Run Like a Jimson-poisoned Buffalo January 27, 2012
Posted by Mark Folse in New Orleans, The Narrative, The Odd, Toulouse Street.add a comment
“When the going gets weird, the weird turn pro.”
- Dr. Hunter S. Thompson
The quote was originally a reference to the Oakland Raiders, as I recall either a part of or following the interview with Richard M. Nixon in Fear and Loathing on the Campaign Trail in which the two discussed nothing but football.
I find a strange analogy between the pro quote and Caros Casteneda’s character Don Juan’s statement that “a warrior is impeccable”, but then I find strange analogies everywhere. All I know is when life gets weird, get down in three-point stance, take the ball life hands you, put your head down and crash through the hole like a jimson-poisoned buffalo run amok. Don’t let the bats distract you.
Odd Words January 26, 2012
Posted by Mark Folse in books, literature, New Orleans, NOLA, Odd Words, Poetry, Toulouse Street.add a comment
&Lacking any clever lead in this week: 17 Poets! returns in Feburary, and here is the lineup for the spring:
- February 9: Bill Lavender signs and reads from his new book Memory Wing (Black Widow Press, 2011)
- February 16th: Musical and Performance tribute for flautist and New Orleans music historian Eluard Burt celebrating his life and continued legacy with performances and readings by Kichea Burt, Lee Grue, Dave Brinks, Felice Guimont, Eric Burt, and more.
- February 23: John Sinclair performs with his Blues Scholars, Performance by Albany poets Pierre Joris and Nicole Peyrafitte
- March 1: Poet Rodger Kamenetz
- March 8: Poets Arturo Pfister and Valentine Pierce
- March 15th: NYC Poet Bill Zavatsky and Poet Dr. Jerry Ward, Jr.
- March 22: TBA
- March 29: Fiction Writer Moira Crone reads and signs her new book from UNO Press, The Not Yet
- April 5: Jazz Beat poet Ruth Weiss
- April 12: Bruce Andrews
- April 19th: Baton Rouge Poet Chris Shipman reads and signs his new book
- April 26: Maxine Cassin Tribute
& On Thursday, Jan. 26 Octavia Books will host Ellen Weiss – ROBERT R. TAYLOR AND TUSKEGEE: An African American Architect Designs for Booker T. Washington. Architectural Historian Weiss interweaves the life of the first academically trained African American architect with his life’s work—the campus of Booker T. Washington’s Tuskegee Normal and Industrial Institute.
& SIFT—which stands for “Sequence, Image, Form, Text—–is an organization rooted in the intersection of book arts and fine arts, of image and text. Book arts have traditionally been marginalized in both the publishing and art worlds. . SIFT’s inaugural event, “Bound in Japan,” will take place at the Antenna Gallery on January 26 from 6 – 8 p.m. Part of the Antenna Gallery’s Happy Hour Salon series, “Bound in Japan” is a presentation by artist Thien-Kieu Lam, a Louisiana native who lived in Japan for many years.
& Friday nights the No Love Lost Poetry Reading continues at the Love Lost Lounge, starting at 5:30 p.m. during the bar’s jazz happy hour hosted by Joseph Bienvenue.
& Also on Friday the Red Star Gallery hosts its weekly spoken word event. Doors at 9, admission $5 with a college ID, $7 without.
& Sunday, Jan. 30 is an open mike at the Maple Leaf Poetry Series, in the back patio (weather permitting) at 3ish.
& On Monday, Jan 30. Octavia features Nevada Barr and the fifth book in her series on park ranger Anna Pigeon, THE ROPE. Pigeon has crossed America facing down the vicious predators, animal and human, that haunt the country’s wild places in what sounds from the announcement rather like Tony Hillerman, one of the few mystery writers I have gotten around to reading. (So many books, so little time).
& Also on Monday The Writer’s Block meets on the steps of the amphitheater across from Jackson Square open to all writers and performers in any art. Once I get my Chaucerian pronunciation down, I’ll be there juggle chain saws and reciting. OK, maybe not juggling. Maybe I could manage to stand on one foot. For a while.
& On Tuesday, Jan. 30 River Writers presents poets DAVE BRINKS and MEGAN BURNS of 17 Poets! at 8pm on Tuesday January 31st at Boudreaux and Thibodeaux’s downtown Baton Rouge. Poetry, children, it’s just an hour away, it’s just an hour away…
& On Wednesday, Feb. 1 Octavia books presents New York Times bestseller Joshilyn Jackson’s and her new novel A GROWN-UP KIND OF PRETTY, a generational women’s saga.
Garden District Books and Maple Street books don’t kick off their featured author spring season for a few weeks yet.
Oh Say Can You Sleep January 24, 2012
Posted by Mark Folse in cryptic envelopment, New Orleans, Toulouse Street.Tags: insomnia, morning, sleep
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Four. Thirty. Seven. The dim green numerals are relentless. I stare at them in the dark until seven becomes eight, then nine. I think about lighting a cigarette and my brain starts to makes its ascent up the crackity ratcheting track of another Wild Maus morning. Soon schedules, worries, forgotten responsibilities, ideas, doubts, excitements will start whirring past, jumping from one to the next, each sharp turn punctuated by that moment when the outside wheels feel like they are leaving the tracks. Coffee is never a good idea when your mind works this way, especially at fuck:dawn-thirty. Coffee it is then, starting with warming yesterday’s dregs in the microwave while measuring and pouring.
I went to sleep last night around 9:30, practically passed out really and that’s the last time I remember seeing on the clock. I was about to do the same at 8:30 but the phone chimed and instead of ignoring it (I’m almost asleep, aren’t I?) I check it. The cable is out in the front room of the house. Just the front room? Yes. Call Cox, I finally answer and they’ll reset the box. I put down the phone and start to roll over but after a moment reach for the lamp next to my bed and pick up my book instead. Roberto Bolaño’s 2666, a bit of light reading I must prop on a small pillow on my chest to keep it at eye level. School has started and if I’m going to read the books of my choosing I have to grab some time when I can.
I am up at just before five because my diurnal rhythms are not. There is a clock in my body that is relentlessly, rigorously Swiss, dutifully waking me six or seven hours after I go to sleep. Lately I wonder if it has something to do with the racetrack, the proximity to an entire community of handlers, trainers and jockeys who are up by four at the latest. No matter how tight I twist the mini-blinds, by five there is a bar on my far wall from their glaring halogen morning. In reality I have been well trained by dogs and children to rise up much to early, compounded by a mind that blasts into alertness like the arc of some great spark, the monster groaning into life. If my children can mange on a teenager’s habitual five hours a night, who am I to complain about six or seven on a good night? The difference is they make up their sleep deficit when they can, lying in until noon on the weekend or collapsing for a nap, get up week days like a bucket of gravel groaning under the arm of a crane. I wake up quickly almost every day, by fits and starts like an old fluorescent tube, buzzing and flickering into a relentless and unnatural light.
Morning. Again. Not light out yet but approaching astronomical twilight, that dim glimmer of the sun that sent Galileo and all his descendents not to sleep but to lay awake excitedly pondering the relentless clockwork of the stars. An hour west from now a bleary graduate student will push the button that closes the telescope doors. He will drag himself sleepily toward his car and bed. I will step outside for a cigarette and watch the stars blink out one-by-one.
Tangled Up In Screws January 22, 2012
Posted by Mark Folse in New Orleans, Toulouse Street.Tags: furnitue assembly
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I spent yesterday assembling a second desk for myself (my son’s room holds the other one) the capping moment of another adventure in hex wrenches, twist locks and don’t you dare use a power diver warnings, finishing just in time for a call to tell me the cube unit my daughter and her mother had set out to buy was waiting on the porch of the house for me. Not my daughter’s apartment, but the house.
Apparently, they sent a text over an hour earlier but the phone was in the next room and I was in that contortionist hell that comes with ignoring the pages clearly marked This Step Requires Two Persons. I still haven’t quite recovered from moving week before last and every part of my body hurts (moderately) and that is of course why I am on the floor of the front room at 8 a.m. on a Sunday morning picking up bits of plastic and foam off the front room floor. Why? Because I spent another hour yesterday with a wire hanger trying to get exactly that sort of stuff out (and all the dust it had trapped) of the elbow joint between the suction hose and carpet beater (carpet beater? what is this, 1912?) of my Big Lots vacuum cleaner (basically a Dirt Devil dust buster deluxe). It was then that the damn vacuum decided to shut down from overheating (even though I had just run it a few times to try to help dislodge the nasty blockage).
Did I mention standing on my tiptoes on the stoop while holding the iron grate for leverage while trying to mount a cheap flagpole bracket well over my head, using an undercharged toy six-volt power driver? I didn’t? That was entirely more fun than the This Step Requires Two Persons exercise in anti-yoga, but I won’t feel at home without a New Orleans flag flying out front.
If I was cross with my daughter for a bit on the phone (sorry sweetie, even though you don’t read this) it was because it took them four hours to pick out and return with the bit of furniture for her apartment, and she promptly collapsed onto the couch for a nap and no one called for over an hour. I had to run uptown and assemble yet another piece of the crap that gives our Chinese financial masters something to laugh about over lunch. And because I knew the lateness was going to turn my relaxing cook out with my son turned into a race against time to get us fed before we went to a concert at NOCCA. It was not just that but the idea that someone, somewhere got a nap and I did not, turning me briefly into the Cranky Child Who Has Not Napped. Lunch might have helped. Likewise breakfast, but I got up too early once again, got busy to quickly (once again) and forgot to eat. Once again. Coffee and a Jetson’s breakfast of a handful of supplements clearly do not supply the sort of energy required to assemble cheap particleboard furniture carefully and cheerfully.
I managed to get both things assembled with a minimal amount of redo, and running the wrong screw through the thin veneer in only a few mostly inconspicuous places. (Yes, I was following the instructions, but you reach a point at which you have measured so many screws against the scale illustrations that you are certain you can tell them apart. If this thought ever enters your head, you are wrong.) At least I have a desk now where I can spend a relaxing Sunday afternoon trying to master Middle English pronunciation. Supposedly no one knows the precise cause of the Great Vowel Shift and that’s probably a good thing or I would waste the afternoon Googling “time travel” so I could go back and strangle the person responsible. I just hope that the extra screws and other parts don’t result in the desk collapsing on top of me, because I’m not sure my body could take the extra abuse.
Welcome to Cambodia January 21, 2012
Posted by Mark Folse in A Fiction, cryptic envelopment, Memory, The Narrative, Toulouse Street.comments closed
Snakebite leader, Bravo Six. For the record, it’s my call. Dump everything you got left ON MY POS. I say again, I want all you’re holding INSIDE the perimeter.
When you start thinking of your life in terms of war movie lines, you know shit is well and truly fucked. We are not talking Audie Murphy and John Wayne here. The quote is from Platoon, and it is the moment the commander of the firebase calls on his air support to attack his own, overrun position, a desperate “let god sort ‘em out” move.
It was just over a year ago, when Toulouse Street was still on Toulouse Street, that I could not get “never get off the boat unless you’re going all the way” from Apocalypse Now out of my mind.
Welcome to Cambodia.
You go through life with all its suck, holding out for and onto the moments of joy. You slog through the things you must, the soulless corporate drudge, the problem with your car, the bills simple and monstrous, the crumpled clothes and clotted dishes. You try to protect and cherish and share joy with the people who matter to you most but the air crackles with static. Lightning is about to strike and everyone is huddled beneath their own separate tree.
Some of my problems are simple enough. The bank has relocated my job to another state. There was no way I would leave my children behind and no chance his mother would relinquish our 16-year-old son. I would only leave New Orleans under the most desperate of circumstances. Time to find a new job, or an entirely new thing to do, and move on. I have plan: go back to school to finish the B.A. I abandoned 30 years ago. I need to stretch the severance as far as I can, and get a two-bedroom apartment on limited funds. My lawyer is skeptical, insists I will need to get some sort of a job if I go back to school. School, job, writing: fine. I can sleep when I’m dead. Just before my daughter was born and her mother had a newly minted M.B.A in the middle of a recession, I said, stay home with her. It’s the right thing to do.
I firmly believe my I plan is the right thing to do, perhaps my only real choice.
If I find a new cubicle instead, what, I’m all set? Set for what? Load up on anti-depressants, buy my whiskey by the case and stop reading and watching films that put ideas in my head? Ideas are dangerous things and dreams even more so. Dreams begin as ideas which then rehearse themselves out on the night time stage of all your memories and anxieties and infantile fears and when those fanciful ideas peek into the day fully formed they are game changers, dangerous animals that have navigated all of the why-nots and oh-my-gods your subconscious can throw at them. If you wake up at 4 a.m. not in a fright and a cold sweat but instead immediately reach for a pen or the computer on the floor, not even bothering with coffee, the old rules no longer apply. All that matters is putting it down into words.
The personal situation is more difficult. If you haven’t figured out until a few paragraphs ago that the Toulouse Street blog is now published from a month-to-month apartment on Fortin Street then you haven’t been reading closely, haven’t noticed the suggestions of The Narrative hidden in the camouflage of other things posted here. That’s OK. It is not so much a finished story as something in rehearsal, a fragmentary draft, and to borrow Time O’Brien’s apt subtitle for his highly autobiographical novel The Things they Carried, A Fiction: full of false starts, imagined parallel lives and bits of trickster misdirection: Southern yarns intended to advance The Narrative. It would be easy to miss the The Narrative threaded through all these words and that’s OK: I mostly write it for myself, as a rehearsal for other writings, other lives.
I never write about my practically perfect children here. It is not that kind of blog. I think of them often when I write, believe they don’t read this (they say they don’t) but still I am careful. Once we get past careful, into the place where they are almost grown and I say it aloud-–we’ll never be that sort of family again, that I think a whole father on Fortin Street is better than a broken father on Toulouse Street, that the papers have been filed–-it is then the desperate scene from Platoon comes into my mind. They know things have changed irreversibly since the split but there are milestones ahead on that road: lawyers, visitation, custody, money. There are craters on that road and the hulks of burning vehicles. In the dark ahead there are flashes and the distant whump of artillery.
I would step in front of a bullet for my children but if I don’t go down this road I would not be that person anymore. I would be the figure cowering behind a tree, a broken coward, unable to advance into whatever life holds, unable to have their backs when they need me, unable to stop that bullet. There is no safety in cowardice. You can’t hide from your own terrors. Only action–-the head stuck bravely under the bed to see there are no monsters–-will work. If I can give them no other lesson in life, I would give them that.
