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Where I want to be November 19, 2007

Posted by The Typist in cryptic envelopment, Dancing Bear, Debrisville, Flood, flooding, New Orelans, New Orleans, NOLA, Rebirth, Recovery, Remember, Toulouse Street, We Are Not OK.
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Hail Atlantis

Way down yonder way back when November 18, 2007

Posted by The Typist in French Quarter, New Orelans, New Orleans, NOLA, Toulouse Street.
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This old newsreel seems to focus a great deal on the river. It’s interesting to see cars driving past the Cabildo, and in fact how little traffic there seems to be in the French Quarter

Fellini’s beached monster November 16, 2007

Posted by The Typist in Debrisville, New Orelans, New Orleans, NOLA, Rebirth, Recovery, Remember, Toulouse Street.
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Sometimes at night the darkness and silence weighs on me. Peace frightens me. Perhaps I fear it most of all. I feel it’s only a facade, hiding the face of hell. I think of what’s in store for my children tomorrow; “The world will be wonderful”, they say; but from whose viewpoint? We need to live in a state of suspended animation, like a work of art; in a state of enchantment… detached. Detached.
— Divine Comedy The Certainty of Chance Lyrics
as a speech by Steiner in Fellini’s La Dolce Vita

No, I am not about to violently snap, like Steiner in La Dolce Vita. The speech always struck my differently, perhaps the way it struck Marcello in the film before the tragic murder-suicide, not as advice but as a framing for a life in a seemingly pointless universe. Isn’t that the way Marcello chooses to live in the end, almost in a state of suspended animation?

I have always found a strange sort of solace in what others might find depressing. I do not seek the peace which passeth understanding, except perhaps in despair as one might seek solace in drink or in death. Satori seems tempting, but strikes me as ultimately dehumanizing. I am not ready to surrender up my self and my suffering for an empty bliss. Instead I need to learn to survive in this world where the first noble truth is inscribed like scar tissue somewhere deep beneath the skin.

Here in the original land of misfit toys we call New Orleans we need to find the truth hidden in Dante’s speech as filtered through Fellini’s Steiner, not as Marcello did by embracing the emptiness but in our own way; not precisely in a state of suspended animation but instead isolated from the sterility of late American culture; by defining our own space, “like a work of art; in a state of enchantment…. detached”; defining our own fourth noble truth, our own Way of celebrating through the darkness that leads us to the light; leads us not to Fellini’s monster on the beach, but to the innocence of the girl on the strand.

We must not detach from our world, but from theirs, must insistently be ourselves at whatever cost.

And now for something completely pointless… November 15, 2007

Posted by The Typist in comedy, cryptic envelopment, Dancing Bear, Odds&Sods, Toulouse Street.
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Alright, then.

Another milestone on the long and winding road home November 13, 2007

Posted by The Typist in cryptic envelopment, Debrisville, New Orleans, NOLA, Toulouse Street.
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Hat tip to local blogger and street car fan mysticknyght.

Still waiting, still dreaming… November 11, 2007

Posted by The Typist in 504, cryptic envelopment, Debrisville, Flood, flooding, Katrina, New Orelans, New Orleans, Rebirth, Recovery, Sinn Fein, Toulouse Street, We Are Not OK.
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Since all of the tickets for the Theater of Harlem’s outdoor production of Waiting for Godot were long gone by the time we arrived, we decided not to wait around under the tree at Pratt and Robert E. Lee and debate, but instead withdrew for more drinks, starting back on the porch at Chez Folse and ending at the Circle Bar for Gal Holliday.

I heard (from someone who asked last night) that there would be no Sunday show added as they did last weekend. So tonight instead of seeing Becket’s play, I am–after a prolonged episode of absurdest, existential angst in my friend’s club level seats at the Dome–reduced to watching bits of video.

I had read the script through online during a business trip this week. There is something essential in it to the current experience of so many in New Orleans, the discovery that we are not suffering from post traumatic stress disorder because we are not past the thing but instead in the very midst of it, in a landscape and a plot as bleak and confusing as Beckett’s, on a road of dubious prospects in a landscape swept clear of familiar geography and of hope, no prospect that over a hill or beyond a wood there is something different, something better.

Nothing to be done.

And yet we came in the hundreds last night, into the thousands, turning our back on the well-lit streets of the sliver by the river, forgoing the restaurants of Magazine and the lively nightclubs of Frenchman to try to sit through this difficult work, a comedy as black as the streets were for months in this part of town, as dark as the picture windows remain in so many of the empty brick boxes that line the streets. We came because all of us are so like these characters, lost in a landscape from which familiar references have been erased, clinging to the one thing that keeps us all from dropping over the brink: each other. We know Godot will not save us, that the Pollo’s of the world care not a whit for the outcome.

The careful fictions we have erected like pyramids in this country were all swept away by the flood, were taken from us as cataclysms of the Twentieth Century destroyed the illusions for Beckett’s generation. We have peered into the abyss, an abyss where many waded or swam in desperation and too many drowned, while the newsreaders stood puzzled on dry streets and the relief trucks stopped at the edge of town, waiting for word that it was safe to come, waiting for instructions from Godot. We were not simply ignored or abandoned by America. Instead we tasted the fruit of the knowledge of good and evil, and were driven out of the garden of mass marketing, ashamed of our nakedness. We have peered into that abyss and come away filled with uncertainly and angst, equally incapable of trust in god or government. What is left? What reason is there to live here, to live at all?

And still we come home, even as we came to see Godot. The ticket rules changed without announcement, more turned away than admitted, we left the site of the play not confused but affirmed in the life we have found here. We left that open air stage, but we can no more leave this place, this city than these characters can hang themselves: not because we are incapable, but instead because it is beyond our human nature to surrender this life we call New Orleans. Perhaps Godot will come. Just as likely he will not. All we can be certain of us ourselves: Sinn Fein. In the end, however bleak the scene, we will not give up hope.

VLADIMIR:
Well? Shall we go?
ESTRAGON:
Yes, let’s go.

    They do not move.

Deja vodoo over Tabasco November 9, 2007

Posted by The Typist in Dancing Bear, Debrisville, Flood, flooding, Hurricane Katrina, Katrina, New Orelans, New Orleans, Tabasco, Toulouse Street.
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If you know my story of homecoming and how and why it happened, you will understand why this quote from Root Coffee’s blog, talking about the massive flood in Tabasco in Mexico, gives me (and Ray) shivers:

My husband means well when he tells me I should get some sleep and gather strength to keep helping tomorrow; but the anguish eats at me, I can’t feel comfortable, it’s my hometown, my people, the place I grew up in, I can’t just let it go.

You will understand why I will be here tomorrow night, to hear these words:

VLADIMIR:
…So there you are again.
ESTRAGON:
Am I?
VLADIMIR:
I’m glad to see you back. I thought you were gone forever.
ESTRAGON:
Me too.

Meanwhile, donate to Tabasco relief.

And never forget, never surrender. We can all rest in the grave.

New Orleans students take on Corps of Engineers November 7, 2007

Posted by The Typist in 8-29, Corps of Engineers, Debrisville, Flood, flooding, New Orleans, NOLA, Rebirth, Recovery, Remember, Toulouse Street, We Are Not OK.
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If you have a You Tube account/login, please visit this video’s page and vote for and favorite this video produced by New Orleans school children in support of an 8-29 commission:

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