by Mark Folse in cryptic envelopment, Dancing Bear, New Orleans, Toulouse Street.Tags: MoMs Ball, Radiators
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” . . . MoM’s had always been one of my favorite things about Mardi Gras, a gathering of all who chose to live in the fabric of Mardi Gras and not just inhabit a costume for a few hours, a party only the resolutely dissolute can enjoy, or survive. MoM’s is what I hope Saturday night in Hell will be like, should I find myself stuck there between planes. But thousands in a shed did not hold up to the memories of hundreds in a hall in Arabi decades before. I don’t know if I will return to MoM’s, preferring this one true memory of carnival’s past. And then I can say well, I don’t go anymore, you know, but back when . . .”.
– ‘The Last Mardi Gras”, one of my contributions to A Howling in the Wires
I knew it wouldn’t be the same. I had seen the last MoMs with the Radiators as the band. I knew I didn’t have time to put together a proper costume last week. I knew I would likely be playing Daddy Taxi even though its not my week. I knew I had to get up only a few hours separated from the time I would likely get home, and clean house before my son comes over Sunday, at least vacuum and dust for his allergies, and clean the bathroom and probably mop the kitchen, too. I knew after I cleaned I ought to begin to type up my paper abstract for Chaucer, to see if I really had enough supporting material to write a paper on a subject that appears no where in the Annotated Bibliography of Chaucer’s The Knight’s Tale. I knew my responsibilities like the weight of of an elaborate costume.
I knew as I dropped off a car load of friends on Convention Center Boulevard I should have gone.
A Long Winter’s Nap December 24, 2011
Posted by Mark Folse in 504ever, A Fiction, Dancing Bear, NOLA, peace, Shield of Beauty, Toulouse Street, Xmas, Yule.add a comment
Toulouse Street is now on holiday autopilot until the eggnog is gone. I’ve posted a few of these before but we all have our own old chestnuts to roast and the one original story is rewritten and I think improved.
The sun has closed it’s circle and is born again. As we gather around the fire with our circle of family and friends to tell the old stories may it’s waxing light warm the hearts of believers and nonbelievers alike.
23 Skidoo December 17, 2011
Posted by Mark Folse in Toulouse Street, New Orleans, NOLA, Dancing Bear, cryptic envelopment, The Odd.Tags: Jesus, John Prine, The Lost Years
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No Hostilidays on Toulouse Street this year, but here’s a bit of holiday cheer in honor of John Prine’s visit to all good little boys and girls tonight.
Fairy Sybil Flying December 7, 2011
Posted by Mark Folse in Toulouse Street, New Orleans, Dancing Bear, cryptic envelopment, The Odd, The Narrative.add a comment
Somewhere high in this cold grey sky lie the mountains of the moon.
Cassidy November 21, 2011
Posted by Mark Folse in Toulouse Street, Dancing Bear, cryptic envelopment, The Odd, A Fiction.add a comment
The Grateful Dead’s Cassidy blasting through the dashboard, the hiss of the cranked, antiquated cassette deck of an ancient Custom 500 Interceptor, seals gone, car trailing a cloud of Sean Connery smoke covering a James Bond escape until the rusted iron head expands and the clattering cams dream again of high speed pursuits, the hiss of the cassette and the hiss of the balding tires passing over the long swamp causeway.
Cassidy is an elegy, yes, but not just a vanishing into the final night but the promise of tail lights merging into the arching continental darkness brilliant with Arcturus-red stars, an amphetamine stream of consciousness tossing worry like empties out the window, hurtling toward le petite morte, a flowering satori in a pair of cornflower blue eyes. Out there. Somewhere. Release. And you have to find it.
Until you understand why men go out for cigarettes in Mid-City and don’t stop until they hit Beaumont there’s no point in continuing this story. Rewind and play the song again, another pass at perfect harmony, another cigarette, another beer can clattering onto the shoulder, another chance
Cassidy November 21, 2011
Posted by Mark Folse in cryptic envelopment, Dancing Bear, The Narrative, Toulouse Street.Tags: Cassidy
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An elegy yes, but one fraught with possibility, vanishing perhaps not into the next world but roaring down a dark desert highway, tail lights merging into the arching continental darkness brilliant with stars, Benzedrine stream of consciousness hurtling toward le petite morte, a flowering satori in a pair of cornflower blue eyes.
They’re all wasted November 3, 2011
Posted by Mark Folse in cryptic envelopment, Dancing Bear, music, Toulouse Street, We Are Not OK.Tags: Lifehouse, Pete Townsend
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“There once was a note. Listen.”
–Peter Townsend, “Pure and Easy”
Below is the version of Teenage Wasteland originally written for Peter Townsend’s concept performance/rock opera Lifehouse, which in most of its versions is about a dystopic future in which everyone is living connected to The Grid, inside suits that isolate them one from the other. All of their experiences take place alone in tubes to which the suits can connect. Some of the lyrics are familiar, some you have probably not heard before. You can find them here. The antidote to this dystopia is the emergency of an old guru who remembers ancient rock-and-roll, and its cathartic, Dionysian power.