My personal tangle is no doubt exacerbated by blog pieces like this (imagine the phone ringing, the lawyer’s name on the display, the what-the-fuck-are-you-doing conversation), but if I’m afraid or unable to write this down then I am changed but become a nothing, an undeconstructed cipher, Tyrone Slothrop vanishing into a temporal wormhole. What I write here is too much a part of the person I am becoming and for a year now I have been pulling punches because others read it closely, looking for accidental confessions, for advantages.
If what I wrote over the last several years were read as closely as things are now the situation might be entirely different but you can’t go home again. It’s a different river.
The fact remains: either I am the person unfolding here or I am nothing.
I write about myself with the same pencil and in the same exercise book as about him. It is no longer I, but another whose life is just beginning.
– Samuel Be–ckett
I posted that on the blog in August 2006. At the risk of repeating myself, nobody who might find that disconcerting was paying attention. And perhaps that is a good thing. What if I had been saved from myself, subdued by the pentecostal Taser of duty and remorse, become the very model of St. Joseph, the New Testament character who vanishes into irrelevance? Look at paintings of the crucifixion. Where is he? Drinking alone in some bar?
A proper husband and father. A dutiful breadwinner. Like Willie Loman.
In the event the oxygen masks deploy, put on your own mask first before assisting others.
What fuck does that mean? she asked once when I quoted it in one of those conversations in which words circle each other like angry dogs, but in the context of the emergency those instructions are critical. Something is horribly amiss and the best hope is a hard landing. Try to put the mask on the others first, fumbling in panic, and no one is awake to brace for the impact. No one survives.
Seven cigarettes, three cups of coffee, and the Publish button begins to resemble some high-tech, cockpit trigger. “Snake bit leader, this is Bravo Six…”
Perhaps it does not matter what I write here. It is text, not life, and I have warned you before my reader not to confuse the two. You want Truth, go up to the altar and let them lay their hands on you and surrender your reason to the spirit, because you will not find the absolute, Biblically-infallible truth here. You want facts, I don’t know what to tell you. Pick up the newspaper or turn on the television and the only reliable information is the count of bodies. All the rest is a fanciful blur of accusations, excused and unquestioned fabrications yet it is in those very failings a frightening approximation of life.
Memory is fallible and has its own agendas we do not understand. I have acted out in my blogs imaginary and desired lives that blur the line between reality and desire. In the end, memoir, journal, this version of Creative Non-Fiction, are merely first drafts of a history, one which may not yet or will ever occur. History they say is ultimately written by the victors with the facts of their own choosing or fabrication. When there are no victors, only survivors, then there is no history, no canonical Truth. There are only words. And if I don’t write them, there is not even that. Just silence.
PBR Street Gang, PBR Street Gang: this is Almighty, over.
PBR Street Gang, PBR Street Gang: this is Almighty, over…
Odd Words January 18, 2012
Posted by Mark Folse in books, literature, New Orleans, Odd Words, Poetry, Toulouse Street.Tags: Chaucer
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“And he bigan with right a mytire cheer/His tale anon, and sey as ye may heere.”
So wryte this weeke’s colum or rede Chaucer. (Onley ete pages and namo).
You do the math. In Middle English. (Who knows how Chaucer spells numbers. I’m not that far in.) Such is the life of a 54 year old returning English Major.
[sigh]
I guess I owe everyone a listing column, so lets bigyn. At least its qyeet with namuch goyng on. And Chaucer is in the public domain, so the SOPA ninjas won’t be crashing thorugh my roof like that scene in Brazil when they take poor Buttle.
& On Friday Octavia hosts a reading and signing to celebrate Andrea Cremer’s, BLOODROSE, the new and final book in her international bestselling Nightshade Trilogy. Are wolves going to displace vampires atop the best seller list? Stop by and find out.
Um, and that’s about it at the bookstores although all have busy schedules ahead.
“But natheless, wil I hve tyme and space,/er that I ferther in this tale pace…”
[sigh]
& Friday’s The Redstar Gallery hosts its weekly spoken word event. Doors at 9, admission $5 with a college ID, $7 without.
& On Sunday at the Maple Leaf Bar (“and wel to drink us leste”) features Poet Radomir Luza reads from his work followed by an open mic.
& This and every Monday the Writer’s Block meets on the amphitheater steps across from Jackson Square for poetry and any other performance you choose. Well, maybe not juggling chain saws, unless you recite a villanelle on the subject while you do. It’s cold out, so check the Facebook page to make sure everyone hasn’t decided to stay in where it warm or just bring their warmth with then in cup.
.
“Now preye I to hem alle that herkne this litel tretys or rede…if ther be any thyng that displese hem, I preye hem also that they arrette it to the defaute of my unkonnynge and nat to my wyl, tha wold ful faynehavfe seyd bettre if I hadde had koonynge.”
Uh, Clem, you’re making not making Dr. Spellchecker unhappy happy.
Live Free or Die January 18, 2012
Posted by Mark Folse in Toulouse Street.Tags: SOPA
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Say no to SOPA!
Water Lilies January 17, 2012
Posted by Mark Folse in Everette Maddox, New Orleans, Poetry, Toulouse Street.Tags: University of New Orleans, UNO
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What are all these buildings and tall green trees on the barren landscape haunted I remember haunted with the ghosts of barracks? Does the mad bag piper still practice on a fire escape of some building as we walk through the ground fog back to Wadsworth street? Where are the matronly black ladies in cafeteria white who once worked the hot line in what is now a food court? Who’s playing Luigi’s Wednesday?
Who are these children? What future have we built for them in the last 30 years? If I knew, I would tell them but they are too busy hustling from class to class, texting that girl they met in CHEM 1069 for coffee later. A few more years of innocence left and I should not trouble them with my grey worries, but walk with them in the bustling sunshine toward some life as yet unimagined.
MONET
By Everette Maddox
The window of my half-
ass job frames a group
of students dripping
across a small yard’s
green gloom. No more
rain! Because a noose
of sunlight snares them—
skirts & hats
& army jackets–& pulls
them tight, like
a yellow slicker,
retarding their academic
progress. Fixing them
(such a lovely mess!),
making an old man’s
day immortal. Water-lilies.
Loose Horse Running the Wrong Way January 15, 2012
Posted by Mark Folse in cryptic envelopment, New Orleans, The Narrative, Toulouse Street.5 comments
“Head up! Horse going the wrong way at the half mile pole. The rider’s OK. Loose horse going the wrong way at the 1/4 pole along the fence. Gentlemen please hold up your horses and stay off the fence.Loose horse going the wrong way at the 5/8s pole. Loose horse going the wrong way at the half-mile pole.”
As the horse comes up on the grandstand I can hear its hooves on the dirt through the cold air. It has thrown its rider and is going the wrong way but the pole numbers keep going up. It doesn’t make sense.
Waking up at 5:30 am every day this week makes no sense, but I go to bed pretty early. Moving even a one bedroom apartment turns out to be a lot of work, especially if your primary non-furniture possessions are books (books are heavy) and the place is smaller and the closet is smaller. You have to take inventory of your life in things and make accommodations.
I drag the 93 pound box of a dresser back two rooms and discover the third piece of laminated particle board is cracked and I have to somehow get those pieces back in the box with their packing and you are happy at least that it wasn’t one of the last pieces or an entire afternoon might have been lost to the puzzle or repacking. I have to somehow get it back in the car and haul it to the nearest store. I call my friend up the street and ask him to help to get it down the stoop and into the hatch back. When I arrive and get a cart jockey to help me unload it, the receipt stuffed half in my pocket blows away in the stiff breeze of a cold front.
Two dressers, a bed, two desks, an air conditioner, a hot plate and a rice cooker as I have no stove, and would rather keep the 48″ round with two chairs someone gave me a while back. A shower ring and associated hardware to rig up a shower. I am spending too much money but if I want to spend more time with my son he needs his own bedroom even if it’s a walk through.
The credit cards go up and up, these new expenses on top of the co-pays for surgery and a car repair and my daughter’s tuition and the money goes out faster than it comes in even while I was still working. A mortgage and my rent and my daughter’s rent and I can’t keep up. Anything i want besides rent and my daily bread ends up on the cards. An expensive sleeper sofa for my son’s weekends that is actually comfortable to sit and sleep on. Meals and drinks, an attempt at normalcy in a city where meals and drinks and cover charges are not luxuries but the as much the bread of life as the po-boy loaf from the grocery up the street. The company IRAs won’t allow loans unless you still work at there. I consider the ruinous interest of minimum payments versus the loss of IRA, the equally ruinous penalties, but so many people in New Orleans cashed out their IRAs to rebuild when their lives. I am in good company.
The heaviest thing I haul up the street is my old work laptop bag now full of books: a complete works of Chaucer with commentaries in hardback strains the tennis elbow I have from using computers. Two books on the history of New Orleans and a few more on America as a Foreign Culture in Anthropology. A book for a freshman level biology class all liberal arts majors must now take. It is not the weight of paper and cover boards but the prospect of going back to school, taking Moloch’s severance and retraining allowance and biting off at least one semester’s worth of the degree I abandoned 30 years ago. I will be older than my classmates by over 30 years. I will probably be older than my professors.
I thought I could do it in one semester and maybe the summer if I can stick to the budget I worked out, but the graduation requirements have changed. Some of the 2000-level sophmore courses that would have counted as required electives now must be upper class courses. Philosophy is no longer considered an acceptable required liberal arts elective, and I had most of an undeclared minor in Philosophy. The required hours climb up and up but I’m going back anyway. The job market is slow. Resumes vanish into silence, or I get an interview but no a call back. Companies no longer send notes if they don’t hire you. Politeness is reserved for customers, doesn’t otherwise contribute to the bottom line, the only measure of Moloch’s approximation of Grace and I am no longer part of the equation. I am not going to miss that life for the next six months.
Another horse is loose and as it makes the rounds of the track the wrong way I wonder for a moment why they always go the wrong way but a horse that throws its rider is a contrary horse. This one ends in the call for a horse ambulance. The first loose horse ends with the rider OK, everything under control the man in the box watching the track says. This one doesn’t mention the rider and calls for an ambulance. The crows call as they do every morning, indifferent to catastrophe, interested only in what the horses may stir up up the track to eat.
Horse running the wrong way. I know I am going the right way but it is against the traffic of convention. My own run may end with “its OK. All clear” or the call for an ambulance but I am become one on of those horses that refuse to enter the gate gracefully under the control of their jockey but the packing and dragging of boxes, the struggle to assemble the cheap furniture step by step is a return to a sort of normality: the first step toward getting my son up for school, cooking and laundry for two instead of one, making sure he practices his saxophone and does his homework. I miss him dearly and he will be an anchor in my life. My other anchor dragged for years as we drifted toward the rocks, cutting it loose and beating against the wind and current the only possible course.
Hooves across Fortin Street have been the steadiest part of my routine for a year now, even when I was still dragging into a job I had grown to hate and knew was going away. There is comfort in the sound of their running, in the bells of Holy Rosary announcing eight o’clock mass if I’m home and outside smoking. Routine, chopping wood and carrying water as important as the sutras or matins. I won’t hear the church bells this morning as I must finish this letter to no one in particular. The call to the faithful will be lost in the roar of a borrowed Hoover as I finish cleaning the old place, then off to the hardware store to find the right piece to make the shower head work, getting someone to give me a third hand as I hang the shower rod. The boy no more understands the mechanics of a sit-down bath than the arranging of a rabbit ears on a television set. Then an afternoon of more unpacking, fitting my life into a new place, getting ready for a new routine that begins this week when I park the car instead of dropping off my son and we both walk up St. Anthony Street toward school.
By the end of today the boy will have his own room. I will not need to squeeze past the sleeper sofa and try to quietly open the contrary door if I want to sit out front with my coffee and listen to the business of the track, the pounding of the horses, the Odd ones that run the wrong way, but I will not hear the bells. I will be off and running the right way. Like the best horses I must run own race as I navigate the pack, oblivious to the roar of the crowd, running only for myself.
Odd Words January 12, 2012
Posted by Mark Folse in books, literature, New Orleans, NOLA, Odd Words, Poetry, Toulouse Street.3 comments
Long time readers of my blogs e know I am fond of long sentences. Hemingway led one generation of writers toward the telegraphic imperative, John Carver another. I was schooled as a journalist in which the desire for a broad audience required we write in the religiously strict structure of inverted triangle and the eighth grade sentence. Somewhere along the way I became an apostate, succumbing to the Comma Heresy, preferring something approximating the rhythms of speech and not just any speech but the breathless accumulation of detail of a good story teller well into the whiskey, his porch audience rapt and respectfully silent as detail is piled upon detail, characters drawn and narratives slowly woven. This can all be done in simple, declarative sentences but you lose the sense of the speaker and the setting, the comfortable chair that puts the teller at the center of the room as if lit by an Old Master surrounded by an audience leaning in attentively, the sense that breaths the only real stops, the only other punctuation a pause for another drink.
So of course I’m going to have to post up a link to the Los Angeles Times article The Writing Life: The point of the long and winding sentence:
“…many of us in the privileged world have access to more information than we know what to do with. What we crave is something that will free us from the overcrowded moment and allow us to see it in a larger light. No writer can compete, for speed and urgency, with texts or CNN news flashes or RSS feeds, but any writer can try to give us the depth, the nuances — the “gaps,” as Annie Dillard calls them — that don’t show up on many screens. Not everyone wants to be reduced to a sound bite or a bumper sticker.
Enter (I hope) the long sentence: the collection of clauses that is so many-chambered and lavish and abundant in tones and suggestions, that has so much room for near-contradiction and ambiguity and those places in memory or imagination that can’t be simplified, or put into easy words, that it allows the reader to keep many things in her head and heart at the same time, and to descend, as by a spiral staircase, deeper into herself and those things that won’t be squeezed into an either/or.