In some ways the prescient concept of Matrix (if not the rest of the story line) captures this moment perfectly.
I think of my own children, slaves of the Grid realized, the careful constructs of cable television and Internet. Controlled by media conglomerates, the Grid stands ready to package and sell them commoditized lifestyles of conformist rebellion suited to their particular taste, from the decadently preppy world of leering models at American Apparel to the depths of industrial goth. Come on in, kid, we have just what you need to rebel and conform all at the same time.
We of their parents generation still live in a personal era in which rock-and-roll is not the forgotten art of the Lifehouse or a carefully scripted commercial soundtrack, but in which the healing power of a song called on in a moment of distress is like that of prayer, with the promise of being born again not in the spirit of the Xianists but as cleansed and refreshed human beings, eyes and hearts open. That was Townsend’s concept for Lifehouse. At its best and before the media conglomerates absorbed the genre rock-and-roll was about not about unbridled freedom (an inverted nihilistic illusion) but about a genuine rebellion, a rejection of the past in favor of a future of possibility, a future still malleable to the hands of people (not just the children) seeking and ready to make the world their own place. It is an idea that must not be allowed to die.
Somewhere It Is Tuesday November 1, 2011
Posted by Mark Folse in cryptic envelopment, Dancing Bear, je me souviens, New Orleans, Remember, Toulouse Street.Tags: All Saints Day, Halloween, Samain
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Tonight we have mimicked and mocked death.
Tomorrow (this morning) we go to our city in minature cemeteries to be with our dead, and then have lunch in their honor.
Somewhere else in America it is Tuesday.
Har, vast ye wanderers October 27, 2011
Posted by Mark Folse in Toulouse Street, New Orleans, Dancing Bear, cryptic envelopment, The Odd.add a comment
So of course its my last night together with my soon to be former coworkers unencumbered by early flights pr other inconveniences and drink has been taken and the jukebox of the Old Absinthe Bar tested to it limits but I must cab it home and reclaim my car as i have a box of stuff to haul home from my last day of work and must ferry these same coworkers to Jaques Imo’s tomorrow (tonight in fact) but first there is the damned radio set on WTUL-FM and I don’t know why but I think back to the early 1970s, when the station broadcast in single watts from an antennae all of four stories atop the student union and I was a radio geek who managed an antennae that could pull them in and it was about the time Larry found this albums in the garbage behind Lenny’s Music on Harrison Avenue and by some accident of fate I heard the same record played on WTUL and it was maybe 1971 and I would call in as the Lone Lakefront Listener and could command Micheal Perlitch of them and they would play it because it was 1971 and it was a low power campus radio station and some madman from a half-dozen miles away would call and introduce himself as the Lone Lakefront Listener and how could you resist such an obscure request from such an obscure listener and as my job winds down to done almost 40 years later I listen to ‘TUL on my way home and want to call and make the request but I can’t quite catch the number much less dial it while driving and I have to settle for the copy I put up on YouTu8be long ago and think as my job comes to its end that I am embarked on Perlitch’s Blue Sky Ocean.
“…to the far side of the deep blue sea is the island its waiting for me on my blue sky ocean…”
Unloose the topgallants and we’ll be there before morning…
Time Take 1 October 18, 2011
Posted by Mark Folse in Toulouse Street, Dancing Bear, cryptic envelopment, The Odd.add a comment
There are days only David Bryne being mounted by the loa consoles.
“Time isn’t holding us. Time isn’t after us.”
Potter’s But Not Forgotten October 15, 2011
Posted by Mark Folse in cryptic envelopment, Dancing Bear, je me souviens, odd, Remember, the dead, Toulouse Street.2 comments
Eprit d’escalier October 14, 2011
Posted by Mark Folse in cryptic envelopment, Dancing Bear, New Orleans, odd, The Narrative, Toulouse Street.add a comment
Am I coming? Are you going? Where was it again? When? What’s the story, morning glory? What’s the frequency, Kenneth?
Are we here yet?
Excuse me, I was just leaving. I’ve got a quarter for Zoltar & I’m off to find the man who wasn’t there.
The faster we go the rounder we get September 20, 2011
Posted by Mark Folse in cryptic envelopment, Dancing Bear, Toulouse Street.Tags: Europe '72 Volume 2, Grateful Dead
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You Ain’t Goin’ No Where July 30, 2011
Posted by Mark Folse in 504, cryptic envelopment, Dancing Bear, New Orleans, Toulouse Street.9 comments
Some days after a long week of herding feral cats through a labyrinth of financial and software process controls you make a frozen pizza, wash it down with a Vitamin Water energy drin and stay up late eating Vienna Fingers (the cookies you called streetcars as a child), watching most of Season Four of the Wire.
And then suddenly: it’s Saturday.
The clouds are rolling in and its gray, with just enough intermittent breeze to stir the hangers on the temple bells but not to ring them. You watch the squawking wild parrots in some indeterminate weedy tree next door, the one with roots choked in another vague3 shrub and its crown choked in cat;s claw, that one hanging perilously over the house on the street behind you and you wonder when it will finally fall, what is the rated load in parrots of this particular situation? Perhaps you just want something to happen. The sky is blank, calm and ominous and something is bound to happen, and you would rather in happen nearby.
Today’s accomplishments so far:
- Drink half a a pot of coffee.
- Boot up the laptop, ignoring the book you meant to read when you woke up.
- Go to the bathroom. Wash face after.
- Re-read two blog posts several times, then wrte an email explaining why you are stuck on your contribution.
- Drink other half of pot of coffee
- Determine your son is alive (he’s been sick all week so I was letting him sleep as late as he wished).
- Make more coffee.
- Offer your son breakfast: we have eggs and bacon, bagels and Honey Nut Cherios. (Omar’s breakfast of choice). (He declines). (My son, not Omar. Omar would eat the Cherios).
- Open a new pack of cigarettes.
- Read a post and all comments on HTML Giant, and suddenly understand why you never saw professors in the coffee shop at college.
- Try to decide if you’ve had enough coffee
- Read an interview between a sort-of anonymous The Rumpus interviewer (you know which one lives in Ann Arbor) and Megan Boyle, in which they discuss web pages selected by Google’s I’m Feeling Lucky button. You are not feeling lucky. You should have waited for the movie, except Tao Lin will be in it.
- Watch parrots from the back yard smoking your newly opened cigarettes.
- Read last sentence again and decide to leave it that way for the hell of it. Insert your own while. (This is explained below).
It is almost three o’clock in the afternoon and you have reached a point. Not a metaphorical point (time to shower, time to get moving, time to make more coffee) but an actual point, a unidemensional non-space in which there is no narrative arc, no impetus to shower or get going, no impulse to resume watching The Wire or pick up the book you opened last night in bed and decided to start in the morning, such possibilities requiring four dimensions and you are stuck in one. You have mislaid the while from the sentence above. Trajectory is not a possibility in one dimension but there seems to be a simmering here somewhere, the recipe for a singularity, a point in non-space and non-time in which time is the burning fuse and out of which something is certain to exploded.
Perhaps it will be the trunk of the tree. Or the coffee pot carafe left unattended on the burner.
Possible things to do today:
- Shower
- Read Julio Cortazar’s The Observatory. (That book again, sitting insistently on the other side of the bed like that load of laundry you should get to if only because in one pocket is a $50 bill).
- Make lunch
- Watch the rest of The Wire disks
- Decide about dinner.
- Decide to watch the DVDs after dinner
- Finish Cortazar while my son plays video games.
- Make dinner
- Drink a beer and smoke a cigarette or two on the back deck. (The parrots are gone. The tree remains).
- Watch The Wire.
Saturday is named after Saturn. In astrology Saturn is the planet associated with practicality, achievement and conformity. Perhaps that is why I can hear the whine of lawn equipment in the distance and would never dare to venture for errands into the ants nest of cars on Veterans Boulevard today. It is the year of my second Saturn return: 54 years, two orbits. I should be busy at something: determining my next career step, starting some great new undertaking (om shri ganeshaya namah), realigning my life for the next 27 years should I be so lucky. (My family often makes it into their 80s in spite of lifestyle. It could happen). (I did one practical thing this morning, but we will omit that for now as it would be ill luck to speak of it.) For now I am typing random thoughts into a window and wondering which is the planet associated with lethargy, too much coffee and indecision.
I think I’ll go make some more coffee, smoke a cigarette and think about it, reawakening the horizontal and vertical, the possibility of pitch and yaw, put into motion at least possibility in contemplation of one or more possible futures. Saturn will be back before you know it. I had best get busy.
School’s Out For Ever July 2, 2011
Posted by Mark Folse in Dancing Bear, New Orleans, NOLA, Toulouse Street.Tags: summer
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At Easter the horses left for other tracks, and with them the crows laughing at the sun I loved to follow in the morning. It was not long after the heat rolled in as if the loading of the thoroughbreds into trailers bound for Evangeline Downs were a natural migration, a signal that summer was imminent.
It came in May like a plague on Egypt, the high nineties and humidity the weathermen said felt like one-ten. It came like a tsunami with no warning, swallowing Spring and leaving us all wrecked on our porches, dripping. It came without afternoon storms of cold downdrafts and downpours to cool the concrete: hot and drought enough you could feel the trees dreaming of the Ozarks and Appalachians, shedding new leaves like Okies on the road to California.