Pico Iyer does not mention Faulker, who mixed of the laconic waterfall of Southern oral storytelling with steam of consciousness but my beloved Thomas Pynchon is mentioned along with Phillip Roth. Writing in a long sentence form differs from popular styles of writing (if i might repeat myself) as Old Masters differ from Modern Art, say, Mondrian. The long sentence layers the paint on thickly, with the disregard for convention in the service of the image of a dozen men around a table, each one’s expression and detail of costume, the use of light and shadow not seen again until film moved out of the daylight and into the sound stage. Such sentences are cinematic, not in the dry geometry of Robbe-Grillet (through whom we have all suffered at one point because someone said it was Important) or in the quick cut jitter of MTV that foreshadows Twitter but rather in the manner of the Sergio Leone’s lengthy shots of Clint Eastwood in the street, closwing in from the establishing shot that places us in the iconic weathered western street to the closer clues of posture that establish the Man with no Name’s essential character, the slouch as tense as the runner at the blocks, the gun on his hip jutting out just a bit, the flexing of his hand until we close in on a shoulder shot, every drop of sweat an establishing shot of the desert, Eastwood’s shark eyes over the slow baseball chaw of a Wee Williams No. 2, all in contrast to his fidgety, squinting opponent whose every bead of sweat speaks not of the desert but of the desperation of a cornered criminal. Oddly enough, if you go to Wikipedia to make sure you remember shot, scene and sequence in the proper order you read this:
- A frame is a single still image. It is analogous to a letter.
- A shot is a single continuous recording made by a camera. It is analogous to a word.
- A scene is a series of related shots. It is analogous to a sentence. The study of transitions between scenes is described in film punctuation.
- A sequence is a series of scenes which together tell a major part of an entire story, such as that contained in a complete movie. It is analogous to a paragraph.
But I go on. Read the article. Here are the listings.
& The week opens at Garden District Books this Friday the 13th (!) when Kresley Cole arrives to discuss and sign her new book book, Lothaire. Paul Marron, the LOTHAIRE cover model, will be accompanying Kresley to all events. I’m not sure if Fabio ever went on tour with the mostly anonymous authors of romance novels, but as a former publicist I can’t fault the idea of bringing along your hunky cover boy given the young, female demographic of vampire fiction.
& On Sunday the Maple Leaf Bar Reading Series features Poet Ron Primack reads from his work followed by an open mic.
& Monday the 16th brings John Barry of Rising Tide fame to Octavia books at 6 p.m. with his latest ROGER WILLIAMS AND THE CREATION OF THE AMERICAN SOUL: Church, State, and the Birth of Liberty, “A revelatory look at how Roger Williams shaped the nature of religion, political power, and individual rights in America.” I know if you live in New Orleans you have probably read Rising Tide. When you finish this new book (as you should) you really ought to go back to The Great Influenza, which is at once a fantastic detective story, a narrative of the foibles of human nature confronted with the unknown, and a real life tale of the near fascistic home front of World War I as chilling as Orwell. If you have read both (but in my opinion specifically Influenza), this is an author who is going to deliver history and philosophy with style and poise and compelling narrative.
There I go again. For extra points, please diagram that last sentence.
& Every Monday, you can join the hardy souls who gather on the steps com amphitheater across from Jackson Square for The Writer’s Block, an open reading and performance gathering with no microphone, no list, with long pauses of whispered conversations and occasional banter between each reader as the audience of performers waits for the next speaker to climb down and speak his piece. It is a different experience from any other reading you will find in town.
& Tuesday bring us Susan Larson’s The Reading Life at 6:30 pm on WWNO-FM, which some of us anticipate as we do Garrison Keillor’s morning antidote to too much coffee The Writer’s Almanac. We haven’t quite worked out getting her guests into this column on Thursdays so you may want to follow Susan on Facebook so you know who is coming, not that you should need a particular reason to listen.
& Tuesday night at 7 p.m. also opens the student-sponsored 1718 Reading Series at the Columns Hotel with poet Kristen Sanders recently completed an MFA at LSU. Her work has appeared in Octopus Magazine and the forthcoming in New York Quarterly.
& On Wednesday the 16th at 6 p.m. Octavia will host lease join us for an exciting evening with bestselling author John Green presenting his new novel, THE FAULT IN OUR STARS. John will be accompanied by his well-known brother, Hank Green, and together they will give an interactive presentation including words and music followed by a book signing. The who affair takes place at Temple Sinai and advance tickets, which include a copy of the book, are required.
An Inside Run Up Poydas Street January 9, 2012
Posted by Mark Folse in New Orleans, Toulouse Street.Tags: Alabama, BCS Championship Bowl, football, LSU, Poydras Street
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Someone camped along Poydras Street in the vast stretches of tents and RVs for the BCS championship game has the most realistic portable stereo system ever devised, or somewhere in the distance a full marching band was playing. Orleanians are something of experts on judging the direction and distance of a marching band from their long experience, and I’m pretty sure a good size ensemble was playing somewhere in the distance.
Further up the Poydras on Fulton Street, a band covers the Ramones Bonzo goes to Bitzburg, the politics lost on this crowd but the sort of song certain to drive a drunken mob into a frenzy. I wonder as I pass if LSU’s Golden Band from Tiger Land has a stirring brass and drums arrangement of it. Not that this crowd needs anything further to drive them into a frenzy. They are with their team at the championship game and that game is in New Orleans.
Poydras is busy but not the center of action the day before the game, what with the attractions of the French Quarter not far away: beignet and hand grenade breakfasts, beads in team colors with mascots pendant, the bands of Bourbon Street playing the 70s country rock covers for which our city is justly famous; a chanting, hollering and vomiting horde, two opposing armies keeping a tense armistice as they pass in the street.
Still Poydras is full of people, awash in crimson and purple and gold. Even Auburn fans have come to down, pitching their team tents along the street to join in the party. If LSU were playing the Michigan Spartans it might be mistaken for Carnival. Smoke rises in a dozen columns from the cramped encampments on every parking lot like chow time in some 19th century army, the smell of meat heavy in the air. Enemy tents stand one next to the other but everyone seems in good spirits. Hawkers of Officially Licensed Team Merchandise and an enterprising fellow with team beads on both arms at Magazine vie for attention. Pedicaps are everywhere, slowing traffic like a parade of band buses. Everyone has a go cup.
I was once a moderately informed fan of Southeastern Conference college football but that was long ago. I have too many other things to occupy my mind than to be a statistic spouting fanatic, and among my tasks today is to look up San Francisco on ESPN today, as I don’t follow the NFL that closely either. I bleed black and gold, but that doesn’t mean I have time or inclination even to state the ranking of teams in the Saints own division much less the rest of the league. All I know is that the circus has come to town. No, two circuses days apart: Sugar Bowl and championship game with a Saint’s playoff game in the middle. I am old school enough to dislike the Bowl Championship System, concocted to upset a century of football tradition in order to produce another high revenue television broadcast, but that is about as involved as I can manage.
I have never been an LSU fan and have no dog in tonight’s fight–I am old enough to remember when LSU and Tulane were a local rivalry–but the spectacle is irresistible. I was downtown to watch the Saints’ game Saturday night and it was easy to tell the LSU fans. They were the ones in their Saint’s jersey. I joked with one crimson clad fellow waiting to cross a street that his accent, an obvious southern drawl, identified him as a leftover Michigan fan from the Sugar Bowl, I thought he was much to drunk to connect a punch, but we were instantly long lost friends for the span of two blocks in the manner of your better class of tipsy tourist.
I will probably succumb and watch tonight’s game. Everyone one I know is still surprised and a bit disappointed that I missed the regular season game. A clash of the titans, one called it. I only watch LSU football if I am at a friends house for an unrelated party, or if I’m sitting at a bar waiting for someone, but the BCS championship promises to be a gladiatorial contest destined for the highlight reels of history, the television pregame diversion that remind me of those those professional football shows that used to run Sunday mornings when I was a child with football cards and no interest in watching The Christophers or the spectacle of some monstrous Protestant church’s service.
In the end it won’t matter who wins if it is good football. The important thing is my daughter is not working the candy shop at Riverwalk tonight and wanting a ride home.
No Fountain of Youth January 5, 2012
Posted by Mark Folse in A Fiction, cryptic envelopment, The Narrative, Toulouse Street.1 comment so far
The city swallows dreams as it does the cars of the morning commute. Approaching from the east barricaded exits to nowhere stand as monuments to the vanity of speculators imagining hydrologically impossible towns, an endless extension of the city’s fringes farther into the dissolving marsh. The closer you approach, the towers of downtown bathed in a damp haze, the city appears like Atlantis ascending to reveal itself to a new age but this is just another soluble delusion. The road collapsing into the soft earth rolls the car like a small boat or drums a rattling tattoo, a reminder that the waters are gradually reclaiming the black muck bottom of forgotten dinosaur oceans, washed down by continental rivers, returning itself to the sea.
Further west the exits empty into geometric streets of modern subdivisions on the last land men managed to fill and level, dredging canals and pumping in river sand, pushing back the water as far as was feasible. The smart money moved into those neighborhoods that pushed up against the boundaries of the possible, carrying their dreams away from the old city. A larger house, a lawn, two cars in the garage, concrete streets level and straight, a shopping mall at the center. Gleaming car dealerships and stores for the furnishing of homes popped up along the highway in a wall barricading 300 years of history just as the levees held back the water.
Over the new, tall span that made the drawbridges obsolete lies the rickety the old city, the jumble of streets which fan out each perpendicular to the bends of the river, the old neighborhoods lined with narrow, clapboard affairs sagging under the weight of too many coats of paint, punctuated by the odd brick box and the last corner stores, divided by avenues lined with the grand houses of another century. Groaning trolleys with wooden seats, so old new parts must be built by hand, rumble along the neutral ground. The eldest oaks bow under the weight of age, their branches reaching back down to touch the ground.
Here people live in the powerful nostalgia of the city’s devoured and communal dreams, drifting from Carnival to Carnival, moving slowly in the humidity, sleep walkers on a journey the rest of the wide-awake world cannot fathom. They have found the fountain not of youth but of a graceful age, a freedom and ease flavored by the communal dreams, far from the frantic Yankee hustle that long ago passed us by, headed west.
Odd Words January 5, 2012
Posted by Mark Folse in books, literature, New Orleans, Odd Words, Poetry, Toulouse Street.2 comments
Once again it is quiet in the bookstores, but its still holiday madness in New Orleans between Sugar Bowl, the BCS championship game and Twelfth Night tomorrow. Octavia will host a children’s picture book event Saturday, Jan. 7 at 2:00 pm with Dianne de Las Casas and Marita Gentry for Dinosaur Mardi Grass (of course) and Garden District Books hosts Cornell Landry to read and sign Happy Mardi Gras (natch) at 1:30 pm at the Uptown location.
On a sad note, Ed Sanders has penned a poem about Helen Hill, which reminds me I should be well into my annual catalog of the murdered but moving house has kept me away from it.
& Downtown Friday night at the Love Lost Lounge, the No Love Lost Poetry Reading hosted by Joseph Bienvenu kicks of at 5:30 p.m., just in time for the bar’s happy hour and opening time for the excellent Vietnamese kitchen in the back.
& Later Friday New Orleans premiere spoken word event Acoustic Fridays the Red Star Gallery, 2513 Bayou Road, hosted every week by Charlie V-Uptowns Illest MC. $7 cover, $5 with college ID
& Saturday, Jan. 7 at 2:00 pm the Latter Library poetry series resumes with Jonathan Kline, Geoff Munsterman, Jerry Ward, Dave Brinks and Steve Beisner.
& On Sunday, Jan. 8 the Maple Leaf Bar Reading Series will feature Poet Harry DelaHoussaye and fiction writer Jeanne Soileau reading from their work, and you won’t have to fight the Saints game crowd to get a drink at the bar.
& On Monday, Jan. 9 the Black Widow Press Salon continues featuring Playwright Andrew Vaught from Cripple Creek Theatre Co. 7 p.m., and RSVP’s are encouraged as the space upstairs for these events is quite small.
& While organizer Kate Smash is still out of town, she reminds everyone via Facebook that the Writers Block reading and performance on the amphitheater steps across from Jackson Square goes on every Monday night at 9 p.m.
& On Tuesday at 6:30 p.m. don’t forget to tune into The Reading Life with Susan Larson at WWNO, 89.9 FM. If you miss it (slaggard) don’t forget the Saturday rebroadcast at 12:30 p.m. Don’t forget you can listen to podcasts of past shows online if you were too busy with holiday mania to hear Charles Brown, the new director of the New Orleans Public Library, and city archivist Irene Wainwright last week.
And since the listing are so sparse, we leave you with this cheerful quote. John Berryman’s Dream Songs was one of the books lost in my various relocations last year and was my Christmas present to myself, because it’s just not the holidays with a book
“I do strongly feel that among the greatest pieces of luck for high achievement is ordeal. Certain great artists can make out without it, Titian and others, but mostly you need ordeal. My idea is this: the artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him. At that point, he’s in business: Beethoven’s deafness, Goya’s deafness, Milton’s blindness, that kind of thing.”
― John Berryman
Quatrantid Madness January 4, 2012
Posted by Mark Folse in cryptic envelopment, New Orleans, Toulouse Street.Tags: cold, meteor shower, Quatrantids, stars
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It was so cold the night before all the palm fronds in town had bowed down to the ground, as if to acknowledge they were too far north, trespassing in the land of Boreas, planted affectations of a people believing themselves tropical. Tonight was worse.
I overslept my cell phone alarm at 3 a.m., carelessly hitting off instead of snooze in my confusion, then started awake at 4:39. I decided I would go out anyway. I pulled on left over Dakota clothing: flannel lined jeans and my snowshoeing fleece top, and then my new L.L. Bean knit slipper socks. I had a decent jacket and gloves but no proper hat. My daughter had given away by Andean cap with its warm ear covers to a friend going skiing years ago.
I didn’t stop to look at the computer and orient myself to the center of the meteor shower. I just plopped down in the world’s most useless Jazz Fest chair, a recliner so titled you would never be able to see the stage or get up if you drank too much. It is, however, perfect for gazing up 60 degrees or so. I had my phone compass set to night, and by its red glow made sure I was pointed precisely northeast. I lit a cigarette (gloves still in my pocket) and settled into wait. I couldn’t tell if the glow over the roof next door was astronomical twilight or the glare of the city.
In the distance, some madman shouted what sounded like “yeah” every minute or so, but after about five minutes I clearly heard him holler “come in,” as if calling some dumb cat which had bolted out the door earlier into the cold. If that was his business, I was surprised it would take any sensible animal that long to come in. Perhaps he had a darker yard than I do, no neighbor’s sodium lamp two doors down to ruin his vision, and could see more than I could, those faint streaks I couldn’t be sure were imagination and expectation, letting out a whoop with each one until someone else called him in for making such a racket at 5 a.m.