I seemed to be the only person who didn’t much mind. True, I spent a part of that early onslaught mostly inside healing up from some minor surgery but every time I stepped out somewhere inside a clock turned back and I remembered the sweetness in May’s heat, the end of school and the summers to run the lanes of Lake Vista and City Park just across the street. I sweated like the rest of us but increasingly didn’t care. Because I worked from home I lived in shorts and flip-flops, bought another pack of wife beaters, showered twice a day (at least) as I did when I lived with Marianne who was violently allergic to the spores that grow inside the condensers of air conditioning.
The few times I felt compelled to appear in the office, I looked at the socks and leather shoes laid out and tried to remember the order of assembly, recalled teaching my children how to lace their shoes (cross the bridge and through the hole to see the rabbit). I pulled on the fine-spun golfer’s polyester pants I favor in the summer for their coolness, and wondered who decided men should wear an undershirt beneath a polo: some fool in New York or California who wears starched long sleeves and summer-weight wool in June out in the noonday sun and thought of Snoopy thinking to Linus who wondered about fur in the summer: some of us must suffer for fashion.
Not me.
Perhaps I am finally re-acclimating to the climate after my long absence, in the same way I learned to haul the garbage out to the snowbank in leather-footed mukluk socks and shirtsleeves when I lived up north. When I step out into the dazzling morning, blinded by the heat, I don’t recoil but embrace it as the way of things, thinking sometimes of summer afternoons of blanket heat and cold swimming pool: the simmering afternoon, the icy water, the natural order of things.
Perhaps a part of it is my age, my children grown enough to miss the vicarious experience of childhood. And so my mind drifts back to my own youth. I live near the park and sometimes walk over or cutting through by the museum stop and park and walk around what they now call the Great Lagoon across from Christian Brothers School. I spent five years in that old mansion, playing water polo in the marble-lined pool, bats dying in the heat dropping out of the rafters onto the basketball court, searching for entrances to the catacombs rumored to run beneath.
On the last day of school we would eschew a ride from our parents and tell them we would take the Canal bus home. Released at noon, we would linger for a while at that lagoon when it was still part of a golf course, toss the odd notebook or two into the water, an offering to the landscape of summer in honor of our release from bondage. After a while we would make it to the Casino for ice cream-desert first–and wander dripping chocolate down our regulation chinos and colored shirts along the south lagoon, past the tennis courts toward the Peristyle, trying and failing to scale the low branches of the old oaks in our leather shoes.
Ice cream done and the park wore out (thinking of cane poles and dip nets and three point gigs with which we would return to torment the wildlife in days to come even as, at thirteen, we slyly watched the young mothers at the playground, the women in their short tennis skirts bending to return a low lob), we wandered slowly under the oaks of City Park Avenue toward Bud’s
Broiler, not so much from hunger (chocolate still wet on our shirts) but to go in and sit beneath the dripping air conditioners suspended from the ceiling, and eat a Number Four just for the savory barbecue sauce, the taste of summer in our mouths.
Our skin and clothes dry at last from the refrigerated air (thinking old tin signs with dripping cubes) and something freshly carved into the tables with the knives we had brought against all school rules expressly for the purpose, we would finish our amble down past the cemeteries, the marble and white wash blinding white against the carefully tended green, until we reached the Cemeteries stop. We would cadge a few STP stickers for our bikes from the old man at the gas station long gone from Canal Boulevard, and sit under the tin roofs waiting for our bus.
There is something of those days when I step outside my door now. At first blinding white, after a moment a golden glow settles over everything and the sauna-warm air slaps an instant coat of sweat on your body that catches the sight breeze. I am learning again to walk slow, to favor the shade, to leave the windows down until the air blows cold in the car. I’ve bought more handkerchiefs, and leave an extra bandana in the car. Its summer and there is no more point to complaining than there is about age, which means to say we will complain but settle in and live with it. Now that the rains have returned the trumpet flowers grow rampant on the racetrack fence. Picking my way over the broken sidewalks to Canseco’s grocery a few blocks over I am met in every block by some new scent, sometimes a garbage can missed (there’s a reason we have twice a week collection here) but more often some hidden flowers behind a fence, the Spring’s sweet olive succeeded by fragrant honeysuckle and nicotinia.
I am tempted to pick up a stick and rattle it along the fence boards, to pick some rock and kick it all the way to the store and back, but I don’t. Not yet. Instead I select a mostly flat rock and hum it sidearm at the Goliath light tower in the race track parking lot. I miss, but that’s OK. I have months ahead to practice.
Sun Ra on Fortin Street May 7, 2011
Posted by Mark Folse in 504, Dancing Bear, Jazz, Jazz Fest, music, New Orleans, NOLA, Sun Ra, Toulouse Street.Tags: Jazz Fest, Sun Ra
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“Its After the End of the World. Don’t You Know That Yet?”
Too busy watching the world go by and trying to hawk books to get together a Jazz Fest post today but stop by the Shrine of Sun Ra at the Fortin Street Stage on your way in or out and light a josh stick. I just had to respond to the very nice woman I met the other morning who put up the Jon Bon Jovi shrine, and the Cyndi Lauper shrine that went up in answer a few days later. I think a jazz artist and a man of such spiritual truth deserves a shrine.