It was a few minutes before I saw my first bright one grazing the tail of Ursa Minor, probably 30 degrees away from where I thought the center should be. I switched the cigarette in my hands, stuffing the other one deep in it’s pocket for warmth It was so cold my eyes watered. I could feel the tears running down my cheeks, and I wondered if my vision would blur and miss the faint ones. My nose started to run profusely in the cold but I sat and sniffled and waited. I thought I saw a few but I could not tell if they were wishes without shooting stars. Then then I saw another, this one also 30 degrees off course toward Arcturus in Bootes. (I am no armchair astronomer, but everyone knows Ursa Minor and I can glance at the star map as I write this. Right thinking people are not up in January at an hour when you can see Arcturus.
I was afraid to look away to put out the cigarette but my hands were getting cold. Smoking reduces the circulation to the extremities, and my fingers were brittle icicles, so cold I finally dropped the cigarette from numbness and had to pop up to find it and put it out. I pulled on my gloves, stuffed both hands deep in my pocket, and went back to watching.
One more, I thought, give me just one more good one and I’ll be satisfied and go back inside. I had not eaten my black eyed peas and cabbage until yesterday due to an upset stomach on New Years Day. I didn’t drink much the night before but a couple of glasses of Belgian ale, a few shots of good tequila and a flute of champagne were a risky mix even in moderation and I wasn’t ready to eat anything but toast and cheese grits on Sunday, so the beans and cabbage sat in the fridge for two days, forgotten until lunch yesterday.
Clearly I needed an extra shot of luck, believed I needed it so bad I would sit out for half an hour when the deck thermometer read exactly freezing. Just one more, I thought, come on. Give me a lucky set of three. There were more faint flashes I couldn’t be sure of. The hollering had stopped, and it was quiet for a while until a distant siren wailed. Then it came, a short but brilliant stroke of light headed straight toward the zenith. I had gotten my second wish for just one more, and I got up to go back inside, surprised at what felt like a blast of warmth from the chilly back of my apartment
My first wish would have to wait for time to prove it out.
Word. January 2, 2012
Posted by Mark Folse in 504ever, Bloggers, music, New Orleans, Theater, Toulouse Street.3 comments
Of the Lord (Lord David, that is) from The Truth and Other Lies. If you don’t read his blog, consider yourself woefully under-informed and your opinions beneath notice.
I find myself closer to a Stepford/Mayberry in Hell reality than I ever thought possible for the City of New Orleans…
Join me in the following year, if you dare, in going out to see music that MATTERS; from the Soul Rebels to Ratty Scurvics & the Black Market Butchers, or Dr John sitting in with JD Hill at the St Roch Tavern.
Patronize amazing local theater at out-of-the-way places like Allways Lounge & Marigny Theater, the Shadow Box theater or Otter’s Backyard Ballroom, rather than more commercial endeavors, like Professional Douche Bag, Pres Kabacoff’s, ugly little orange mall..
Gird your loins appropriately, folks, and head on out.
Life in this city is dangerous.
Its complicated.
It’s amazing & it’s beautiful.
In the final measure, for me, it’s the only way to go.
The Blooming New January 1, 2012
Posted by Mark Folse in cryptic envelopment, New Orleans, Shield of Beauty, The Narrative, Toulouse Street.Tags: fireworks, Lakeview, New Years
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The highest of the downtown fireworks were just barely visible through the trees, but that hardly mattered. Lakeview resounded with something like the sounds of battle, a steady crackling like rifle fire and the wump and burst of artillery and the sky was alive with rockets and star shells, the bang whoosh snap pop hiss of burning metallic blossoms in the dark, dissolving into columns of smoke hanging hesitant in the sky then rushing past like a crowd of ghosts fleeing the ecstatic mayhem.
Lakeview announces to the mob that they have no need to crush themselves into Jackson Square but can drive to Gretna and peel off the hundreds to load their car with all the fireworks they need. I suspect they do not know the history of fireworks but as I stand in the street and watch the ancient Chinese art of lifting fiery flowers into heavens, inadvertently hoisting Sun Ra’s shield of beauty, and with these exuberant explosions of Li Tian’s gung pow simultaneously driving away the smoky ghosts and lingering demons of the old year, clearing the air for the new just as last night’s rain washed the new day clean of the last remnants of the old. I sit on the stoop of the backyard smoking and listen to the bells of Holy Rosary and they seem to ring with a clarity not explained by simple tricks of atmospherics. After last night’s purgative pyrotechnics the bells sound not to drive away but to draw together their faithful for the celebration of the old magic, the rite of transubstantiation.
Two crows fly over at a diagonal of the line between the church and I, andtheir crossing severs ties to the past. The spell is reversed: flesh into bread, blood into wine, the labor and reward of a life moving forward, outdistancing the past. I feel like Scrooge reformed, want to rush into the streets wishing everyone a Happy New Year.
Thank you Lakeview and to everyone, without reservation or exemptions, a Happy New Year.
I Was Cured All Right December 31, 2011
Posted by Mark Folse in cryptic envelopment, Toulouse Street.1 comment so far
2011
Holidays on Ice! December 31, 2011
Posted by Mark Folse in Fargo, Toulouse Street.Tags: fireworks, New Years, North Dakota
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I think I lost the thread of New Years living in North Dakota. The state climatologist tells me the average temperature for this time of year is somewhere between six and nine degrees Fahrenheit. Needless to say, there were no outdoor fireworks displays. The kids were small, we didn’t get out and socialize much and there were no party invitations. The plan on most holidays was to stay home or do something with the kids.
The only exception to the firework rule that I know of was the turn of the millennium. There were fireworks aplenty to be had, with year round stands up and down the Interstate, and I decided to blow the Fourth of July leftovers, because it was the New Years that rolled over the odometer and because I just missed the idea of fireworks on the holiday.
In spite of an alarm clock set to get me to work at 5 a.m. just in case the predicted technological Mayan apocalypse took down all of the computers at the bank, I insisted on saying up until Dick Clark made it official. I didn’t actually seem him, because I had pulled on my Rocky Minus 40 boots and parka and taken the bucket of sand I’d filled inside the garage (otherwise the sand would be rock hard) out into the back yard.
While the family huddled on the couch around the partially sunken basement’s window into the back, I serenaded the neighbors for blocks around with a respectable opening gambit of bottle rockets to get everyone’s attention followed by fountain (always a family favorite) and finishing off with moderate display of a half-dozen of Roman candles.
No one called the police. A single, frost-bothered dog howled in the distance after I was done. I could only hope that somewhere out in that frigid night, a few other people heard the first reports, stepped away from their television, pulled on a coat and boots and shivered in wonder at my bright display of temporary insanity.
So long, 2011. Don’t let the door hit you on the way out. December 31, 2011
Posted by Mark Folse in cryptic envelopment, New Orleans, Poetry, Toulouse Street.Tags: Everette Maddox, New Years, THE MIRACLE
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THE MIRACLE
By Everette Maddox
“Things are tight,” the man
said, tightening his
quasi-friendly grin.
“We can’t give you a
job, we can’t give you
any money, and
we don’t want these here
poems either.” He
tightened his tie. “Fact
is, the old cosmic
gravy train’s ground to
a halt. It’s the end
of the line. From now
on there’s going to
be no more nothing.”
He went on, lighting
a cigar: “We don’t
wish we could help, but
even if we did,
we couldn’t. It’s not
our fault, by God, it’s
just tight all over.”
He brought his fist down
on the burnished desk
and lo! from that tight
place there jetted forth
rivers of living water.
A Bend in the River December 30, 2011
Posted by Mark Folse in lyric essay, New Orleans, The Narrative, Toulouse Street.Tags: Algiers Bend, Mississippi River
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In the stillness of the night air damp and cold as Pacific fog but clear and starlit, across two nautical miles of low roofs rolling above the flat land like the waves of the sea, I sometimes hear the bellowing of ships horns as they make the blind turn at Algiers Point.
I spent last night buying textbooks online from Amazon. I dislike Amazon, but I have to be careful with money. I think about how it will feel to sit in a desk in a classroom, surrounded by people decades younger then I am, if professors will treat someone my age differently. Going back to school on my severance and retraining allowance 30 years after abandoning my baccalaureate for a newspaper job is a blind turn.
I also finished ordering a bed, dresser and small desk from Wal-Mart to put in my new, two-bedroom apartment. I dislike Wal-Mart more than I dislike Amazon. My lawyer says I need a two bedroom apartment if I want my son to divide his time between his mother and I, and he needs furniture. He sleeps now on a first rate sleeper sofa in my front room when he comes. I wondered if the lawyer had scheduled the meeting she promised for next week. More compromises, like buying from Amazon and Wal-Mart. Another blind turn.
***
I remember the reason the ships use their horns in spite of radar, radio and the Coast Guard system that works like air traffic control for ships. Then I remember how two vessels meeting signal their intentions. One blast means “I moving starboard and leaving you to port”, two blasts the opposite. In this day and age this could be negotiated by radio but the Algiers turn bound downriver is a difficult moment.The current wants to push the tow or ship into the Esplanade Avenue Wharf. The vessel has to pivot on the left hand side of the river, analogous to a car going into the other lane, engines turning furiously in counter directions to pivot while drifting slowly on contrary current to aim themselves downstream and get back into the down bound channel. This must be an intense and frantic moment, requiring the perfect alignment of forces.
Its easier to follow conventions on a blind turn. Perhaps that is why I am going back to school. I have bullshitted my way into several degree required positions but as I get older I wonder if I can do that again. I had two recruiters fighting over me last week for a local contract job. The one I worked with (he found me first) insisted the job was bachelors or eight plus years experience, but the description he sent me read and not or.
I had originally planned to spend my severance time furiously reading and writing, following the autodidact path that led me from the English Department to journalism, from journalism to politics and Capitol Hill, out of politics and into IT, from It to project management. Perhaps returning to school, at least to get one semester out of the way before the retraining money expires and the severance runs out, is as simple as following convention, choosing to use the signal horn at a difficult bend, a blind turn.
***
As I simultaneously apply for jobs and buy textbooks, and try to furnish a room for my son while dribbling money out of the severance pool as slowly as possible I feel the tension of that turn at Algier’s Point, left engine full ahead, right engine full astern, the dangerous insistence of the current, the intensity of the moment. There is no time for negotiation over the radio. The down bound ship has right of way. Just blow the horn and let everyone know your intentions.
Unlike the river pilots who guide the river boats and ships, I do not know what is around the bend. They cannot see the hidden low tow of barges but know every trick of the current, every sandbar. They sound two blasts–I am leaving you to starboard–and confidently navigate the turn. I am bound blindly upriver, and so a certain adherence to convention is wise, yielding right of way. I have no certain idea of what lies ahead: the gold of Eldorado, the madness of Kurtz, or the death of de Soto. I emulate the early explorers, conserving my supplies and proceeding with caution. I have my own obligations like de Soto’s to his king and his god, and like Marlow I have my own, sometimes dimly understood compulsion toward the unknown.
I sit outside, and light another cigarette, listen again for the sounds of the river but none come. The ships only sound their horns when they meet another to negotiate the difficult turn. I have my own difficult meetings and turnings to negotiate ahead. I have to learn the confidence of the river pilots as they dodge the ferry and the upstream traffic, master the difficult currents they have launched themselves upon, to signal my intentions when necessary and not trust any other to simply follow the rules of the road.
Aphorism 299 December 29, 2011
Posted by Mark Folse in Toulouse Street.add a comment
“He dedicated his scruples and his sleepless nights to repeating an already extant book in an alien tongue.”
– Aphorism 299 from David Shield’s Reality Hunger, attributed in the endnotes to Luis Borges in “Pierre Menard, Author of the Quixote”
Odd Words December 29, 2011
Posted by Mark Folse in books, literature, New Orleans, Odd Words, Poetry, Toulouse Street.add a comment
Its that Odd, hollow week between Christmas and New Years, the week I always burned up that unused use-it-or-lost-it vacation. It is a time when I used to devour my holiday present book and take things slow.
I am not alone in this week of idleness. There is nothing going on in the bookstores. 17 Poets! is off for the holidays and Maple Leaf Poetry Reading is an open mic at 3:00. Check the website of other readings, like SpokenWordNewOrleans.com or the Readers Block Facebook page to see if anything is going on.
It is probably a good week for you to devour that holiday book if you haven’t already. If you have, my plans for today include making a pile of all the unread books I’ve bought over the last year, by size to ensure its stability I’ve bought quite a few because the things I want to read aren’t usually in the New Orleans Public Library. An anthology of poems I wanted to read is still “in cataloging” after two years.
I know from reading the literary corners of the Internet that I am not alone in this compulsion. I am tempted to go back through my stack of Believer magazine and catalog Nick Horby’s Stuff I’ve Been Reading, which includes lists of Books Bought and Books Read and see how big his pile is.
I know a trip to Barnes & Noble is on tap for this week because my son is staying with me, and he has a gift card. (I know, I know). He’s more likely to find something to his taste in their stacks, and my challenge will be to escape without buying another book. I need to make the pile first to remind me why I should not.
What I really want is a good book of short stories and there isn’t one in that entire pile (at least I don’t think so. I’ll know when I make my little Tower of Babel. I’m tempted to pull out some Barry Hannah or Haruki Murakami, to escape into the Odd. Instead, once I finish making notes on Hart Crane’s The Bridge (a classic, so I did find that at the library) it’s time to to make and tackle the unread stack. Or find a book of short stories at Barnes & Noble and succumb to temptation.
Soon I will either find a job or I will go back to school to finish the bachelors I abandoned 30 years ago, and either way I will lose the free time I have now to read. If you are one of those people who have an unused week of vacation you are using up this week, dig into that pile of unread books or re-read your favorites.
Not isn’t, either. December 28, 2011
Posted by Mark Folse in New Orleans, Toulouse Street, Writing.Tags: contest, Electric Lit, Retraint
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Electric Lit is running a contest titled Restraint, challenging writers to submit a story of 30 to 300 words in which no word is repeated. Contractions count as two words. Forget possessives. Plurals are out.
I haven’t had this much fun since I started writing villanelles to pass the time while doped up on Oxycotin and laying in bed after some surgery.
Here is one I did not submit (I managed three, then took what I thought was the best. I just revised it to meet the clarified rules about contractions, plurals, etc.)
This is not easy, but it is a pleasant challenge.
###
Story No. 2*: “Another Chance”
Would the bus never come? He sat, his bag of things, hastily packed, plus what was thrown. Cigarette? That always worked before. Light up and damned if it won’t appear. Wait: no smokes. Also broke (pockets turned out, white fabric gray from age, cheap detergent). Store closed anyway. Can’t bum one, street empty this early Sunday morning.
Without enough change why sit here? Trees, sun peeking over, winter naked, had nothing to say. Other days they spent many lazy afternoons, drinking, laughing under those boughs, flush with wine, money. Now just squirrels, their mocking chatter, leaves blown away south like birds, gone.
Could she take him back? Possibly: silence, explanations, tears, an embrace slowly crab walking backwards towards dingy sheets. Broken down cross-town comes coughing downhill, slows but doesn’t stop. Driver looks, glance unreturned, drives on. Go, slowly retracing steps, climb creaking stairs, knock, call her name. Only hope left, something resembling love, maybe some Marlboros. Perhaps scrounge breakfast or something, another chance.
###
Story No. 3: “The Doorbell”
The doorbell rang. Like Pavlov’s dog she made a quick check: face, teeth, smooth dress before long mirror; cup hand, breathe, sniff. Her first blind date in 20 years, all butterfly stomach somersaults not felt since high school, with someone chosen carefully from an online dating service. This was no act of desperation (divorced less than six months) but rather uncertainty over how else to proceed. His picture looked handsome, profiles perfectly matched in (promised) rigorous computer screening, company highly recommended by Cheryl, companion on double dates . No worries . (Flickering wings down below thought otherwise). Westminster chimed again. Grabbing the door and swinging wide open, scanning left then right outside: nobody. Coughing drew her attention. There he stood, about doorknob tall, holding flowers, ruggedly good looking face smiling.
* Story No. 1 is my submission.
Sins of Omission December 28, 2011
Posted by Mark Folse in A Fiction, literature, New Orleans, NOLA, The Narrative, Toulouse Street, Writing.add a comment
“Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make. You can destroy your life every time you choose. But maybe you won’t know for twenty years! And you may never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce.”
– From The Priest’s Monologue in the film Synecdoche, N.Y.
One word at a time. That is how it is done, how it is figured out, the million little strings. Words become sentences, sentences paragraphs. From the building blocks come a narrative, a character– call him The Typist–who is and is not the author, a composite of who I am, who I dream of becoming, who I might have been only if. If I come to understand him as every writer must to successfully create character, then I come closer to understanding myself.
Life is more complicated than you think. For example, what do I publish here, and what do I omit. I know what the divorce lawyer would say. I take into consideration whether my children read it (they say they do not), and who else might read it looking with a rigidly literal mind. Life is an adversarial competition. Everything is negotiation at best, furtive plotting at worst. If you think there is no one plotting against you then you must lead a very sheltered life. It is not what first comes to the readers mind when I say paranoia. It is something greater, a confluence of negative forces real and imagined you must understand and decode.
“…paranoia, it is nothing less than the onset, the leading edge, of the discovery that everything is connected, everything in the Creation, a secondary illumination — not yet blindingly One, but at least connected, perhaps a route In for those… who are held at the edge….”
– Thomas Pynchon, Gravity’s Rainbow
The Typist understands this corollary to the priest’s speech, must navigate the treacherous relations that constitute his life. A job lost and potential employers Googling, divorce and all that entails. I have of late imposed limits on what I write here, but increasingly I realize how counterproductive that is. What I write here is not an unraveling like divorce but the assembly of a quilt from bits of the real, the imagined and the desired. These highly personal pieces are not a solid thing but a phase transition, the evaporation by fire of who I was, the condensation of distillation, the transformation of one thing into another.
It is a story I am compelled to tell and not just scribble into a journal. I am not alone. Consider Sarah Fran Wisby.
A word. A sentence. A paragraph. If only it were as simple as I laid it out in the thesis above. It is the arrangement, the omission or inclusion, which makes it an act of personal transformation and ideally a transformative art. There are artful omissions, and cowardly if not paranoid sins omissions. I sat down to write something about this morning, about my son, about the realignment of our lives, but wrote this instead. By the time I reached that last sentence I began to wonder if this was a conscious omission, or a simple avoidance of action and consequences. I understand there are consequences: the poem by Wallace Stevens post about this time last year that resulted in a ranting phone call and which morphed into a peculiar present. I am too far down this road to allow for either, have said too much already, made what I write here to central to becoming.
A friend stopped public writing all together during his divorce. My lawyer would no doubt advise the same if I asked. I cannot. These words, this assembly of pieces, is too much a part of myself: past, present and future. To hold back is to omit a critical part of the formula, to fail to produce the desired result in the alembic, another failed attempt at the Philosopher’s Stone with only myself to blame.
If I stop now, I have risked everything and will gain nothing.
A Successful Adaptation December 27, 2011
Posted by Mark Folse in books, literature, Toulouse Street.Tags: David Foster Wallace, depression, Freedom, Jonathan Franzen
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…his understanding of the depressive personality type and its seemingly perverse persistence in the human gene pool was that depression was a successful adaptation to ceaseless pain and hardship…For Katz’s Jewish paternal forebears, who’d been driven from shtetl to shtetl by implacable anti-Semites, as for the old Angles and Saxons on his mother’s side, who’d labored to grow rye and barley in the poor soils and short summers of northern Europe, feeling bad all the time and expecting the worst had been natural ways of equilibriating themselves with the lousiness of their circumstances….This obviously wasn’t an optimal way to live, but it had its evolutionary advantages. Depressives in grim situations handed down their genes, however despairingly, while the self-improvers converted to Christianity or moved away to sunnier locales. Grim situations were Katz’s niche the way murky water was a carp’s.”
– novelist Jonathan Franzen reading from Freedom while discussing his friend David Foster Wallace on NPR
Happy Chrismas December 25, 2011
Posted by Mark Folse in cryptic envelopment, New Orleans, Toulouse Street, Xmas, Yule.add a comment
This Day a Child Is Born December 25, 2011
Posted by Mark Folse in cryptic envelopment, New Orleans, Shield of Beauty, Toulouse Street, Xmas, Yule.1 comment so far
For, Lo! today a child is born in the East and her name is Rebecca and her name is Azra. His name is Mohamed and his name is David. His name is Kripalu and her name is Yasmin. His name is Kibwe and her name is Ngozi. Her name is Lian and his name is Chao.
And farther East, across the Pacific which means peace, where East meets West and the circle is closed, her name is Maria and his name is Jesús .
Wise men honor them all.
May the peace of the gods of their names be upon them.
The Junkie’s Christmas December 24, 2011
Posted by Mark Folse in cryptic envelopment, New Orleans, Toulouse Street, Xmas, Yule.add a comment
Burroughs does Xmas stripped of all the pretense. I love this story but then I was raised on The Little Match Girl. If you don’t understand why Jesus of Nazareth would love this story go back to wrapping presents. Better yet, burn your tree. Leave the angel on top so she can fly up to the heavens in the smoke and ash and ask whatever gods may be lurking behind the entirely ordinary stars of a mythical winter’s night to have mercy on your soul.
Christmas Future December 24, 2011
Posted by Mark Folse in Toulouse Street.add a comment
The Ghost of Christmas Future
“Quiet and dark, beside him stood the Phantom, with its outstretched hand. When he roused himself from his thoughtful quest, he fancied from the turn of the hand, and its situation in reference to himself, that the Unseen Eyes were looking at him keenly. It made him shudder, and feel very cold.”
–Charles Dickens’s “A Christmas Carol”
Maria settled into the hard, wooden seat as the antique red streetcar jumped to a start and slowly whirred up to speed, clutching a shopping bag close to her chest. A few rolls of half-used wrapping paper stuck out of the package, the odd cut ends flapping a bit in the breeze as the car slowly got up to speed. These cars had once been air conditioned, or so Maria was told, but it had not worked any time she could remember. At least the windows opened, unlike the even older buses that carried her for the last part of her long trip home, long fused shut by neglect and humidity. The December air was a lukewarm bath, not hot like August but not the cool that might come by Carnival if the city was lucky.
As she settled down for she glanced out at the brightly-lit high rise buildings that lined the river, then turned her head away. She had spent the day in one of those, scrubbing out toilets and kitchen floors. From a distance they looked glamorous, like a city in an old movie. The insides she knew well enough after a dozen years. The apartments did not look so glamorous from down on hands and knees scrubbing.
She peered instead into her package, trying to decide if there was enough paper on the rolls to wrap the cast-offs she had gotten from Mrs. Lafont: toys her employer’s children had outgrown, a beautiful silk scarf in a slightly out of fashion pattern for herself. It would be better than last Christmas, the first after their grandfather died; coughing up the last of his life with the black mold and stucco dust he had breathed ten and twelve hours a day as a young man demolishing homes after the flood.
She lifted up her shoulders and straightened her back as she took in a deep breath, then let it out in a long sigh to settle her mind, looking straight ahead as the car rattled toward the last of the high rises and the first checkpoint. A man in a black uniform with a small automatic pistol hanging at his waist from a shoulder strap stepped into the car, and Maria fished out her papers. It was the first of several times she would need them that evening, and she kept them in the little pocket of her bag ready to hand.
A pair of guards from Bywater Security stood laughing over a cigarette just outside the window at Maria’s seat, but the guard from the Downtown Security District who entered the car was not smiling. He walked slowly down the aisle, glancing casually at everyone’s proffered passes and ID cards. He passed Maria with just a desultory glance, but yanked the papers out of the hands of the young man sitting just behind her. Maria looked straight ahead but could see in her mind the scene unfolding as she had seen it a hundred times before: the guard staring intently at the card, then at the young man, then back at the card; his hand sliding back from its position resting atop the gun and toward the grip, his fingers stroking the metal as if the gun were a small lapdog. She heard him grunt and then shuffle on toward the back of the car. He pulled the stop cord, and the driver released the rear door to let him out.
It was the same at each of the neighborhood security boundaries on her long ride home to the back of town, the private police in their black uniforms t their check points to see who was coming into their zone. Her grandmother had told her stories about growing up in Chiapas in the days of the rebels, of the soldiers with their machine guns patrolling the streets. Here in New Orleans, her grandmother told her, they mostly left you alone if your papers were OK. Back in Mexico it was not so good. Many young men were killed by the soldiers there, their wives abused. It was so much better here; she was so, so lucky to be living in America.
She put her ID and pass back into her purse, checking to see that the envelope of cash Mrs. Lafont had given her as a Christmas tip was still safe in the bottom of her bag. Satisfied, she took out a small compact and looked into it instead of at the passing high rises or the river front parks her maid’s pass would never admit her to. In the mirror she saw two men she didn’t notice when she boarded the car, or remember seeing come down the aisle.
One was an older Anglo in a faded t-shirt, some design with a skull and a gun that said Defend, perhaps a retired soldado negro from one of the security districts. . Next to him was another man in a dark hoodie with the top pulled so far up and over his head that she could not see his face. It was so dark under the hood she thought he must be a Black, but she could not be sure. She was amazed the guard had not stopped this odd pair and hauled them off the car for further questioning. Even if the hooded one wasn’t a Black, and you never saw them inside the river front security districts, even if he were also an Anglo, wearing his face covered like that would be all the excuse they would need
The hooded one turned toward her as she watched them in the mirror, and still she could not see his face in the mirror. She snapped it shut and shuddered as she crossed herself and kissed her thumb, murmuring a Hail Mary under her breath. As she did so the last of the high rises passed them by, and the Old Quarter began. Her grandmother had taken her down to the cathedral when she was a child, before the security districts replaced the old police and instituted the passes. They would sit among the pigeons and tourists and grandmother would tell her of her own girlhood in Mexico, of the cathedral on a square where the boys walked one way and the girls another on a Sunday afternoon, where she had met her grandfather.
She crossed herself again, feeling safer as the three towers of the church passed. She turned her head to watch them go by. In the corner of her eye she saw the seats where the hooded one and his companion had been were empty. The car had not stopped, and no one had gotten off. Her head snapped back to the front. Without looking down her hands fished deep into her bag and she dug out her rosary.
***
Eban did a walk through survey of the house. The dishwasher was whirring away in the dark kitchen, and all of the food put away. He took away the last shreds of wrapping paper from the cat, and picked up the scattered instructions and parts. The Santa presents for the kids were laid out by the dining room fireplace. The cookies were out for the Big Guy (his teenage children had rolled their eyes), and he snagged one off the plate as he passed. His wife and children were all asleep. Christmas Eve was almost done.
He slipped quietly into the room they called the walk through closet, the one closest to their back bedroom on that side of the shotgun house, and took off his dressy Christmas Eve clothes. He pulled on some comfortable jeans and a Defend New Orleans t-shirt, one of almost a dozen he owned emblazoned with some emblem or slogan about saving the city. It was time for one last Christmas tradition.
He would slip out of his Uptown home as he had every Christmas Eve since he returned to New Orleans for a late drink with friends at the Holiday Lounge.. The place was a year-round tribute to Christmas, lit inside entirely by the fat colored bulbs he remembered from the trees of his youth, the walls hung with every sort of imaginable cheap holiday decoration: jolly plastic Santas and snowmen in top hats, rainbow-hued wire reindeer and candy canes, and a large Styrofoam figure of New Orleans holiday icon Mr. Bingle, the little snow man with the ice cream cone hat. The Holiday was a New Orleans icon, and Eban was all about the icons. He wore his love of New Orleans like a forearm tattoo, prominent and indelible.
He peeked in one last time on his wife and then his son before leaving. Tonight shouldn’t be about the damned blog, he thought. He was going to see some of his oldest friends, people he had known since they were in kindergarten. He set the alarm, locked the door and stepped out on the porch. As he double checked the latch by pulling on the door he heard a “pop-pop-pop” in the distance. It could be fireworks, he told himself. They were illegal in the city, but people started buying them across the river as soon as the stands open and shooting them off at all hours of the day and night.
***
As he left the Holiday and walked back to his car up by the river levee, something drew him up to the top to see the city strung out along the river, the lights of downtown in the distance. He lit a cigarette and looked at the city twinkling in the humid air, then up at the clear sky. A middle-aged man had no business out looking for magic in the Christmas Eve sky at 1 a.m. in a sketchy part of town, but nothing moved except a tow boat. All was calm, and city was bright.