For years, the tagline on my Wet Bank Guide blog was the signature chant from the Space is the Place film, “It’s After the End of the World. Don’t You Know That Yet?”, a perfect statement for the Alice in Underland situation of New Orleans. The flood was a baptism that washed away the original sin of conventional Anglo-Saxon America and left me a pure son of New Orleans. When I got my tattoo I went for Moose Jackson’s equally apt line “I’m not alright but I am upright” but it was a hard choice. I may yet have Sun’s words permanently inked on my body, marked forever with the sacred chant of the postdiluvian elect.
So stop by and get you some Cosmic Vibrations at the Shrine (and a beer, a bathroom and some beans). You know you want some.
Odd Words: Fish Head Emergency Edition May 4, 2011
Posted by Mark Folse in 504, books, cryptic envelopment, Dancing Bear, literature, music, New Orleans, NOLA, Odd Words, Toulouse Street.Tags: fish head music, Radiators
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Ah crap, I’m supposed to go see Marcia Ball tonight and I’m going to miss this. I was there at the public beginning in Luigi’s and I desperately need a copy of this book autographed by the entire band.
GOT THE FISH IN THE HEAD: A RADIATORS RETROSPECTIVE
May 4th, 2011
On Wednesday, May 4, 2011, Jay Mazza, fan and friend of The Radiators and author of I Got the Fish in the Head: A Radiators Retrospective, will be at Maple Street Book Shop at 6:00 P.M. He will read from, discuss, and sign his book. Mr. Mazza has announced there will be musical entertainment: Chris Mule, the guitarist for Honey Island Swamp Band, Phil deGruy, and Stephen Smith also on guitar.
“Intended for fans of New Orleans music and culture, the book is as much a cultural commentary on the city and its music scene as it is a musical tribute. Filled with distinctive characters that passed through the bars and clubs where the Radiators played, the book is a retrospective of the New Orleans scene as told by someone who was there at almost every important juncture of the last 30 years.
This post requires emergency audio overdrive.
If this had been an actual fish head emergency, you would have been instructed to burn your t-shirt.
Paint It Black March 11, 2011
Posted by Mark Folse in cryptic envelopment, Dancing Bear, New Orleans, NOLA, Toulouse Street.Tags: Black, Mark Rothko
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Sometimes looking at Mark Rothko’s black period paintings is just what you need to do.
“A painting is not a picture of an experience, but is the experience.” — Mark Rothko
“Black: being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light” — wordnetweb.princeton.edu
We are trained to think of white as the color of possibility: the blank page perched in the typewriter. What if we are wrong?
The paintings, you will note, are not all solid black, and where they are exhibit a marked, textured brushwork you’re just not going to see on this web page. They begin from black, and from that something emerges.
If white is the color associated most often with the divine is black satanic, which to most means evil, or merely the absence of god? And in that absence infinite possibilities, the random collisions of specs in the void, clinging to each other in the dark, from which arises the ability to name the color: black.
Perhaps I will change the schema here to black with white type. Let us sit in Rothko’s black chapel for a while and think about it.
Adiu Paure Carnaval March 9, 2011
Posted by Mark Folse in 504, Carnival, Dancing Bear, New Orleans, NOLA, Toulouse Street.add a comment
At the conclusion of Carnival in Nice, France, an effigy of Monsieur Carnaval is burned, the ancient story of the burning man, the sacrifice in fire. As told by Mama Lisa’s World Blog, in that rite Monsieur Carnaval “is responsible for all the wrongdoing people do throughout the year. At Carnival time in France, Monsieur Carnaval is judged for his behavior throughout the preceding year. Usually he’s found guilty and an effigy of him is burned.”
Accompanying the ritual is a song, and I offer the lyrics collected by Mama Lisa below, both in Occitan (the language of the Troubadors) and in English. I suggest you click the link to open in a new tab or window so you can follow along as far as the MP3 goes.
And so, from New Orleans, Adiu Paure Carnaval.
Adiu paure Carnaval
(Occitan)
Adiu paure, adiu paure,
adiu paure Carnaval
Tu te’n vas e ieu demòri
Adiu paure Carnaval
Tu t’en vas e ieu demòri
Per manjar la sopa a l’alh
Per manjar la sopa a l’òli
Per manjar la sopa a l’alh
Adiu paure, adiu paure,
adiu paure Carnaval
La joinessa fa la fèsta
Per saludar Carnaval
La Maria fa de còcas
Amb la farina de l’ostal
Lo buòu dança, l’ase canta
Lo moton ditz sa leiçon
La galina canta lo Credo
E lo cat ditz lo Pater
Farewell, Poor Carnival
(English)
Farewell, farewell,
Farewell, poor Carnival
You are leaving, and I am staying
Farewell, poor Carnival
You are leaving, and I am staying
To eat garlic soup
To eat oil soup
To eat garlic soup
Farewell, farewell,
Farewell, poor Carnival.