When the figure in the black jeans and hoodie pulled up over its head suddenly appeared next to him, he froze in place. He could not discern a face inside the hood, as if covered with a black stocking. He was certainly about to be robbed, and he hoped it would stop with that. The figure did not pull a gun, or say a word for what was probably a minute but seemed in his adrenaline rush to be an hour.
The figure pointed at first without speaking, the long sleeve of the over sized hooded sweatshirt hiding its hand, in the direction over his shoulder. He turned and saw the city transformed. The low rows of houses were replaced by a row of high rise apartment . A red street car like those that ran up and down the riverfront closer to downtown was slowly crawling up River Road.
It had been a typical, warm Christmas night in New Orleans but he was suddenly soaked in sweat under his clothes and shivering as if he were coming down with the flu. The figure just stood there, pointing at the street car stop down the levee. He tried to speak to it but when he opened his mouth only confused bits of words would come out. Finally the figure spoke. “We’re going to ride the car downtown. There is something I need to show you.” He wanted to turn and walk away, but his legs seemed to be possessed. They followed and he went.
***
“How did it happen, Spirit, all of those ugly glass high rises, the private police? Why didn’t we stop them?” Eban asked. The empty black hood was silent, hands buried deep in the pullover’s. Eban was not sure he had ever seen hands at the end of those overly long sleeves. It set a brisk pace as they walked through the French Quarter. Little had changed here, Eban thought, as they passed by knots of laughing people roaming the streets, past restaurants with lines waiting outside, and crowded bars with music blaring.
“It’s quicker this way,” a voice from inside the hood said, clipped and business like, the voice of a policeman urging the crowd to move on.. Nothing to see here, it seemed to announce. “The back-of-town buses don’t run all the way up Canal anymore. They’re not allowed past the checkpoints.” “Checkpoints,” Eban repeated as if tasting a new word from a foreign language as he stumbled on a broken bit of sidewalk, trying at once to look around and keep up with his guide.
As they came up to Bourbon Street the crowds were heavy and boisterous, the sort of scene Eban had witnessed on a hundred other weekend or holiday nights. He could hear someone picking Christmas carols on a guitar and singing in a nasal, mid-South accent. The hooded spirit stopped for a moment in front of the busker just as he finished a song, turning his dark hood toward Eban. “Merry Christmas, y’all,” the busker said to no one in particular, as if Eban and the hoodie were not there. “Giving is the reason for the season,” he shouted to the crowd, nudging his guitar case with the toe of a western boot.
The spirit just stood there, the faceless hole seeming to glower at Eban, who dug into his pocket and pulled out a rumpled bill and tossed it in the case. “Ho, ho, ho! Merry Christmas to you, sir,” the busker bellowed. Eban looked at the Spirit, who said nothing, then turned to ask the singer where he was from. “Tennessee. I’m just down here working for the holidays,” he said. “The French Quarter Corporation doesn’t pay as well as Disney, but they’re a lot looser about how you look or what you do with your off hours. And who doesn’t want to come to New Orleans, at least once?”
Eban started to answer but the hoodie pushed through the crowd to cross Bourbon and Eban hurried to follow. He looked up and down Bourbon. It was the same strip of neon lit drinking joints it had always been, crowded with people wearing beads bought in t-shirt shops that alternated with the bars for blocks in either direction. Eban thought it odd that they all wore badges around their necks. Conventions usually didn’t come in town at Christmas. “They’re tourists, but not conventioneers,” the hooded voice said. “Those are passes from the security district. When the city voted to dissolve the police and let the private security districts take over, the Quarter was closed off to the rest of town, to keep it safe for the visitors.”
“But what about locals who want to come down here? Can’t they come to eat at Galatoire’s or Acme or Oliviers?” Eban asked. “Those places closed after the second flood,” the hoodie said and marched on. Eban stopped walking “Gone?” he said, his gaze sinking down at the sidewalk. “Second flood?” He looked at his hands, as if there was something written there that would explain, crib notes for some forgotten exam nightmare. He looked up as if to follow up his question and noticed his guide was almost half a block ahead. He hurried to catch up.
The streets were quieter on the Rampart side of Bourbon, just as Eban remembered them, but something was missing. There were no cars lining the curb. There were just a handful of gaudy colored little toy things that looked like a cross between a golf cart and the car George Jetson drove, each plugged into an outlet on a small post with a horses head at the top. The carts were painted on the side like cabs: Condo Conti, Vacance en Dauphine, Burgundy Street Guest Houses. The scene made Eban think of exclusive beach resorts of the sort that did not allow cars but gave each guest a buggy to use to get to the beach or the golf course. “Precisely,” the hooded voice said, as if once again reading Eban’s mind.
As they passed Burgundy headed toward Rampart Eban noticed the wall. At first he thought it was just the commercial building that had once stood between Rampart and Basin, but as they came out onto Rampart he saw it was a high wall that ran up and down where the neutral ground once stood. The river side of Rampart inside the wall was filled with men, but it was not the crowd Eban expected. These men looked like the spillover from a lobby of a hotel booked solid with visiting dentists, mixed with packs of boys wearing shirts with fraternity letters on them The women stood apart, on the steps of the houses or hanging out of windows, bare-chested in tiny miniskirts , or in burlesque lingerie, or in nothing more than body paint.
The black uniforms of the security district strolled up and down the street in pairs, stopping to eye the knots of drunken men as they approached the women. The men would stop, made hesitant by the guards’ stare, then the girls would grab them by the arm and lead them laughing down the alleys and into the doorways, and the guards would pass on. The sign on the corner did not read Rampart. It said Storyville. “Got to give the tourists what they want,” the hoodie said, pausing a moment while Eban took in the tableaux. Then it grabbed his arm, and started to frog march him toward the wall. “Hey, wait, where are we go… ”. Eban’s voice was cut off as they passed through the wall.
They were standing on the lake side of Rampart. The street was brightly lit by high street lamps but deserted. “How the hell did that happen?” Eban asked, but the hood just turned briefly toward him then started again to walk toward Basin Street. Eban just shook his head like a dog shaking off water, and hurried to catch up. “Are we going to the cemetery?” he asked the dark hood. “Not this one,” the voice inside the hood answered. “There is another. We have to catch a bus first.” It turned left at Basin and started to walk toward Canal Street.
The old housing project still stood on Basin, but it was dark. “Where are the people?” Eban asked. “Gone,” the hood answered. “Most could not to come back after the second flood. A lot were drafted into the Army after the riots.” “What riots?” “The government announced after the second flood that any return would be limited by lottery, and that the lottery tickets would be sold,” the hood said. “Most couldn’t afford tickets, and they wanted to come home. When they burned all the trailers in the New Treme resettlement park up by New Roads and rioted in the streets in Houston, a lot of the men were swept up and sent off to fight in the Chindopak.”
“Chindopak?” Eban asked, his voice cracking as he stopped dead in the sidewalk. His breathing grew heavy and his chest heaved as his body wrestled somewhere deep inside between anger and panic. “What. Second. Flood. You have to tell me. What the hell happened?” Eban labored to speak between gasping breaths, and finally bent over and put his hands on his knees and tried to get his breathing under control. “You have to tell me. Damn you.” The spirit had walked ahead a dozen steps. It stopped and turned. Laughter came out of the dark shell of a hood. “Damn me”. More laughter. “Too late,” it said, something like a chuckle in its voice, if you put a chuckle down the garbage disposal. “You need to worry about your own damnation. I’ll take care of myself.” It held out its sleeve toward Canal. There was a hand, Eban noticed this time, black and gaunt like an overcooked turkey wing, a thing of skin and bone. “Come on. We have a bus to catch. I’ll explain while we ride.”
***
“Yes, they built up the levees,” the spirit explained as it stared out the window , the ancient bus rumbling down a dark and lamp less Canal Street “ One of the new pumping stations was overwhelmed and the lakefront was inundated. The core city was saved by the second line levee they built over the old railroad embankment through Mid-City. That’s when they started to build the high-rises, to pull everyone into the high land in the old city’s footprint. No one argued this time.”
The bus slowly rumbled down Canal Street empty and surrounded by darkness. “No one knows where the fire started, but with several feet of water in the streets of Mid-City firetrucks couldn’t come and this section mostly burned,” the spirit said. Eban measured their progress through the dark by noting the intersections where the car stopped, although there was no cross traffic and no one got on or off: first narrow Galvez, then wider Broad and finally the open expanse of Jeff Davis. Here and there in the dark were bright islands of light, illuminating rows of identical white trailers on city blocks covered with white clam shell and surrounded by metal fences. “They built these parks for the workers they need to keep the tourist industry going.”
“I don’t understand. After the flood….” “The first flood,” the spirit corrected him. Eban stared straight ahead and through the empty bus for a moment, then down at his hands again and resumed. “After the flood, we all came back. We worked so hard. How could it they let it all happen again?” Eban looked not at the hooded spirit but up at the roof of the bus. “How could it happen again? How could it all turn out so wrong? ” sounding like a child who had just been told there would be no Christmas. The hoodie continued to contemplate the dark windows, ignoring Eban’s question. The bus rumbled on and Eban turned the other way and likewise stared into the darkness that surrounded him.
The bus pulled up to Carrollton, and the driver announced, “Cemeteries. End of the line,” as he set the brake and stepped out to light a cigarette. The hoodie stood up and waited for Eban to do the same. He rose up and walked unsteadily down the aisle toward the door, grasping the railings at the stairs until his hands turned white, unwilling to step out. “Go,” the voice behind him said, and its bony hand gave him a push.
He stepped out into the single bright street light that stood over the driver’s toilet and looked into the darkness. Moonlight glinted off the rows of white metal boxes that marched off into the distance on the lakeside of Carrollton. “Why isn’t this trailer park lit up?” Eban turned toward the hoodie and asked. “Because it’s not a trailer park,” it answered. “It’s what the driver said: Cemeteries.”
Eban walked slowly away from the light and toward the field of white boxes. The play of the darkness and the street lamp had confused his sense of proportion and perspective. The boxes were too small to be trailers. “Tombs,” hoodie said. “Government-issue ovens, like the trailers just scaled down for their new occupants. When this section burned, they turned it into a cemetery.”
Eban’s slumped like a cheap suit jacket on a wire hanger.
“When the new pumping stations and the high levees were finished everyone started to feel safe. They grew tired of evacuating for every storm. The first flood faded into a memory, like a story their parents told, something they never thought could happen again. All of it faded: all their parent’s work to rebuild the city. They forgot what it was like when the city flooded the first time.
“They grew complacent, stopped paying attention to what the government did. Or rather, what it didn’t do. Part of it was exhaustion. They fought for decades and were just worn out. The children didn’t remember because their parents grew tired of talking about it. Like their parents before them, everyone just assumed all the work was behind them, that the levees would protect them.
“After the second flood, this is where they put the dead,” the hoodie said, “the people who stayed, the ones who didn’t remember.”
Eban turned away from the tombs and looked up dark Carrollton Avenue toward the park. This was his old neighborhood, the streets he had run as a child. Everything he remembered, all the old storefronts on the riverside: gone. Venezia’s and Brocato’s, the old bar with the red door and the new Spanish place that opened after Katrina, the whole river side of the street was wiped clean. The old Reuters building was a hulk in the distance. And on the other side the white tombs marched away into the distance until he could not see but only imagine them enveloping his old house, flowing on until they merged with the old cemeteries he knew: St. Patrick’s, the Mason’s, Odd Fellows, Greenwood.
Eban collapsed to his knees and wept. The bus driver ignored them and climbed back into his bus and drove off. He had seen it before. The spirit stood there watching, silent. Finally, Eban looked up. There was a faint shimmer of twilight in the east. Soon the sun would come up. He rose unsteadily to his feet and turned toward the hooded spirit.
“If you are the spirit of a Future Christmas, then it’s not too late, is it?” Eban asked, his voice still cracked from his tears. “Isn’t that how this works, just like the old Dickens’ tale? If we don’t stop fighting, and always remember, it doesn’t have to be like this? Isn’t that it? Isn’t that how this works?”
The hooded figure was growing transparent as the sky grew lighter. Eban could see the the cemetery through the sweatshirt and black jeans. As it slowly faded it echoed his words back to him not as a question: as a statement. It raised its bony hand one last time and pointed at Eban. “Don’t stop fighting,” it said, the voice growing fainter as the figure slowly vanished. “Remember…”
***
Eban sprang up in bed, knocking over a tumbler half full of water and the bed side lamp. The back door of the bedroom in the shotgun house was open, and he heard his wife asking, “What was that?” He could smell coffee. He jumped out of the covers and ran around the bed to the back door and stuck his head out. “What’s today?”
His wife gave him a puzzled look. “Merry Christmas?” she said as much a question as a greeting. “Are you okay?”
“It’s not too late!” he whooped as he took three steps in two hops. He ran over and knelt beside his wife and gave her a bear hug. “Not too late for what,” she asked, “to make coffee? I took care of that.” “Mmmmmmm, never mind, Merry Christmas.” He held her silently for a moment. “I’m sorry, I just had a really weird dream.” He let her go, stood up and stretched. “Do I smell coffee?” “Uh, yeah, that’s what we were just talking about. You forgot to make any last night, goofball. I think you had a bit too much Christmas Eve cheer.”
“Yeah, coffee sounds really good right now. Are the kids up?
“No, so try to be quiet.” His children were teenagers, and as likely to sleep in Christmas morning as any other holiday of the year. They had opened their best presents on Christmas Eve, a habit his wife had brought down from the Midwest.
“OK.” He climbed up the steps to the house and tried to walk as quietly as he could over the hardwood floors. Living in these houses was like living in a boat. You could hear everything. He wondered again how entire families had managed to live in half of the double they converted into a single home. He grabbed some coffee in the kitchen and went out to the front porch, leaving his wife alone in back with her kitchen to-do list and her coffee. He slid the latch as silently as he could, and stepped out onto his porch and looked up and down his street. The mostly shotgun houses ran off in both direction as far as he could see and in his minds eye he could follow Annunciation Street all the way through the city to the French Quarter.
It’s not too late, he thought as he sat on the stoop and sipped his coffee and took in the warm Christmas morning in New Orleans. “It’s not too late,” he said out loud to a passing cat, one of the dozen ferals that lived on their street. It came up and he scratched its head. “We just have to remember, and never give up.” Two children from the house on the corner rode by on shiny new bicycles, laughing. A neighbor ducked out in her robe for the newspaper, and waved and shouted a Merry Christmas. As he echoed “Merry Christmas” with a broad smile and a wave, the bells Nativity Church rang for early mass.
A Long Winter’s Nap December 24, 2011
Posted by Mark Folse in 504ever, A Fiction, Dancing Bear, NOLA, peace, Shield of Beauty, Toulouse Street, Xmas, Yule.add a comment
Toulouse Street is now on holiday autopilot until the eggnog is gone. I’ve posted a few of these before but we all have our own old chestnuts to roast and the one original story is rewritten and I think improved.
The sun has closed it’s circle and is born again. As we gather around the fire with our circle of family and friends to tell the old stories may it’s waxing light warm the hearts of believers and nonbelievers alike.
Xmas Adam December 23, 2011
Posted by Mark Folse in New Orleans, NOLA, Toulouse Street, Xmas, Yule.1 comment so far
Its Christmas Adam, I used to tell the children. They would roll their eyes. Because Adam came before Eve, I added. Whatever.
It may be my favorite made up holiday, better than Festivus, but I am the busiest unemployed person I know: call back two recruiters and the man about the apartment up the street (which means it’s mine if I want it). Then I’m off to pick up a turkey ordered from Whole Foods in Metairie, just across from Lakeside, on the Friday before Christmas. What was I thinking? Then Rouse’s for the making of Indian corn. Does Whole Foods even sell creamed corn? Even if they do, Rouse’s will be cheaper, but the idea of doubling up on check-out lines this close to Christmas is daunting.
I have to run my daughter to work, wrap presents, pick her up again later, and somewhere in there pick up the apartment before my son comes Monday, vacuum at least the front room where he spends all his time on the sleeper sofa (unless, of course, I take that two bedroom apartment). Moving even my few sticks of furniture is not on the list of holiday worries. Don’t think about it.
Tomorrow I will go with my mother and sister to Revillion dinner at ‘, at 3:30 pm, the best reservation I could manage because I always think about doing this two weeks before Christmas. Next year, I resolve, I will call at Thanksgiving. And quit smoking. And lose 30 pounds. Yeah, right.
If I survive all this I can look forward to a quiet holiday night, maybe drive around and look at some of the holiday lights, a coffee traveler of hot buttered rum in the cup holder, except that Rouse’s is sold out of allspice since Thanksgiving and never restocks before Christmas. (Add to resolutions: buy allspice before Thanksgiving). Then I can finally settle down for a long winter’s nap.
Or I could look up who’s playing on Frenchman tonight (add to resolutions: drink less coffee), imagine some trumpeter’s singing is the gravel-gargling voice of Pops doing Christmas Time in New Orleans because, well, it is.
Odd Words: Long Winter’s Nap Edition December 22, 2011
Posted by Mark Folse in New Orleans, NOLA, Odd Words, Toulouse Street.1 comment so far
Art isn’t anecdote. It’s the consciousness we bring to our lives.
– “Dear Sugar” on TheRumpus.net
Its the busy holiday week for most people but there aren’t any readings of note and your favorite local indie bookstore is hopefully too busy ringing up the gifts to have anything going on. 17 Poets! is off for their holiday break and there is no reading at the Maple Leaf on Xmas Day.
I would check the Writer’s Block Facebook page to see if they’re meeting up on Boxer’s Day, and the same for Spoken Word New Orleans weekly Friday night event at the Red Star Gallery.
As you sit with family and friends this weekend, keep Sugar’s quote in mind. Collect up those anecdotes and family stories, and carry them home with the presents. Spend your lazy, overfed Sunday night weaving them into a tapestry of story. Imagine your own character in that narrative, and as you come up to the New Year’s begin the next chapter in your head, or better yet, write it down.
Resolutions are anecdote, fodder for idle holiday conversation. Oh, I promised to lose 20 pounds. How about you? Instead of making a list with the shelf-life of leftovers, take the beer man’s advice and write your own future.
Now is the Winter of our Discomfort December 18, 2011
Posted by Mark Folse in Carnival, Christmas, New Orleans, NOLA, The Odd, Toulouse Street, Xmas.4 comments
The cranky gas wall furnace is so old I sometimes think it is here by order of the Historic District Landmarks Commission, the committees we have set up to preserve New Orleans historic character by regulating with the fickleness of ancient gods such critical items as the appropriate style of doorknobs allowed. The ugly grey panel inset on my wall is inefficient, unreliable and expensive: the very model of histrionic preservation, but I believe it mostly remains through the inertia of a typical New Orleans landlord. It still works, after a fashion, so it stays. Its cousin the floor furnace is largely extinct as a result of the flood, and the wall furnace lacks the charm of stepping on a metal grate barefoot or the portal to hell sensation of passing over one in operation, but it’s what I have.
The instructions of operation on my wall furnace are so faded that with an eight-cell flashlight and my readers on it still requires the skills of a document historian experienced in the decoding of ancient and marginally legible texts to make them out. Fortunately, it is not my first, and even after 30 years I remember how to turn the regulator just so and to warm the temperature sender for a bit to get the pilot lit. Thank the gods for the invention of stick lighters, as this was once an operation requiring a pile of kitchen matches that brought back memories of reading Jack London’s To Build A Fire.
Once the faint pilot is flickering, after an extended period prone on the cold floor holding down the starter and counting slowly to sixty by Mississippis while the sensor warms up enough to keep it going, you can at last turn on the heat. I know never to turn the gas up past the point it just starts to flow, and to keep my face and arm out of the immediate vicinity of the works. Crank it up too high because the house is cold, the floor is colder and you are desperate for some heat and the explosive blow-back of ignition will belch out of the access panel like a dragon with indigestion.
Winter this far south is not the cozy Rockwell fantasy of the paintings of Thomas Kinkade. (Yes, there is a link. Follow it at your own peril unless you have a large collection of cherubic porcelain children). Our vistas are not snowy landscapes of farmhouses set against a backdrop of evergreens with a skating stream or pond in the foreground and perhaps a horse drawn sleigh in there somewhere. It is brown lawns and winter killed uncut lots, the latter revealing a year’s collection of litter, which is one of New Orleans’ major local products after cheesy t-shirts and tourist vomit.
Our winter season is a confusing mix of Indian summer days and a cold damp so penetrating we must swath ourselves in animal skins like Neolithic primitives. You can keep your expensive, technical mountaineering shell and layers of fleece that work so well for Nordic skiing. Nothing but a thick layer of wool or a shell of leather can keep out the wet chill. The pea coat will never go out of fashion in New Orleans because it is not a matter of fashion but survival. I spent my time up north decked out in Cabella’s most modern fabrics learning to navigate a pair of beaver tail show shoes, awkward constructions of bent wood and tanned animal sinew. with a design dating back to the flint knife. Originally a gift that spent a few years crossed on the wall, my friend who gave them to me insisted they were fully functional and he was right. It was good to get out of the house for some reason other than shoveling, scraping and chipping away winter to a standard acceptable to finicky Nordic neighbors fond of an orderly neatness that does not come naturally to a born Orleanian. Give me a good pea coat for a trip through the French Quarter any day.
Forget a roaring fire. The bricked in hearths below the lovely mantels that rob you of a functional wall were designed for shallow coal fireplaces. I had one still open for use when I lived on Carrollton Avenue that I determined would still draft by lighting a small torch of newspaper. I confirmed it was not terribly obstructed by getting my eyes and a flashlight up the flue by a contortion usually only attempted by advanced students of yoga. Still, it could just manage the smallest of commercial press-wood and paraffin fire logs. I’m sure it had not been properly serviced by a chimney sweep since the last ice man sold his mule to the tourist carriage companies, but somehow we managed not to burn the building down. The first Christmas Marianne and I had the family over for Christmas dinner I fired it up, hoping the most festive part of the afternoon would not be the arrival of the fire department but the damn thing worked and I miss it.
We are simply not built for winter in New Orleans: not our homes, not ourselves. Every few years the city gets the idea to line Canal Street with palms to amuse the tourists but one good, hard freeze (the local equivalent of a howling blizzard) and they are gone again. City government is a dumb and lumbering beast that survives because is just to big to kill, and then what would your Delgado drop-out cousin do if not supervise the mowing of the neutral grounds? If we had real snow down here, we would all die after burning up the last stick of furniture before they would get the plows out.
§
Other than the icicle winds there are few signs of winter in New Orleans. The feral green parrots still favor the neighbor’s tree, some weedy thing that has managed 30 feet but is so covered in cats claw it is impossible to determine the species. There is an odd dissonance in sitting out for a cigarette in a sweater, thick flannel pajama pants, and my L.L. Bean slipper socks (indispensable for uninsulated hardwood floors) listing to their raucous tropical chatter.
Few trees change color down here to warn of winter’s approach. Only the cypress and some species of birch favored by northern transplants reliably show some Fall color and the fickle things wait until just before the solstice to change. I remember brilliant October afternoons driving the winding roads and low hills of western Minnesota, stopping along the way for pumpkins and apple butter. Here the display of bright orange and red leaves is a catch as catch can affair, and must be viewed between the blustery cold front that triggers the brief display of color and the next which blows the leaves away. Before you know it, industrious homeowners and city workers are out blowing all the leaves into the gutters, ensuring we will all enjoy the occasional use of our pirogues and canoes in the flooded streets.
Winter does have it charms. There is the arrival at your holiday party of a fabulously drunk contingent just out of some other booze-fueled party, intent on making hot-buttered rum, spilling liquor and sugar and melted butter all over the newly installed granite counters. This drives the lady of the house to distraction–convinced they will be ruined–in spite of all of your attempts to explain that the damn things are rocks forged over geological time and not likely to be dissolved by hot dairy products.. There are the fiery hogshead cheese and pickled okra, the Pickapepper sauce over cream cheese and the oceans of alcohol to warm everyone with festive cheer.
Winter is racing season at the Fairgrounds. While bundling up to drink the best Bloody Marys in the city while gambling lacks the rustic charm of snow-shoeing or a sleigh ride through the park, it does get you out of the house and all of the frantic jumping up and down and hollering does get the blood flowing. There are the festive lights that the city’s residents take to a level only a place trained by the gaudy display of carnival would attempt. An inflatable Santa astride a Harley-Davidson may be a universal American icon of Christmas, but there is a Chalmette-aptness to them down here.
And while the rest of America settles in to watch the bowl games, sipping non-alcoholic cider next to their roaring fireplaces, we are busy pulling out hot glue guns and feathers, spilling sequins all over the kitchen floor, because Mardi Gras is just around the corner. Come Twelfth Night, when the true believers in the spirit of Creole Christmas will haul out their tinder-dry trees to the curb, we will all bundle up in our animal skins and pea coats to observe the ancient ritual of a mob of happy drunks boarding a streetcar to inaugurate Carnival. You can keep your ice-skating outings and sleigh rides. Me, I’m ready for the real pleasure of winter: the first parade of the season.
23 Skidoo December 17, 2011
Posted by Mark Folse in cryptic envelopment, Dancing Bear, New Orleans, NOLA, The Odd, Toulouse Street.Tags: Jesus, John Prine, The Lost Years
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No Hostilidays on Toulouse Street this year, but here’s a bit of holiday cheer in honor of John Prine’s visit to all good little boys and girls tonight.
The ever-bright hole in the door December 17, 2011
Posted by Mark Folse in cryptic envelopment, New Orleans, The Narrative, Toulouse Street.7 comments
“Well, I’m all for leaving and that being done,
I’ve put in a request to take up my turn
in that forsaken paradise that calls itself “Hell”
where no-one has nothing and nothing is- well-meaning fool,
pick up thy bed and rise up from your gloom smiling.
Give me your hate and do as the loving heathen do.”
– Ian Anderson, from “The End” in A Passion Play
Are you OK? a friend asked by email after a few of my last blog posts. You sound depressed.
Well, the country is being overrun by the very sort of people last century’s Greatest Generation fought to save the world from. The arctic ice sheet is collapsing and you live about two feet above sea level. The world seems poised for apocalypse on a scale only the Christianist fascist in the check-out line next to you at Rouse’s can fully imagine. Your job is being sent overseas (OK, Richmond, VA but to me its about the same thing) or you are being replaced with a lower-wage import from Asia, and you have no immediate prospects in the middle of what the media have wisely decided not to call the Second Great Depression lest people start jumping from windows. My personal life? Don’t ask.
Fine thanks. And you?
Actually, I try not to dwell on all the above too often.I had to give up watching the national “news” of the he said/she said and talking heard variety years ago. I tend to get angry rather than depressed and that slow-motion-movie-helicopter sound in my ears tells me I should remember to check my blood pressure next time I’m in the drug store. The world is full of angry people and I would rather not be one of them. To surrender to anger is to not merely peer into the abyss but to jump in feet first, and whether your benchmark of evil is Ground Zero or Sabra and Shatila I have no use for anyone’s merciful god whose holy icon is a rifle. You can stick your head in a bottle of pills, or maybe just a bottle. Or you can watch the Emmys or Housewives.
I’m going to write, and not about any of the above. I was going to post about the destruction of an entire eco-system and indigenous culture to build a dam in Brazil, but decided against it. If you care about the news, you probably saw it. No need for me to repost the picture of the crying chief of the impacted people. There are two threads to this blog, a Narrative that is–to borrow Tim O’Brien’s clever subtitle for the highly autobiographical The Things They Carried, A Fiction–and another to catalog the city that will likely join Atlantis beneath the waves in a few generations. The last thought is enough depressing a concern to last a lifetime, but the writing of the city is also the source of great satisfaction and a worthy way to spend one’s time.
It’s a wonderful life.
The Lost Garden December 16, 2011
Posted by Mark Folse in cryptic envelopment, New Orleans, Poetry, The Narrative, Toulouse Street.add a comment
When in doubt and the words run out: poetry. It’s been that kind of a weird week anyway, somewhere between Borges and Cortazar, while trying to finish Murakami’s 1Q84, which is a way to say through a looking glass darkly.
Adam Cast Forth
By Jorge Luis Borges
Was there a Garden or was the Garden a dream?