The young ones are having a wild time
To greet Carnival
Mary is baking cakes
With flour from her home.
The ox is dancing, the donkey’s singing
The sheep is saying its lesson
The hen is singing the Credo
And the cat is saying the Pater.
Onward Through the Fog March 4, 2011
Posted by Mark Folse in 504, Carnival, cryptic envelopment, Dancing Bear, New Orleans, NOLA, Toulouse Street.Tags: Burn Your T-Shirt, Luigi's, MoMs Ball, Radiators, Rhapsodizers
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The Green room is smoking, and the Plaza burning down
Throw my baby out the window, let those joints burn down
All because it’s Carnival Time, woooooohhh, it’s Carnival Time….!
Oh Well it’s Carnival Time and, everybody’s having Fun!
See you on the street or see you next week, unless I manage to bang out before Bacchus on Sunday an account of what will probably be my last Mystic Orders of Mysfits ball. It will be the final appearance at the Radiators at this over three decade old tradition, which started out as a small party of a few hundred on the Lakefront and later in the DAV in Arabi and later grew into a monstrous rave of a thing which I’ve avoided for the last several years. Still, I was in Luigi’s when the Rhapsodizers transformed into the Radiators. We’ve got some history, including many old Arabi MoM’s balls, so I think I need to be at what will be for many the last “real” MoM’s ball. If I don’t make it past the costume police, they can have my pants. And if I burn my t-shirt as wel, well, it should make for an interesting costume.
Oh Brave New Year December 31, 2010
Posted by Mark Folse in 504, cryptic envelopment, Dancing Bear, New Orleans, NOLA, Toulouse Street.Tags: Hieronymus Bosch, New Year, The Tempest
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“Oh brave new world that has such people in’t!”
– From Miranda’s speech in Shakespeare’s The Tempest
Your humble narrator stands ready to cast himself face first into the Hieronymus mosh pit of the brave New Year. If I don’t see you tonight, I’ll see you on the other side and we’ll take a right gude-willy waught, for auld lang syne.
A Silent Night Kind of Afternoon December 28, 2010
Posted by Mark Folse in 504, cryptic envelopment, Dancing Bear, New Orleans, NOLA, The Narrative, Toulouse Street.4 comments
There just something Odd about the week between Christmas and New Years, that week of vacation you have to burn but you seem to have forgotten the matches, a hollowness like the watery sun in the sky that can’t kill the chill in the air. a space that seems as full of possibilities as the blank page but you mind goes just as blank with an inclination to idleness, a feeling there is not much doing and you’re not the one to do it. A cup of coffee outside a cafe seems a genuine holiday miracle, black java in a white mug bringing the warmth the sun can’t manage is the pinnacle of alchemy and after you’ve mastered that what more can you expect. You close the book you brought and read the leaves of the evergreen oaks instead.
Once you’ve left behind Jesus and Santa Claus there’s not much miracle in these days and New Years has always seemed to me a sound stage holiday, something people in old movies do while Guy Lombardo conducts in the background and we’re all just extras in paper hats pretending to have fun. For a few years after we moved back the bonfire seemed the height of the season, a spontaneous celebration full of energy and joy and my son and I would run three times widdershins so close you would come away with half a sunburn on your face to show for it but then the city shut it down in favor of the staged fireworks on the river, an inducement to come into town and spend some money you know you don’t have after the heavy bills of Christmas start to roll in.
So you sit around not watching the pile of movies someone loaned you because none of them seem quite right for the middle of the day, picking up and putting down books and listening to way too much John Prine because at least he takes a look around on a day like today and something comes out that makes you smile as often as not, but you know it’s probably time to shuffle him off the I-pod when all your words start coming out in rhyming couplets:
It’s a Silent Night kind of afternoon
and the sun hangs there like a big balloon
but its cold as the light of buttery moon
and if something doesn’t happen around her soon
there’s gonna be some kind of trouble.
God that’s awful. Be glad I never learned how to play the guitar.
Since I was forced to drive myself out to Metairie this morning to drop my son at his driving school, I at least managed to find a decent pair of khakis on sale for $10 to replace the ones I left in a hotel room, picking through shelves as empty as my head, and another warm shirt so I don’t need to rush out and do laundry on a day like this. The dishes are done but so am I, the yellow plastic vacuum standing there idle, the top of the handle crooked like an accusing finger but I’m more inclined to sit like a lizard with a cigarette in the midday sun now just barely warmer than the last of the morning coffee. If you’re looking for me try that coffee shop just up the way but I’m liable to be the man who wasn’t there, still as a stump and mind all squirrelly up in the menthol green leaves of the oaks on Esplanade writing songs in my head nobody is meant to hear.
Happy Xmas December 25, 2010
Posted by Mark Folse in 504, cryptic envelopment, Dancing Bear, New Orleans, NOLA, Toulouse Street.Tags: Happy Christmas, John Lennon, peace, War Is Over, Xmas, Yoko Ono
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from your humble narrator.
The Eye of Moloch December 9, 2010
Posted by Mark Folse in 504, 8-29, cryptic envelopment, Dancing Bear, New Orleans, The Narrative, Toulouse Street, We Are Not OK.Tags: Howl, Moloch
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watches over us in our labors.
“Moloch whose soul is electricity and banks!”
— Allen Ginsburg in Howl
Village Ghetto Land December 8, 2010
Posted by Mark Folse in Dancing Bear, music, New Orleans, NOLA, Rebirth, Shield of Beauty, Toulouse Street, We Are Not OK.Tags: Songs in the Key of Life, Steve Wonder, Village Ghetto Land
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It has probably been 20 years since I last heard this song. I think I still have my vinyl but it’s somewhere I’m not, as is the turntable, or I might have played that record to death last night instead of climbing into bed at six to sleep off a burgeoning cold. It puts me in mind of Sun Ra’s words about lifting the Shield of Beauty against all the ugly of the world. I think of Stevie Wonder and Rahsaan Roland Kirk but the image of the blind seer has been with us since humanity first learned to tell stories. Just ask Tiresias should you be (un)lucky enough to find yourself in a position to ask.
I have very eclectic taste in music, but when I offered my son a copy of spoken word artist Katalyst’s CD he told me he’d been listening to gansta rap, something I have no use for. I was a professional propagandist too long to not take seriously the impact of glorifying violence, misogyny and death, and the evidence can be found all to often on the streets of New Orleans,sometimes lying cold in a pool of blood. This song is taken from the same mean streets, changed only since the 1970s by the drugs of choice and the efficiency of the weapons and the demolition of everyone’s momma’s house in favor of Urban Renewal (remember how well that worked in the Sixties and Seventies).
So somewhere here at the midpoint between Thanksgiving and Xmas, when most people are too busy at the orgy of shopping and parties to consider what these holidays are about, too deeply enmeshed in their traditional Xian faith to see the turning of the solar year as a time to stop and think about what those holidays tell them about the world, about the cyclical rebirth of the world and what opportunities that presents (think New Year’s resolutions), to sated by celebration to think back on all the parables of the Carpenter they’ve snoozed through the rest of the year, along comes this song and perhaps if they hear it, it will hopefully stop them in their tracks for a minute and give them pause.
I think I may buy a stack of those mini-CDs and give everyone I know this Christmas a single (with an A and B side of course) of this song and The Rebel Jesus (which I’m bound to post up here before too long).
Koyaanisqatsi, VA November 30, 2010
Posted by Mark Folse in cryptic envelopment, Dancing Bear, New Orleans, NOLA, The Narrative, Toulouse Street.Tags: Koyaanisqatsi, McLean, metropolis, suburbia, Virginia
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McLean Virginia is an angry anthill of cars and conspicuous consumption, a dystopia of orange cones, the metallic skeletons of construction at rest for the night, car lights strung like animated pearls and rubies wriggling in disquieting, hallucinogenic frenzy through a Mobious strip of roads. I once lived not to far from here, in the District and later in close-in Arlington for a decade. My daughter was born at George Washington Hospital, on a snowy night when the car would not start and I learned you do not tell the cab company your wife is in labor if you expect them to show up. In day light there is a certain familiarity: I know this road, drove it many times on my way to Chain Bridge or if I had some errand in the neighborhood but the dark and the rain and almost two decades of unrelenting progress have transformed the once familiar roads into a suburban version of Tokyo, or the mythical city of Blade Runner.
I have been away so long from metropolis that I felt like an aboriginal confronted by a television playing Koyaanisqatsi, found myself dreaming of the almost deserted roads of North Dakota, the vastness of landscape punctuated by farmsteads with tree belts, the weathered remains of some barn washed brown by the sun and leaning precariously away from the unceasing winds, a water tower rising in the distance beneath which huddled a small town: grain elevators along the tracks, small frame houses with paint blistered by the roaring heat inside and the arctic cold without, a truck stop filled with an Odd mix of traveler kitsch and rural necessities inside which you could eat transcendent pie.
Humans are as social and predictable as a pack of dogs but I wonder what strange scent lead so many people to crowd themselves into these boxes surrounding the alpha males of the Central Government, to chose a landscape in which the highway is the dominant feature, how we came and conformed ourselves to its physical extremes like the inhabitants of Nunavut or Kalahari. We took all this land from people dazzled by glass beads and bright steel axes and we laugh at the thought at first but to people living with stone tools and with a millennium old practice of beading their clothes with animal quills these were not pointless things. We ourselves surrender to the dazzle of the mall, the gleaming trading cities of our crossroads, adorn ourselves with the pretty tags that make a pair of denim pants precious as Medieval silk and equip ourselves with impractical iPhones and gleaming espresso machines, and I wonder what and to whom we are surrendering in the exchange.