Amid the fleeting light, I have slowed myself and queried,
Almost for consolation, if the bygone period
Over which this Adam, wretched now, once reigned supreme,
Might not have been just a magical illusion
Of that God I dreamed. Already it’s imprecise
In my memory, the clear Paradise,
But I know it exists, in flower and profusion,
Although not for me. My punishment for life
Is the stubborn earth with the incestuous strife
Of Cains and Abels and their brood; I await no pardon.
Yet, it’s much to have loved, to have known true joy,
To have had — if only for just one day –
The experience of touching the living Garden.
Odd Words December 15, 2011
Posted by Mark Folse in books, literature, New Orleans, NOLA, Odd Words, Poetry, Toulouse Street.add a comment
I was a bit tardy in getting up the podcast from last week’s 17 Poets! but it’s up there as of this morning. If you haven’t noticed that Podcast page, it includes performances from local readings, and panels of literary events including the Louisiana Book Festival and the Faulkner Society Words & Music Festival. The Roy Blount interview of novelist James Wilcox is flat out hilarious which won’t surprise fans of the radio show Wait! Wait! Don’t Tell me. Just click on the Podcasts tab at the top of the page.
& 17 Poets! Literary & Performance Series closes out its Fall seasons with Black Widow Press authors’ readings with poet, film maker, novelist and translator Julian Semilian and musician, vocalist and translator Laura Semilian followed by Open Mic hosted by the man Roy Blount Jr. hopes to be when he grows up, Jimmy Ross. Semilian is the foremost translator of avant garde Romanian literature. If that description makes your blue stockings run it shouldn’t. It is truly fascinating work and the Semillians are charming performers and, as host Dave Brinks would put it, “fantastic human beings.” Thursday Dec 15 at 7:30 p.m.
& On Saturday Octavia Books presents New Orleans architect, painter, professor Errol Barron in celebrating the release of his fabulous new book, NEW ORLEANS OBSERVED: Drawings and Observations of America’s Most Foreign City.Barron uses drawings and written observations to reflect on the physical nature of New Orleans and how it may offer alternatives to urban design as found in so many American cities Saturday, Dec. 17 at 2 p.m.
& Start the holiday’s off right by starting to put on a few extra pounds when Mitchell Rosenthall and Jon Pult discuss and sign their book, Cooking My Way Back Home at Garden District Books. Rosenthal delivers the same warmth, personality, and infectious enthusiasm for sharing food as can be found at his wildly popular San Francisco restaurants, Town Hall, Anchor and Hope, and Salt House, where he blends Southern-inspired comfort food with urban sophistication and innovation, for exciting results. The book includes the classics (Shrimp etouffee), updating regional specialties (Poutine), elevating family favorites (Chopped Liver), and reveling in no-holds-barred, all-out indulgences (Butterscotch Chocolate Pot de Creme).
& Also starting this evening two Maple Street Book Shop locations are all about starting you out on those extra holiday pounds. first, local culture mavens Peggy Scott Laborde and Tom Fitzmorris will be at our Maple Leaf Book’s Healing Center location on to chat about Lost Restaurants of New Orleans.Thursday, Dec.15, 6:30-8:00 pm. At the Uptown location John Besh makes a case for the comforts of home and hearth in My Family Table: A Passionate Plea for Home Cooking on Thursday, Dec. 15, 6:00 P.M. Laborde and Fitzmorris will also visit the Bayou St. John location Tuesday, Dec. 20 6:30-8:00 P.M
& Every Friday at the Red Star Gallery Spoken Word New Orleans offers Acoustic Fridays at 9 p.m. $5 with college i.d./$7 without. Friday, Dec. 18, doors at 9 p.m.
& On Saturday award-winning author/storyteller Dianne de Las Casas and illustrator Holly Stone-Barker for a cookies & cocoa pajama party, shadow puppet show and book signing featuring their latest children’s picture book. Blue Frog: The Legend of Chocolate. Think of an Aztec Prometheus gifting chocolate to mortals. This sounds like the sort of book that makes me look forward to grandchildren. Recommened for ages 4-8. Saturday, Dec. 17 at 5 p.m.
& Saturday and Sunday are your last chances to catch The NOLA Project production of Shakespeare’s Romeo and Juliet inside the museum’s Great Hall. Shows will be on Dec.17 and 18 at 7:30 p.m.
& On Sunday the Maple Leaf Bar Reading Series features readings by contributors to the short fiction anthology, Something in the Water, Portal Press, ed. by John Travis. Sunday, Dec. 18 3 p.m.
& On Monday, join local poets and performers for the weekly Writers Block on the steps across from Jackson Square on Decatur Street. Monday, Dec. 19 at 9 p.m.
& Also on Monday is the monthly meeting of the New Orleans Haiku Society at the Latter Memorial Library. Monday, Dec. 19 at 6 p.m.
If this sounds like a quiet week, consider that it’s the holidays and guest authors are probably not much interested in traveling, but it is that time of year to think about visiting your local, indie bookseller to get in that last minute Xmas shopping.
A Dream Deferred December 11, 2011
Posted by Mark Folse in New Orleans, Ninth Ward, NOLA, postdiluvian, Toulouse Street.1 comment so far
I don’t remember whose grandmother it was I went with Graydon to help fix a leaky tap I think. It might have been Graydon’s or Wanda’s but that’s not important. That she was the last white woman living in her Ninth Ward neighborhood somewhere far up St. Claude in the late 1970s is what I remember.
I remember Graydon urging her to consider moving out of the ramshackle single, not out of any sense of racial urgency but because the place was falling apart. The Ninth Ward was where working class New Orleans lived, often in houses built and always maimipntained by the man of the house, and a widow didn’t have someone around to keep the place up properly. Her neighbors had fled but she was having none of that. This was the house she and her husband had spent their whole lives, raised a family. She wasn’t moving.
In the early 1960s the first attempts were made to desegregate New Orleans schools in the Ninth Ward. I don’t know why they chose McDonogh 19 in the Lower Nine and William Frantz on N. Galvez in the Upper Nine. Perhaps it was more palatable to start in a politically disempowered working class neighborhood. Perhaps they thought the working class parents would provide just the sort of reaction the situation called for, the self-appointed “cheerleaders” described in the Encyclopedia of Louisiana’s chapter on The New Orleans School Crisis, the women who gathered in screaming mobs to curse and spit poor Ruby Bridges as she walkedalone to first grade flanked by federal marshals.
I don’t remember those scenes on the local television. In 1960 I was three years old, still living in Lakeview next door to my mother’s parents, and in love with my pedal firetruck. It was not until the early 1970s, when upper middle class Blacks first bought homes along St. Bernard Avenue, north of Harrison Avenue, that I witnessed this mindset firsthand. This was not a working class neighborhood. Owens Boulevard is a serpentine street lined with impressive homes that would not look out of place north of Robert E. Lee, would in fact dwarf many of the levee board houses and modest ranches that still dotted Lake Vista, before the late invasion of the McMansions. When someone traitorous buckled and sold to the first Black invaders, people who could afford such homes, the panic began. They would move in their entire extended family, everyone said, and park their cars on the lawns. It was then the retreat began, the white burghers falling back down St. Bernard like the retreating Confederate Army.
Times have changed. My oldest friend and his mother still live in their modest brick ranch on Dove Street in Lake Vista, sandwiched between monstrous houses that block the sunlight. On oneside lives a Black dentist who built to the property line and then up to the sky. And I am a child of Lake Vista seriously considering a half double on Bartholomew, second block north of St. Claude, just a few blocks from Poland Avenue and the Industrial Canal.
The owner, Miss Kelly, has outgrown her half of the double she owns. She and four children are squeezed into the two bedrooms between the front parlor and the kitchen, the baby happily kicking in the middle of her bed and it as time for something larger. I asked about the neighborhood, meaning crime, and she launched into a description of the people living there, stressing it was becoming a mixed block: the carnival float artist who lived two doors down, the lesbian couple who had just bought one of the houses. The rest were “mostly settled people”, by which she meant to delicately say that the Black families were upright folk.
I’m looking in the Ninth to keep my rent low, to stretch out my severance long enough to get at least one semester of my abandoned B.A. knocked out at UNO. Maybe spring and summer semesters, if I juggle the money just right, tuition paid as part of a retraining allowance. The rents in my current neighborhood, Faubourg St. John, are outrageously high. I could get a two bedroom in the old complex on Wren Street in Lake Vista much cheaper, but I don’t want to move back to suburbia.
I am an urban creature by long habit, since leaving the quiet confines of Lake Vista, and I have lived all over town–Gentilly, Treme, Carrollton. In Washington, D.C. I lived for several years on 4th St. N.E. behind Union Station, behind solid bars. (If you live in the city long enough, you become a connoisseur of iron bars, preferring them outside for aesthetic reasons, so long as they are well anchored with long and heavy one-way screws. I would just as soon live downtown or as close as I can, where I spend my free time, in the bars and restaurants and theaters of that booming bohemia.
That booming bohemia: the words are like the diagnosis of the first symptom of a coming illness. Once the artists and musicians and hangers on have settled in and fixed up the old houses of a neighborhood half abandoned by the long ago white flight, a better class of people start to move in for the atmosphere; not the artists but the gallery owners, and young professionals looking for a short commute to downtown and just a bit of funk to give their neighborhood character. Up go the rents, and out go the first settlers, in the long repeated pattern of gentrification. I would love to live in those places but the rents in he Marigny and now much of Bywater are also going through the roof, and places in my budget are often taken the same day they appear on Craigslist.
Bartholomew is not in the center of all that. It is a good mile past the Press Street tracks. After years in Mid-City, not more than 20 minutes from anywhere, I would be moving to the edge of town, would probably start shopping for what I cannot find in the city in Chalmette instead of Metairie. Riding my bike instead of driving to go out would be a much more athletic exercise if I had taken the place I looked at Marigny Street, an up and coming corner of Treme just up the block from the sign announcing a Tuba Fats memorial park in a so far empty lot. Hell, I could walk to a lot of my favorite haunts from there, but the prospect of painting the ugly beige-brown walls of a large place with 12 foot ceilings seemed too daunting.
I haven’t made up my mind about Bartholomew yet. I told Miss Kelly I wanted to drive by at night, and she understood. I had looked at other cheap apartments and come back at night to find characters on the corner I would rather not have as neighbors. I came back that night and drove not just Bartholomew but quartered the streets all around, and was struck by how much it looked like Mid-City or south Lakeview. There are a few abandoned houses and some uncut lots where the state took homes flooded after Katrina, but there are more Xmas lights illuminating the well cared for yards than in fashionable Faubourg St. John, bright new paint on the cottages and shotguns. It looks like a pretty nice neighborhood.
For all of the strife in this town, the racism we all carry just beneath out skin–white and black, imbibed with our mother’s milk–the city seems to have turned some corner. We are not comfortable with sudden change, and the proximity of Bartholomew to the history of William Frantz and McDonogh 19 (now the Louis Armstrong Elementary) remind me of that.
Gradual change is more our style, and while the residents of Audubon Place plotted a new New Orleans in their own image behind their guarded gates and the Black politicians railed on WBOK-AM against them, something quieter was happening. My mother’s apartment building on Esplanade at the Bayou, once the last stop for elderly whites, filled with the Black middle class from New Orleans East waiting endlessly for their Road Home check. My mother missed her old friends who didn’t come back, but nothing else changed much. The dentist built his grand house on Dove Street and no one panicked. People like me started looking north of St. Claude for places to live, and none of the neighbors I talked to (I always try to chat up the neighbors if they’re out) seem concerned. A quiet block is a quiet block, and if you’re going to fit into that pattern, well, that’s fine by everybody.
While the grand plans for a new New New Orleans were mostly abandoned, the upheaval and displacement of the Flood accelerated a gradual process already under way, a redistribution of the population of New Orleans in which people are judged by the content of their character (and the contents of their bank account) rather than by the old standards Once that was only a dream but my search for an apartment has taught me otherwise. Langston Hughes A Dream Deferred has not exploded, for all the crime and frightening statistics about incarcerated Black men. A Black man with an Islamic middle name sits in the White House, and the once bitterly divided people of New Orleans are settling into new patterns. The dream has waited patiently just beneath the surface, waiting for a change of seasons, the most famous dream of our generation peeking through the soil washed by the Flood, waiting for its moment to blossom. Perhaps that time has come, and we’ve hardly noticed.
Baudelaire’s Ear December 10, 2011
Posted by Mark Folse in cryptic envelopment, film, movie, New Orleans, Toulouse Street.Tags: Federico Fellini
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“Its the same story the crow told me/Its the only one you know” — Robert Hunter for the Grateful Dead’s Uncle John’s Band
It is not the eyes that read “monsters” instead of “mothers” in the email subject line but some part of the brain that takes over at moments, the subconscious peeking into the light of day. You’ve opened a door somewhere you do not know how to close, or rather out of that door that hasn’t closed quite right since childhood—an ill-fitted cabinet that opens every time you close another—something darker sometimes comes.
Often the misreadings or mishearings arecomic. You still play them for laughs with your son. In the case of hearing you often understood what was said; the creature inside just chose to play its tricks for laughs. Lately it is a different sort of comedy team: ladies and gentlemen, appearing for the first time at The Brain, the stage sensation of The Other Side Coyote and Crow, trickster and messenger, the greatest practitioners of the art of pointed and painful message comedy since Penn and Teller.
You would not close this door if you could. The words that tumble out are something like a muse: “something like” because it is not the mythic Greek creature of the Romantics, the whisper of birds in Wordsworth’s ear, but closer to the taloned thing perched on Baudelaire’s shoulder, murmuring darkly in his ear. You would not make Van Gogh’s mistake. You wish to listen. You want the mad sun of Arles, to turn your twisted ear to hear the words so you might assemble them into some form, a scaffolding in search of teleological order like the sets of Synechdoche, N.Y.
To return to a recurring character here, Federico Fellini (because of his willingness to perceive and listen and ultimately confront the madness of the world), you would build the mad gantry from 8½ (to which Synechdoche is clearly an homage), the director character attempting to assemble some sense in his confused life, to pay any price to reach for the heavens. Guido Anselmi does not fail but discovers in the ending that the only escape is into the mad Bacchanal carnival of the final dance, not out of but into life, like Marcello Rubini leaving both monster and innocence behind on the beach. Somewhere in that act is the promise of his novel realized: out of the senselessness bordering on madness of life not an answer but a story.




