I wrung my hands November 23, 2010
Posted by Mark Folse in 504, cryptic envelopment, Dancing Bear, New Orleans, NOLA, Poetry, Toulouse Street.add a comment
By Anna Akhmatova
Translated by Stanley Kunitz (with Max Hayward). Lest anyone take offense, try reading the poem reversing the genders. It works both ways.
I wrung my hands under my dark veil. . .
“Why are you pale, what makes you reckless?”
– Because I have made my loved one drunk
with an astringent sadness.
I’ll never forget. He went out, reeling;
his mouth was twisted, desolate. . .
I ran downstairs, not touching the banisters,
and followed him as far as the gate.
And shouted, choking: “I meant it all
in fun. Don’t leave me, or I’ll die of pain.”
He smiled at me — oh so calmly, terribly –
and said: “Why don’t you get out of the rain?”
Kiev, 1911
Subtropical Sleep Disturbance November 20, 2010
Posted by Mark Folse in 504, cryptic envelopment, Dancing Bear, New Orleans, NOLA, Toulouse Street.add a comment
No development is expected for the forecast period.
Dream Song November 16, 2010
Posted by Mark Folse in 504, cryptic envelopment, Dancing Bear, New Orleans, NOLA, Poetry, Toulouse Street.2 comments
In Delia Tomino Nakayama’s poetry seminar we spend a few periods free writing, sometimes with a suggestion (but not an assignment). Yesterday’s topic was Dreams and I wrote this and thought I’d capture it here as it seemed to spring fully formed from somewhere in my mind.
I seem to spend most of the night in REM sleep, wake frequently from dreams all through the night. This particular disorder is a typical symptom of insomnia or sleep deprivation, but I am infrequently truly insomniac, often go easily back to sleep from these episodes. Is this a disorder in the clinical sense, or more a temperamental disorder of the humors, a part of who I am (Gemini, Sagittarius moon; blue eyed once blond now white; shy at first but garrulous once started). Is it perhaps a reason why I am compelled to write, the Spring tide river of images and floating fragments of stories that rush through my sleeping brain? When I wake with only the vaguest notion of the recent dream but have grasped, in that moment, that perfect line I struggled with before and cannot sleep unless I write it down, perhaps under take an entire revision knowing I will suffer for it in the morning, I do not think this is insomnia but something akin to inspiration. The disorder is not my own but the world’s and the poem the only antidote.
Crow’s First Lesson November 12, 2010
Posted by Mark Folse in 504, Crow, cryptic envelopment, Dancing Bear, New Orleans, NOLA, Poetry, Toulouse Street.5 comments
I have my own personal fascination with crows, going back to the days when I saw the raven on the Grateful Dead’s Wake of the Flood and learned that these birds were not creatures of darkness or evil in all cultures. In Native cultures of North America Crow is a trickster (always fascinating creatures) but also bearer of messages from this and other worlds, keepers of secrets who could help one discover their own true self, and harbingers of change and agents of healing.
It’s strange, but I don’t remember New Orleans being so thick with crows the first 30 years of my life but today they are everywhere. Perhaps, since I have developed this fascination, I just notice them more. I asked my son if he didn’t think it Odd that just about anywhere you look, there’s a crow. He said he didn’t notice that. Perhaps it is my own fascination. Or are we a city where too many people die, a city going through an ordeal of rebirth and self-rediscovery and deeply in need of healing. Perhaps it is only natural that we would be a rookery of crows.
I started writing a series of Crow poems before I learned of (or remembered) Ted Hughes book, and immediately had to have a copy. His vision of a chaotic and godless world of random luck and death is tempered not by Wallace Steven’s vision of man as poet bringing order to the cosmos but of Crow in his trickster guise wreaking unintentional havoc. which is something humans are quite good at. And in that role the tricksters is, in the end, innocent. He is only acting on his nature.
Enough of your tricks, Brother Crow. Please tell me where my copy of Crow is hidden.
God tried to teach Crow how to talk.
‘Love,’ said God. ‘Say, Love.’
Crow gaped, and the white shark crashed into the sea
And went rolling downwards, discovering its own depth.
‘No, no,’ said God. ‘Say Love. Now try it. LOVE.’
Crow gaped, and a bluefly, a tsetse, a mosquito
Zoomed out and down
To their sundry flesh-pots.
‘A final try,’ said God. ‘Now, LOVE.’
Crow convulsed, gaped, retched and
Man’s bodiless prodigious head
Bulbed out onto the earth, with swiveling eyes,
Jabbering protest–
And Crow retched again, before God could stop him.
And woman’s vulva dropped over man’s neck and tightened.
The two struggled together on the grass.
God struggled to part them, cursed, wept–
Crow flew guiltily off.





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